Anaheim, CA (February 14, 2008) -- We figured the word "Stomp" in the headline would prompt a double-take from those of you who think of high-end studio stuff when you
Based on the same algorithms from their familiar rack-mount units, the ModFactor and the TimeFactor stompboxes give you Eventide tone-shaping tools that are portable. In this video we run through the ModFactor, which features Phaser, Chorus, Polymod, Tremolo Pan, Undulator, Vibrato and more. We''re hooked on the Q-wah and its ability to give you different vowel sounds -- think of it as a built-in talkbox rather than just a wah.
The ModFactor gives youĀ 40 user presets and runs in mono or stereo. The pedal can be updated, too -- users go online to give Eventide input and then check back for programming updates which are available to download and feed right into the back of theĀ box via a USB port.
Ā
For more info:
Eventide ModFactor
Want to know how tubes shape your tone? Join PG contributor Tom Butwin as he breaks down preamp vs. power tubes, tone tweaks, and biasing, in this ultimate beginner's guide to tube amps. From Fender cleans to Marshall grit, learn how to unlock the full potential of your amp!
The Tube Store Guitar Amp Tube Packages
Here you will find brands like Fender guitar amps, Marshall amps, Vox amps, Mesa Boogie guitar amps, Orange amps, and many other tube amps listed. You will find replacement tube sets in different option levels ranging from Value to Premium to Ultimate. Purchasing guitar amp tubes couldn't be easier.
Tube Amp Doctor Tube Sets
Go and see the doctor: Find all of our products here: our newest product line of high-end Redbase tubes, our famous premium selected tubes, and the equipment we manufacture like our Class A Converters, the Bias Master or the Silencer. Furthermore our TAD reverb cans, condensers and of course the amp kits on boutique level.
Gator Cases offers custom cases for Flying V and Explorer style guitars in their Traditional Deluxe Series.
Constructed from plywood with a black Tolex exterior, both cases offer protection against bumps and dings during transit.
Each case features a custom-molded interior tailored to fit the unique contours of its specific guitar. The inside is lined with thick plush padding to gently cushion the instrument, ensuring its angular body shape is supported at every point. The precise fit prevents movement during transport, reducing the risk of damage.
For added convenience, the cases include an internal storage compartment for accessories, keeping essential items stored alongside the instrument. Both cases feature chrome-plated hardware with three latches, including one that locks for added security.
In addition to the Traditional Deluxe Series cases, Gator offers a wide selection of guitar solutions, including gig bags, instrument and patch cables, molded cases, guitar stands, and pedalboards.
For more information, please visit gatorco.com.
Bassists from Californiaās finest Smiths tribute bands weigh-in on Andy Rourkeās most fun-to-play parts.
Listen to the Smiths, the iconic 1980s indie-rock band from Manchester, and youāll hear Andy Rourkeās well-crafted bass lines snaking around Johnny Marrās intricate guitar work, Mike Joyceās energetic drumming, and singer Morrisseyās wry vocal delivery.
But playing Smiths bass lines is a different experience altogether. Grab a pick and work your way through the thoughtful phrasing, clever choices, and spirited delivery, and youāll realize that young Mr. Rourke was an understated genius of melodic bass. In other words, these bass lines are fun.
Andy Rourke was just 18 when he joined the Smiths, and 20 when they released their self-titled 1984 debut. Over four studio albums and numerous singles, Rourke anchored the band with memorable bass melodies that weaved through Marrās busy guitar parts. After the group broke up, he recorded as a session musician with artists like Sinead OāConnor and the Pretenders, played in several bands, and worked as a club DJ. He died of pancreatic cancer in 2023, when he was 59.
To pinpoint the Smiths songs with the most fun-to-play bass lines, I consulted the experts: bass players from five Smiths tribute bands, all from California. These folks cop Andy Rourkeās style night after night, so who better to know which lines are the most fun? Here are our panelists:
James Manning plays in Shoplifters United, based in Marin County, north of San Franciscoās Golden Gate Bridge. Heās originally from Monmouth, Wales.
Martin āRonkyā Ronquillo plays in Los Esmiths from Calexico, California, near the southern border, as well as San Diego Smiths tribute band, Still Ill.
Mark Sharp plays in the Bay Areaās This Charming Band, as well as in tributes to the Cure, U2, and others.
Monica Hidalgo played in all-female Smiths tribute band Sheilas Take a Bow, with her sisters, Melissa and Melinda. Theyāre from the San Gabriel Valley, east of Los Angeles.
Joe Escalante has been in the pioneering punk rock band the Vandals since 1980, and with the L.A.-based Smiths and Morrissey tribute band Sweet and Tender Hooligans since 2004.
āBarbarism Begins at Home,ā 'Meat Is Murder,' 1985
Manning: I love this line and I dread it. Youāve got to have stamina, especially if youāre playing it in regular E tuning. Tuning up to F# like Andy did makes it easier and the extra string tension adds to the twangy top end.
Ronquillo: This is one of those parts that just makes you feel like a bass player. Itās high energy, it feels good, and itās maybe his funkiest bass line.
āHeaven Knows Iām Miserable Now,ā single, 1984
Sharp: With Morrisseyās lyrics, the shimmering Johnny Marr guitar parts, and Rourkeās amazing bass lines, this song is perfection. The bass parts are technically just brilliant.
Escalante: This line is fun to play but really hard. We played some events with Andy DJing, and he would ridicule me for trying to play these songs in E tuning instead of F#.
āThe Queen is Dead,ā 'The Queen Is Dead,' 1986
Hidalgo: This one is fun because itās kind of funky. I would go to our drummerās house and we would play the main riff for hours, just to make sure we were locked in.
Escalante: This is the song I warm up with, even when I'm playing with the Vandals.
āWe played some events with Andy DJing, and he would ridicule me for trying to play these songs in E tuning instead of F#.ā āJoe Escalante
āCemetry Gates,ā 'The Queen Is Dead,' 1986
Hidalgo: I really love this one. His bass line is very melodic, and it fits so nicely with the guitar.
Escalante: This one kind of just pops, and the lyrics are so dark but the bass line is really fun and playful.
āThis Charming Man,ā single, 1983
Manning: The bass is such a driving force and I love the vibe of it. Very soulful in the rhythms. Thereās a part where he breaks into walking bassāitās so unexpected.
Sharp: Itās an absolute standout track that showcases the perfect musical symmetry of Johnny Marr and Andy Rourke.
āBigmouth Strikes Again,ā 'The Queen Is Dead,' 1986
Hidalgo: It melds that tiny bit of funk with faster rock and a driving rhythm. You can hear how his influences come together.
āStill Ill,ā 'The Smiths,' 1984
Ronquillo: This is a fun bass line, but itās easy to get lost in. Youāve got to concentrate and can't really dance around, cause you gotta focus and get in the zone.
āThere Is a Light That Never Goes Out,ā 'The Queen Is Dead,' 1986
Hidalgo: People love this song, and it has that smooth vibe. The eighth notes are smooth and consistent.
āI Want the One I Canāt Have,ā 'Meat Is Murder,' 1985
Ronquillo: This is a really fun song thatās pretty upbeat, and fast-paced. It gets you into that flow state.
āGirlfriend in a Coma,ā 'Strangeways Here We Come,' 1987
Sharp: Andyās performance highlights his different musical influences, as the reggae-flavored bass line works perfectly in the song.
Cory Wong and his Flyers comrade Mark Lettieri do a little show-and-tell at their summer camp.
Back in March 2022, we caught up with Cory Wong in the middle of an international tour to film a Rig Rundown. This time around, we found Wong with his Fearless Flyers pals sticking in one spot, at Cory Wongās Syncopated Summer Camp. The four-day, four-night summit, held in Nashville, brought together ace players like Ariel Posen, Larry Carlton, and Sonny T to offer clinics on all things rhythm. Aside from the camp, Wong and his fellow guitar Flyer, Mark Lettieri, both had new releases to celebrate: Lettieriās recent solo record, Can I Tell You Something?, dropped in July, and Wongās Live in London and Starship Syncopation came out in May and July, respectivelyāplus, the Flyersā new EP was released in February.
Both Lettieri and Wong toured us through the guitar gear they brought along for the camp.
Brought to you by DāAddario.The Wong Way
Wongās starter is, unsurprisingly, his Fender Cory Wong Signature Stratocaster. This is an off-the-rack model, and the sapphire blue transparent satin lacquer finish demonstrates the beautiful alder beneath it: āSometimes a guitar is made out of the right piece of a tree,ā says Wong. Other features on the model include deluxe locking tuners, a 6-screw tremolo system, Seymour Duncan Cory Wong Clean Machine pickups, and an American Ultra Modern āDā neck profile.
Founder's Keepers
At John Mayerās suggestion, Wong had Fender create him a āfounderās modelā of his signature guitar, with some just-so appointments that canāt be had on the standard production instruments. Those include a bound fretboard and a unique, one-off finish.
But Wong doesnāt get too attached to his guitars. He often auctions them off to benefit a non-profit that gets free guitars into the hands of kids who need them.
Another Wong novelty: his fingers donāt sweat much, so he only changes his strings about once every three months, despite plenty of playing time. When the time comes, he uses Ernie Ball .010s from either the Slinkys or Paradigm series.
Neural Network
Through a Shure GLXD16 wireless system, Wong runs his guitar into his Neural DSP Quad Cortex, which runs a beta version of his Archetype: Cory Wong plugin, based off of a melding of a Dumble and a Fender Twin. The signal hits an onboard envelope filter and rarely used pitch shifter, then exits out the effects loop into a Wampler Cory Wong Compressor, Jackson Audio The Optimist, and a Hotone Wong Press. The signal goes back into the Quad Cortex, where thereās a preset phaser, stereo tape delay, and modulated reverb, plus a freeze effect. Two XLR outs run to front of house, while two run to Wongās Mission Engineering Gemini 2 stereo cabinet.
Fiore di Latte
Lettieri flies with his signature PRS Fiore (and wears a matching shirt to boot). The model, which he began designing with PRS in 2019, has a swamp ash body, maple neck, 25 1/2" fretboard, nickel frets, and a pickup system that allows for 11 different combinationsāthe ultimate studio weapon. He runs it to his board with Revelation Cable Company cables. Lettieri strings it with Dunlop .010s, and strikes them with Dunlop celluloid picks.
Lettieri Goes Low
Lettieri also calls on this PRS SE 277 baritone guitar. Heās swapped the pickups for a Lollar P-90 in the neck position and a gold-foil in the bridge. He tunes it to A standard and runs .014ā.072 strings on it.
Little Wing
Lettieri sticks with tubes, running into a PRS HDRX 20āa 20-watt combo intended to capture the roar and power of Hendrixās Marshalls in a more practical package.
Chopping Block
Guitar pedals werenāt the intended application for Lettieriās pedalboardāit was meant for chopping veggies, but that didnāt stop him from slapping his stomp tools on the cutting board.
His signal first hits a Keeley Monterey Custom Shop Edition, followed by an MXR Deep Phase, J. Rockett HRM, J. Rockett Melody OD (Lettieriās signature), Pigtronix Octava, and a Dunlop DVP4, all powered by a Strymon Ojai. A TC Electronic TonePrint Plethora X5 pedalboard handles coordination and switching between the devices.
Shop the Fearless Flyers Rig
TC Electronic TonePrint Plethora X5 Pedalboard
Keeley Monterey Custom Shop Edition