London, England (November 21, 2018) -- Magnetic Effects are pleased to release the Black Moon.
The Black Moon is a limited-edition Fuzz Face clone with expanded features that allows for classic fuzz tones in a more convenient and versatile pedal.
From the building blocks of one of the original, legendary fuzz pedals comes the Black Moon. Loaded with a pair of selected and tested Germanium NOS transistors, the Black Moon yields dynamic, vintage fuzz that responds excellently to the guitars volume control.
In addition to the original volume and fuzz controls that the Fuzz Face had, the Black Moon has bias and input controls as well as a three-position low toggle switch. These additional controls really help the user dial in the sound to match their setup.
The input control alters the signal level and impedance at the input of the fuzz circuit. Fully clockwise (all the way to the right) is the original Fuzz Face setting. Turning the input control down affects the overall gain and impedance of the circuit. This results in a difference to the feel and EQ of the fuzz and can also allow other pedals, such as a wah, to interact better with the fuzz.
The bias control affects the electronic tuning of the transistors. This control can be useful to compensate for differences in temperature which can affect the transistor bias of a Fuzz Face. (This only applies to Germanium transistor versions.) Additionally, the Bias control can used to intentionally alter the sound of the pedal. Different settings provide different tones and a different feel to the fuzz. It is worth spending some time experimenting with different settings of the bias knob.
The Low toggle switch controls the amount of bass being fed into the circuit. This can help tighten up the low end and provide more tonal options.
Features:
- Top mounted Jacks and DC socketz
- NOS Germanium transistors
- Volume, Fuzz, Bias and Input controls
- Three position bass response toggle switch
- Polarity reverse circuit
- Standard 9V DC adapter operation
- True Bypass
Retail: £125 plus shipping.
Magnetic Effects are pleased to release the Lonely Robot.
The Lonely Robot is a limited-edition, Rat-inspired overdrive/distortion pedal.
Expanded tonal options and an internal voltage doubler take this Rat inspired pedal to new sonic places. Running the gamut from overdrive though to distortion and fuzz, the Lonely Robot is a versatile drive pedal that builds upon a legend.
One of its extra features comes in the form of a post-gain active bass eq that allows for boosting or cutting of the low end.
The EQ Control alters the amount of gain applied at specific frequencies. Turning to the right will result in a brighter, tighter tone with more gain. Turning to the left will result in a fuller tone with less gain. You can use the EQ control to alter the overall voicing of the pedal. (Note: this a tweaked version of what is commonly know as the “Reutz” mod.)
The Clip Control alters the clipping threshold. You can use the Clip control to dial in the precise amount of compression and harmonic saturation. The more gain added, the more range this control has.
In addition to the extra tone tailoring options on tap, a voltage doubler increases the headroom available.
The Lonely Robot has a high input impedance and low output impedance. This makes it compatible with buffered effects in the signal chain. The Lonely Robot uses True Bypass switching.
Features:
- Top mounted Jacks and DC socket
- Volume, Gain, Treble, Bass, EQ and Clip controls
- Internal voltage doubler
- Standard 9V DC adapter operation
- True Bypass
Retail: £125 plus shipping.
For more information:
Magnetic Effects
-
Sterling Vermin RAT
The Sterling Vermin was born from a desire for something different — something refined, with the soul of a traditional RAT pedal, but with a voice all its own.
Built in small batches and hand-soldered in ACT’s Jackson, Missouri headquarters, the Sterling Vermin is a work of pure beauty that honors the brand legacy while taking a bold step forward for creativity.
The Sterling Vermin features the LM741 Op-Amp and a pair of selectable clipping diodes. Players can toggle between the traditional RAT silicon diode configuration for a punchy, mid-range bite, or the BAT41 option for a smoother, more balanced response. The result is a pedal that’s equally at home delivering snarling distortion or articulate, low-gain overdrive, with a wide, usable tonal range throughout the entire gain spectrum.
The pedal also features CTS pots and oversized knobs for even, responsive control that affords a satisfying smoothness to the rotation, with just the right amount of tension. Additionally, the polished stainless-steel enclosure with laser-annealed graphics showcases the merging of the pedal’s vintage flavor and striking design.
From low-gain tones reminiscent of a Klon or Bluesbreaker, to high-gain settings that flirt with Big Muff territory — yet stay tight and controlled — the Sterling Vermin is a masterclass in dynamic distortion. With premium components, deliberate design and a focus on feel, the Sterling Vermin is more than a pedal, it’s a new chapter for RAT.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style sounds—except you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic textures—all while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six strings—either D, G, and B or A, D, and G—depending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuning—great for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.
