The Review Demo maestro walks you through a descending lick that's a cinch to transpose to any key.
![The Jesus Lizard Rig Rundown [2025]](https://www.premierguitar.com/media-library/youtube.jpg?id=56479987&width=600&height=600&quality=85&coordinates=280%2C0%2C280%2C0)
Moth Electric's C. regalis overdrive pedal offers massive boost, natural overdrive, and searing distortion for guitar and bass. With active treble and bass controls, clean blend, Smooth/Crunch modes, and true-bypass switching, this USA-made pedal is a versatile addition to any pedalboard.
Adding a new model to their line of overdrives, Moth Electric has released the C. regalis. Equally suited for guitar and bass, the meticulously designed C.regalis is capable of massive boost, natural, singing overdrive, and searing mid-gain distortion. Its six op-amps power a dynamic, crunchy overdrive circuit with a suite of features including:
- Active treble and bass controls that allow for +/- 15db boost and cut. Perfect for tailoring the C. regalis to your instrument and amp.
- A powerful clean blend for introducing either your ampās natural character or another effect into the equation. Allows the C. regalis to become a more transparent overdrive.
- Smooth/Crunch modes, provide a subtle change in feel with āSmoothā increasing sustain and āCrunchā introducing high-order harmonics for additional texture.
The C. regalis offers the following features:
- Bass, Treble, Blend, Volume, Drive controls
- Smooth/Crunch modesā More volume than youāll ever need
- True-bypass switching, top-mounted jacks for easy placement on crowded pedalboards
- 9-volt DC operation with external power supply ā no battery compartment
- Designed and hand-built in the USA using through-hole components
The C. regalis carries a $179.99 price and is available for purchase at mothelectric.com.
For more information, please visit mothelectric.com.
OK WOW. Moth Electric C.REGALIS - Pedals and Tea EP 57 - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Jack White's 2025 No Name Tour features live tracks from his album No Name, with shows across North America, Europe, the UK, and Japan.
The EP is a 5-song collection of live tracks taken from Whiteās 2024 edition of the tour, which was characterized by surprise shows in historic clubs around the world to support the 2024 album No Name.
No Name is available now via Third Man Records. The acclaimed collection was recently honored with a 2025 GRAMMYĀ® Award nomination for āBest Rock Albumā ā Whiteās 34th solo career nomination and 46th overall along with 16 total GRAMMYĀ® Award wins. The No Name Tour began, February 6, with a sold-out show at Toronto, ONās HISTORY and then travels North America, Europe, the United Kingdom, and Japan through late May. For complete details and remaining ticket availability, please visit jackwhiteiii.com/tour-dates.
Whiteās sixth studio album, No Name officially arrived on Friday, August 2 following its clandestine white-label appearance at Third Man Records locations that saw customers slipped, guerilla-style, free unmarked vinyl copies in their shopping bags. True to his DIY roots, the record was recorded at Whiteās Third Man Studio throughout 2023 and 2024, pressed to vinyl at Third Man Pressing, and released by Third Man Records.
For more information, please visit jackwhiteiii.com.
JACK WHITE - NO NAME TOUR 2025
FEBRUARY
11 ā Brooklyn, NY ā Kings Theatre
12 ā Brooklyn, NY ā Brooklyn Paramount
17 ā Boston, MA ā Roadrunner
18 ā Boston, MA ā Roadrunner
21 ā Paris, France ā La Cigale
22 ā Paris, France ā La Trianon
23 ā Paris, France ā La Trianon
25 ā Utrecht, Netherlands ā TivoliVredenburg (Ronda)
26 ā Utrecht, Netherlands ā TivoliVredenburg (Ronda)
28 ā London, UK ā Troxy
MARCH
1 ā London, UK ā Troxy
2 ā Birmingham, UK ā O2 Academy Birmingham
3 ā Glasgow, UK ā Barrowland Ballroom
10 ā Hiroshima, Japan ā Blue Live Hiroshima
12 ā Osaka, Japan ā Gorilla Hall
13 ā Nagoya, Japan ā Diamond Hall
15 ā Tokyo, Japan ā Toyosu PIT
17 ā Tokyo, Japan ā Toyosu PIT
APRIL
3 ā St. Louis, MO ā The Factory
4 ā Kansas City, MO ā Uptown Theater
5 ā Omaha, NE ā Steelhouse Omaha
7 ā Saint Paul, MN ā Palace Theatre
8 ā Saint Paul, MN ā Palace Theatre
10 ā Chicago, IL ā The Salt Shed (Indoors)
11 ā Chicago, IL ā The Salt Shed (Indoors)
12 ā Detroit, MI ā Masonic Temple Theatre
13 ā Detroit, MI ā Masonic Temple Theatre
15 ā Grand Rapids, MI ā GLC Live at 20 Monroe
16 ā Cleveland, OH ā Agora Theatre
18 ā Nashville, TN ā The Pinnacle
19 ā Nashville, TN ā The Pinnacle
MAY
4 ā Austin, TX ā ACL Live at the Moody Theater
5 ā Austin, TX ā ACL Live at the Moody Theater
6 ā Dallas, TX ā South Side Ballroom
8 ā Denver, CO ā Mission Ballroom
9 ā Denver, CO ā Mission Ballroom
10 ā Salt Lake City, UT ā The Union Event Center
12 ā Los Angeles, CA ā Hollywood Palladium
13 ā Los Angeles, CA ā Hollywood Palladium
15 ā Santa Barbara, CA ā Santa Barbara Bowl
16 ā Oakland, CA ā Fox Theater
17 ā San Francisco, CA ā The Masonic
19 ā Seattle, WA ā The Paramount Theatre
20 ā Seattle, WA ā The Paramount Theatre
22 ā Vancouver, BC ā Commodore Ballroom
23 ā Vancouver, BC ā Commodore Ballroom
24 ā Troutdale, OR ā Edgefield Concerts on the Lawn
A dose of magic gain potion.
Works like a little vial of magic gain potion. Fattens without obscuring individual frequency bands.
None.
$129
Solodallas SVDS Boost
solodallas.com
The Schaeffer-Vega Diversity Systemāan early and very successful wireless systemāexcelled at the tasks it was designed for. But there was more magic than met the eye. Though designed to sound as transparent as possible, it nonetheless colored the signal in a way that people like Angus Young and Eddie Van Halen found essential.
SoloDallas explored the possibilities of this circuit before in pedals like theSchaeffer Replica, but the new SVDS Boost strips the formula to essentials. Minimalist controlsāone knob, thatās itāmake this boost no less delicious. Iām not surprised Angus Young was smitten with the original SVDS. An SG and Marshall 18-watt amp sound fantastic naked, but the SVDS Boost has the rare talent for fattening everything without seeming to favor or obscure any frequency band too much. And as zest to the PAF/Marshall style formula, it makes the kind of rowdy, organic, airy, large, and punch-packing Marshall sound you would dream of getting in a studio or hearing on the radio. There are many shades of this basic awesome color in spite of the single knob. Unity gain lives in the earliest third of its range. From there you certainly get more volume, but mostly you bathe in various hues of compressed, saturated, thick, and dynamite growl. You donāt need a Gibson and a Marshall to use it to devastating effect, either. A Telecaster and Vibrolux snap with attitude and whip-crack energy with the SVDS in the line. And with both guitar/amp combos, the SVDSā wide dynamic responsiveness to volume and tone attenuation assures that things stay cracking when you need more control.
Learn about this iconic guitar's journey, its mods done by Frank, and hear how it sounds in the hands of his son Dweezil.
