8 tips on making video-chat guitar lessons as painless as possible.

When I was a kid, getting a letter from England or Germany or France was a huge, huge deal. It was exciting, and we saved anything we got from overseas like holy relics.

Enter email, and suddenly our friends in foreign lands are closer than ever. With the advent of social networking, anybody can have pals anywhere. And thanks to video chatting, we can talk to them as easily, and as cheaply, as we talk to our neighbors—and sometimes more often.

So why not teach guitar lessons via video chat? It’s completely possible, and though the quality of the video varies from decent to jittery, there is great value in the exchange of musical information over long distances.

And so, PG Nation, here are some strategies to ensure successful experiences:

Don’t use the wireless.
Use a cable and plug directly into a modem. Upload speeds of most residential ISPs are fairly slow, even if we can download three movies at once while playing World of Warcraft and listening to LastFM. But most people aren’t uploading huge files to the internet at home, so residential ISPs don’t offer lightning fast uploads (and those that do charge an arm and a leg to provide that service for a residential account). Wireless interfaces are usually even slower, so step one for a successful lesson is to plug directly in.

Be on time and make sure everything is running.
Don’t waste a lot of time early in the lesson trying to figure out why your student can’t hear you because your microphone turned itself off. Confirm everything is on and functioning before you start.

Get used to not being able to play together.
It’s like a speakerphone: simultaneous talking or playing is impossible, which can be frustrating. But it’s good enough to do a few demonstrations, answer questions, talk about upcoming lessons, and offer the personal experience of working with a teacher that DVD and YouTube lessons cannot. It does, however, take some time to get used to a lesser degree of hands-on with a student.

Be prepared to do a lot of work before and after the lesson.
Because of the video resolution, the fine detail needed to demonstrate technique will be lacking. Be ready to shoot some video after the lesson with a camcorder (I have an Olympus LS-20M that shoots great video and has two terrific internal mics that capture the sound extremely well), and make sure to use plenty of light. Notation and/or TAB may also be required, so having a music notation program is very handy. I like customizing lessons to the student, so I frequently find myself popping Finale open to do a little quick notation for them, which I can then export as a PDF to send later.

Devise a really good "to-do" system so you don’t forget to deliver what you promise.
Whether it’s writing everything down on a piece of paper, making notes in your smartphone, or tying strings around your fingers, be sure you make notes of what you promised to do—before the end of the lesson—and then do it promptly.

Getting paid.
Set up a secure method of payment, such as PayPal, so you can get paid directly. Below certain thresholds, PayPal is free except for nominal transaction fees. It’s pretty easy to use, and most people have some experience with it. PayPal also lets users create a button on their websites with their logo that will take a student to a page where they can pay securely via credit card or e-check.

Market yourself.
Put a link on your Facebook wall, or go nuts and buy one of those annoying ads that show up on the right side of the Facebook homepage. There are services that place web ads as well, and some of them are quite reasonably priced. Teachers who already have a website can add a video-lessons section with an email link and scheduling functions.

Repurpose your work.
Work smart, after you work hard. A lesson is your intellectual property, so you can use any video you record for multiple students, and even put some of your videos together and market that, either on DVD or for download, at a reasonable price point.

Ain’t technology grand?

Gayla Drake Paul is a guitarist, songwriter and writer, working as a soloist and with the Gayla Drake Paul Trio. Her CD, How Can I Keep From Singing, is in the Ten Essential CDs for Acoustic Guitarists at digitaldreamdoor.com. Her new CD, Trio Plus Three: The Luckiest Woman, can be purchased at CDBaby.com.

Equipped with noise reduction and noise gate modes, the Integrated Gate has a signal monitoring function that constantly monitors the input signal.

Read MoreShow less

A modern take on Fullerton shapes and a blend of Fender and Gibson attributes strikes a sweet middle ground.

A stylish alternative to classic Fender profiles that delivers sonic versatility. Great playability.

Split-coil sounds are a little on the thin side. Be sure to place it on the stand carefully!


Fender Player Plus Meteora HH


After many decades of sticking with flagship body shapes, Fender spent the last several years getting more playful via their Parallel Universe collection. The Meteora, however, is one of the more significant departures from those vintage profiles. The offset, more-angular profile was created by Fender designer Josh Hurst and first saw light of day as part of the Parallel Universe Collection in 2018. Since then, it has headed in both upscale and affordable directions within the Fender lineup—reaching the heights of master-built Custom Shop quality in the hands of Ron Thorn, and now in this much more egalitarian guise as the Player Plus Meteora HH.

Read MoreShow less

A blind horse wouldn’t be impressed, but this beautiful, double-horned instrument with one-of-a-kind engravings helped make luthier Tony Zemaitis famous.

Though they never reached the commercial success of some of their peers, the Faces have no doubt earned a place as one of the seminal rock ’n’ roll bands of the late ’60s and early ’70s. Combining influences as varied as instrumental funk à la the Meters, traditional folk music, and a heavy dose of rhythm and blues, the Faces brand of rock ’n’ roll can be heard in some way or another in the music of countless bands that followed. After the Faces folded in 1975, all five members went on to continue making great music, but their chemistry together was undeniable.

Read MoreShow less