Ernie Ball announces new Earthwood Bell Bronze strings developed with John Mayer, Tim Henson signature strings, plus, the Stingray II and Stingray II deluxe, developed with Cory Wong.
Developed in collaboration with John Mayer, Earthwood Bell Bronze acoustic guitar strings are the first to offer this new patent-pending alloy, which was inspired by blends used for bells and cymbals. In addition, Ernie Ball introduces the Tim Henson Signature Collection of strings and the Pino Palladino Smoothie Flats Signature bass strings.
Earthwood Bell Bronze
Developed in collaboration with John Mayer, Ernie Ball Earthwood Bell Bronze acoustic guitar strings have been carefully crafted to meet John's exacting standards, providing a new voice for your acoustic guitar. Inspired by alloys used traditionally for bells and cymbals, ErnieBall's patent-pending Bell Bronze alloy offers a richer, fuller sound than any other string in our catalog. These strings will breathe new life into your guitar.
“Earthwood Bell Bronze strings are a giant leap forward in tone, playability, anddurability. They’re great in any musical setting but really shine when played solo.There’s an orchestral quality to them.”
- John Mayer
- Developed in collaboration with John Mayer
- Big, bold sound
- Inspired by alloys used for bells and cymbals
- Increased resonance with improved projection & sustain
- Patent-pending alloy unique to Ernie Ball strings
- Available in 4 gauge combinations:
- Extra Light (10-50)
- Light (11-52)
- Medium Light (12-54)
- Medium (13-56)
Acoustic Earthwood Bell Bronze Demo on a Gibson L-00 - YouTube
Tim Henson Collection
Ernie Ball introduces the Tim Henson Signature String and Accessory Collection ,developed in collaboration with one of today’s most innovative players. Designed to meet Tim’s unique specifications and versatile performance style, these new classical strings pair fluorocarbon trebles with silver-plated copper basses for a dynamic, brighter response with a percussive tonality. The electric strings comprise Cobalt and Paradigm technologies for maximum output and clarity with unmatched durability.
Classical Strings
- Dynamic, percussive sound
- Silver-plated copper basses
- Fluorocarbon treble strings
- Gauges: 24, 27, 33, 30, 36, 42
Electric Strings
- Engineered for maximum output & clarity
- Nano-treated for maximum life and corrosion resistance
- Paradigm core wire for added strength
- Gauges: 9.5, 12, 16, 26, 36, 46
The Ernie Ball Tim Henson Signature Collection will be available this spring. The SignatureElectric strings, Classical strings, and Fretwrap will all be available to purchase separately. TheSignature Cable will be available to purchase as part of a box set bundle. This Tim HensonSignature Bundle will include all of the products in the collection.
Ernie Ball ntroduces Pino Palladino Smoothie Flats Bass Strings, designed for effortless playability and exceptional tone. Precision-polished for an ultra-smooth feel, these premium flatwound strings glide easily under your fingers. Crafted with a cobalt alloy ribbon, they deliver a deep, rich tone that perfectly balances vintage warmth with modern flexibility.Developed with legendary bassist Pino Palladino, Smoothie Flats offer unparalleled performance and a silky-smooth playing experience.
Key Features:
- Premium flatwound strings developed with Pino Palladino
- Precision polished for an ultra-smooth feel
- Wound with cobalt alloy ribbon for a rich, deep sound
- Smooth, vintage tone and flexible, low-tension feel
- Available in 2 gauge combinations:
- Extra Light (38, 54, 68, 98)
- Medium (43, 61,76, 108)
The Ernie Ball Music Man StingRay II and StingRay II Deluxe were designed in collaboration with Cory Wong to deliver unmatched clarity, versatility, and precision for every performance.Both models feature a roasted figured maple neck, 22 stainless steel frets, ultra-clean CoWong HT humbuckers, and an ergonomic body design for smooth playability and effortless fret access.
The Deluxe model adds a roasted maple fretboard, parchment binding, and a matching headstock for a refined touch. Inspired by the iconic StingRay Bass, both guitars showcasleek styling with a redesigned larger headstock, a custom Cory Wong neck plate, and gold hardware for a sophisticated finish.
Features
- Ultra-clean Cory Wong HT humbucking bridge & neck pickups
- Ergonomic body design inspired by the StingRay Bass
- Select alder body with roasted figured maple neck
- Gold hardware with Cory Wong neck plate
- 2 finish options including Charcoal Blue & Cashmere
- Mono CaseStingRay II Deluxe Features
- Ultra-clean Cory Wong HT humbucking bridge & neck pickups
- Ergonomic body design inspired by the StingRay Bass
- Select alder body with roasted figured maple neck
- Gold hardware with Cory Wong neck plate
- Parchment binding and matching headstock
- 2 finish options including Pine Green & Polaris White
- Mono Case
Both StingRay II finishes along with the StingRay II Deluxe in Pine Green are available authorized Ernie Ball Music Man dealers. The StingRay II Deluxe in Polaris White is limited to 30pieces and available exclusively from The Vault at www.music-man.com. All models are available for purchase starting today.
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While digital audio workstations (DAWs) have revolutionized music production, offering unparalleled editing and flexibility, many producers, including me, still mix back into an analog console for the sonic character and three-dimensionality that it imparts. But buying a professional console isn’t cheap! This is where console summing boxes come into play, offering a unique way to enhance your mixes and elevate them to a professional level.
How Does It Work?
Very simply put, recording consoles have two basic sections: an input section (all the channels of mic pres, and EQ) and a center section (that sums all of the channels together and routes those signals to various configurable outputs such as inserts and aux buses). A console summing mixer is essentially the center section of a console and is designed to sum the individual audio channels, aux buses, stems, and submixes from your DAW in an analog domain.
In a DAW, digital summing—the process of combining multiple tracks and buses into a stereo mix—is handled through complex binary algorithms that, while precise, can sometimes lead to a mix that feels lifeless and one-dimensional, lacking the warmth, depth, and cohesion that analog consoles impart.
One of the most significant advantages of using a summing box is the introduction of harmonic distortion, a natural byproduct of analog circuitry. This isn’t like amp or pedal distortion, but rather a subtle harmonic saturation that adds richness and character to the sound. Low-end frequencies gain girth and definition, while high frequencies have a smooth, silky quality. You can achieve natural compression through subtle variations in phase and amplitude, but that depends on how hard you push the summing mixer box.
But the best benefit, in my opinion, is its ability to produce an undeniably open stereo image. Digital summing, while accurate, often lacks dimension or a sense of space. Analog summing introduces subtle variations in phase and amplitude, creating a sense of width and depth that makes each instrument feel like it occupies its own space in a more 3-D stereo field, which results in a more engaging and polished mix. I’ve also found summing boxes encourage a more deliberate and thoughtful approach to mixing, as it requires submixing certain elements.
API’s ASM164 ($3,195 street) is wildly flexible, offering VU meters, multiple inserts, two separate stereo mix options, and more.
For those who work “in-the-box” and aren’t in the market for a summing box, let alone a console, incorporating a summing box can also serve as a valuable learning tool. By running stems through a summing box and comparing the results to an entirely digital mix, you can train your ear to recognize the subtle qualities that make a mix feel warm, cohesive, spatial, and dynamic. This heightened awareness can then inform your in-the-box mixing decisions, even when you’re not using a summing box.
“Whether you want to add depth and dimension to your tracks, enhance your stereo image, or bring a touch of analog magic to your mixes, a summing box can be a gamechanger."
It’s important to choose the right summing box for your needs and budget, as different models offer varying sonic characteristics. Good summing mixers typically start around $2,000, such as Rupert Neve Design’s 5057 Orbit Summing Mixer. While more expensive, API’s ASM164 ($3,195 street) is wildly flexible, offering VU meters, multiple inserts, two separate stereo mix options, and more. The key here is to understand your needs.
Pairing a summing box with high-quality outboard processors, such as compressors or EQs, will allow you to shape your mix in ways that are impossible within a purely digital setup.
Whether you want to add depth and dimension to your tracks, enhance your stereo image, or bring a touch of analog magic to your mixes, a summing box can be a gamechanger. For anyone serious about mixing, it’s a tool worth considering—one that can make the difference between a mix that’s good and one that’s truly exceptional. Until next month, namaste
