
Nirvana's iconic frontman codesigned this hybrid with the Custom Shop in 1993 and now it sees a wide release.
Fender Musical Instruments Corporation (FMIC) today announced the global launch of the Kurt Cobain Jag-StangĀ® guitar,commemorating the 30th anniversary of Nirvana's influential record "Nevermind." The Signature Jag-StangĀ® guitar is a reissue of the legendary performer's own custom model, which included a combination of his favorite elements from his FenderĀ® JaguarĀ® and MustangĀ® guitars. The Kurt Cobain Jag-StangĀ® guitar design genesis can be traced back to Cobain's personal journals filled with photo collages and drawings of his idea for a hybrid of the JaguarĀ® and MustangĀ® guitar.
These detailed sketches of Cobain's dream FenderĀ® guitar drawn in 1993 are brought to life in this 2021 revival.
The guitar is built to Cobain's meticulous specifications, using vintage-style single-coil and custom humbucking pickups, a 24" scale length that gives the guitar a feel and playability that is characteristic of the MustangĀ® guitar, which Kurt preferred, and of course, the iconic body shape.
Available in both right and left-handed models to honor the legendary left-handed player himself, the Kurt Cobain Jag-StangĀ® fits all of his playing preferences for those looking to emulate his iconic stage style.
"Ever since I started playing, I've always liked certain things about certain guitars but could never find the perfect mix of everything I was looking for" said the late Kurt Cobain in a 1994 Fender Frontline interview. "The Jag-StangĀ® is the closest thing I know."
One of the most influential rock musicians of all time, Cobain's impact has influenced guitarists and musicians throughout pop culture. As the front man of the Grammy Award-winning band Nirvana, Cobain was a creative force to be reckoned with: delivering generation-defining anthems from their first album Bleach to their final release, In Utero. Many of music culture's greatest used the re-release of the Jag-StangĀ® guitar to pay tribute to Cobain's legacy:
"After the 80s placed a focus on excess and technical guitar ability, Kurt blew through the barriers to entry to become a musician or start a band," said Gerard Way, singer, songwriter and co-founder of My Chemical Romance. "He embodied a collective frustration with the elitist obstacles to guitar players, and encouraged all of us to pick up an instrument and go for it ā no matter what kind of training you had, no matter how many solos you were able to play. To me, that's rock and roll. Kurt and Nirvana brought the underground into the public consciousness with heart, rebellion, and authenticity; the world needed these things on a mass scale.""After getting their first single and their Bleach album, I was a Nirvana fan before I even saw them live," said J Mascis of Dinosaur Jr. "They didn't disappoint ā they were hard, heavy, and manic. We toured together in 1991 ā after we played the Warfield in San Francisco, I was really sick lying on the couch backstage. Kurt came up and hugged me ā he was psyched up on the show, especially on the song Sludgefeast that we played. I wasn't much of a hugger at the time, but I needed one. Thanks Kurt."
"Kurt's style felt like a reaction to the overindulgence of the '80s," said Joe Trohman, guitarist of Fall Out Boy. "Through his playing, I was exposed to this strange intersection where noise rock and pop music could meet and get along. So, Cobain was definitely a gateway player. And, similarly to how he felt about his Jag-Stang, my Tele is also a Frankenstein, of sortsāācobbled together from my favorite guitar bits. It's important to have an instrument you're comfortable with that can do what you need it to do."
"Kurt was the first guitar player that I really recognized as a "defier" of norms,'' said singer-songwriter John J. McCauley of Deer Tick. "It must have been MTV or one of the college stations in Providence. I was pretty young. Aside from Kurt's guitar playing, it was really all the hooks and his incredible voice that captivated me. I was a big Beatles nerd kid and Nirvana was like their heaviest moments on steroids. In Utero was the first album I owned by Nirvana. I had never heard anything like "Scentless Apprentice" before. That album and those tracks really helped me open my mind to more experimental music."
"Kurt's playing inspired me in a lot of ways, from the attitude in his playing and use of power chords, to his more pluck-focused and interesting riffs like in Come As You Are or All Apologies," said singer-songwriter Beabadoobee. "He also played in Drop D a lot and that was cool to try - it got me into playing around with tunings which I do all the time now. I agree with what Kurt said about loving guitars, but always wanting to change something small. It's a hard mix to get right, but there's a few guitars I really love. The Jag-Stang is a really nice fusion and I love what Kurt did with it!"
"Nevermind was basically my music teacher," said Luke Boerdam of Violent Soho, "I've never needed a guitar lesson since. That album underpinned how I related to writing and music⦠it wasn't just an influence, it was the influence. To me Nirvana made it "okay" not to know heaps of chords, or practice your scales. It was all about raw energy, feel and tension with their music. It's 100% important to have a guitar that can help you build a mental picture of things you need to make your songs work and what you like."
"Though Kurt's performance and playing style seems quite simple, his sound had an unrivaled persuasiveness and vitality that penetrated through our emotions," said Jean-Ken Johnny, guitarist and vocalist of Japan's MAN WITH A MISSION. "Listening to Nirvana was an eye-opening experience for me. He made me realize the importance of expressing one's emotions through music and guitar, rather than overwhelming audiences with technique. It showed me the potential guitar has to reveal and amplify emotions to a greater length. His performances changed the way I listen to music, and had great influence on the music I chose to pursue."
The heartfelt vocals, distorted power chords and raw energy of Cobain's music with Nirvana launched the grunge movement and inspired countless other artists for years to come. Later generations have also come to appreciate Cobain's progressive politics, as he publicly took positions against racism and homophobia that were well ahead of the social norms of the day. Since his passing, Kurt Cobain has been named one of Rolling Stone's 100 Greatest Guitarists, 100 Greatest Singers of All Time and 100 Greatest Songwriters of All Time.
Cobain was seen playing a variety of FenderĀ® guitars over the years, but his FenderĀ® JaguarĀ® and MustangĀ® remain the most iconic due to their use on the "Nevermind" tour and "Smells Like Teen Spirit" music video. The Jag-StangĀ® guitar ā designed by Cobain himself ā combined his favorite elements of each of these guitars into a custom FenderĀ® creation. Cobain played his own Jag-StangĀ® live several times on the In Utero tour before his untimely passing. But much like Cobain's legacy, the guitar lived on after being given to R.E.M guitarist Peter Buck, who used it in several of the band's videos.
Exploring the Kurt Cobain Jag-Stang | Artist Signature Series | Fender
"When we took a look at the sketches Kurt Cobain had drawn up for his dream guitar, we were impressed by how intricate his design was. We honored the original model - all the specs on the new Jag StangĀ® are as they were. Nothing new was done to it, we really wanted to keep it aligned with Kurt's vision. Through our long-standing relationship with the Kurt Cobain Estate, we always knew we wanted to bring his vision to life. It's been an immense honor to help bring his idea to fruition and revive this model," said Justin Norvell, EVP of Fender Products.
The Kurt Cobain Jag-StangĀ® guitarcomes in Fiesta Red and Sonic Blue finishes and all the specs on the new Jag-StangĀ® are as they were in Kurt's original model, honoring his creation. The guitar features an alder body, 24" short scale length, 7.25" and radius rosewood fingerboard. Additionally, the vintage-style single-coil and custom humbucking pickups allow players to recreate Cobain's classic tones. The MustangĀ® guitar slider switches provide the flexibility to dial in four distinct settings for a variety of in or out-of-phase tones - perfect for replicating Kurt's punchy guitar sounds. The Kurt Cobain Jag-StangĀ® guitar is available in both right and left-handed models.
Originally designed by Kurt Cobain and the Fender Custom Shopā¢, the guitar was dialed in and finalized right before the time of Cobain's passing. Although only used live at a few of Nirvana's last shows, the documentation of this personalized guitar is preserved in his personal journals, made public after his passing. The pages here are scanned from the book, "Kurt Cobain Journals" published by Riverhead Books (2002), which reprinted the pages. These sketches not only illustrate the history of the Kurt Cobain designed Jag-StangĀ® but are also incredible pieces of history epitomizing the relationship between Cobain and Fender.
In celebration of the Jag-StangĀ® release, fans can learn to play iconic Kurt Cobain songs on the Jag-StangĀ® guitar inside Fender PlayĀ®, the complete learning app for guitar, bass and ukulele. "Artist Spotlight: Kurt Cobain (Nirvana)" features lessons to Nirvana songs such as In Bloom, Polly, Something In the Way, Pennyroyal Tea, Sliver and more.
Street price: $1,249.
In true tradition, the FenderĀ® Artist Signature Series honors iconic musicians through product progression and storytelling, creating instruments inspired by the unique specifications of the world's greatest guitarists and bassists. Watch History In A Hot Minute: The Kurt Cobain Jag-Stang for a deep dive into the building of this iconic instrument. Watch as Nick Reinhart digs into the exciting features from the Kurt Cobain Jag-Stang. Additional info on the Kurt Cobain Jag-StangĀ® guitar and product descriptions are available here. Product, lifestyle and artist images can be found here.
For technical specs, additional information on new Fender products and to find a retail partner near you, visit www.fender.com. Join the conversation on social media by following @Fender.
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Brent Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing.
Professional transcriber Levi Clay has done the deepest of dives into Brent Masonās hotshot licks. At one point, he undertook the massive project of transcribing and sharing one of Masonās solos every day for 85 or so days. Mason is, of course, on of the most recorded guitarists in history, who helped define the sound of most ā90s country superstars. So, whether you know it or not, youāve likely heard Masonās playing. Levi shares the insight he gleaned from digging deep, and he tells us what it was like when they shared a stage last year. Plus, Levi plays us some great examples of Masonās playing.
For the first time ever, two guitar greats, John 5 and Richie Kotzen will be heading out on the road this year. The tour will launch October 16 and run through November, hitting markets across the U.S.
Find the full tour itinerary right plus a link for tickets & VIP, including additional dates featuring John 5 only. Reserved seating tickets will go on sale Friday May 16 though a fan presale will begin today at noon local time and fans are strongly encouraged to buy early to get the best seats.
Meet and Greets for both artists will be available. For John 5 please go to: https://john5store.com/collections/vip.
Today, John 5 also announces more details of his anticipated new album. Called The Ghost, it will be released October 10 and is led by the new track āFiend,ā featuring Kenny Aronoff.
John 5 continues running public tours this month for his Knights In Satanās Service Museum of KISS Memorabilia in Los Angeles, California. Guided tours are open to the public for one month only (with a possible expansion). Current dates available are May 12-16, May 19-23 and May 27-30. Each will be led by John 5 himself who will provide tons of rich detail and answer any questions. Secure your place HERE.
JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025.RICHIE KOTZEN &
JOHN 5 FALL 2025 TOUR
October 16 El Cajon, CA @ Magnolia
October 17 Riverside, CA @ Fox Performing Arts
October 18 Roseville, CA @ Goldfield Trading Post
October 19 San Jose, CA @ The Ritz
October 21 Phoenix, AZ @ Celebrity Theatre
October 22 Albuquerque, NM @ KiMo Theatre
October 24 Dallas, TX @ Granada Theater
October 25 Leander, TX @ The Haute Spot
October 27 New Orleans, LA @ House of Blues
October 28 Memphis, TN @ Minglewood Hall
October 29 Nashville, TN @ Fogg Street Lawn Club
October 30 Atlanta, GA @ Variety Playhouse
October 31 Orlando, FL @ House of Blues
November 1 Fort Lauderdale, FL @ Culture Room
November 2 Clearwater, FL @ Capitol Theatre
November 4 Richmond, VA @ The National
November 5 Leesburg, VA @ Tally Ho Theater
November 6 Patchogue, NY @ Patchogue Theatre
November 11 Glenside, PA @ Keswick Theatre
November 12 Derry, NH @ Tupelo Music Hall
November 13 Foxborough, MA @ Six String Grill & Stage
November 14 Stroudsburg, PA @ Sherman Theater
November 15 Lorain, OH @ Lorain Palace Theatre
November 16 Columbus, OH @ The King Of Clubs
November 17 Warrendale, PA @ Jergels
November 19 Wyandotte, MI @ District 142
November 20 Flint, MI @ The Machine Shop
November 21 Fort Wayne, IN @ Piereās
November 22 St. Charles, IL @ Arcada Theatre
November 23 Belvidere, IL @ Apollo Theatre
November 25 Denver, CO @ Oriental Theater
November 29 Pioneertown, CA @ Pappy & Harriet's*
*John 5 only
AEROSMITH guitarist and songwriter JOE PERRY is set to return to the road for a series of August performances with THE JOE PERRY PROJECT. The 8-date run kicks off August 13 in Tampa, FL and wraps August 23 in Port Chester, New York, with an August 19 performance in PERRYās Boston hometown (see the itinerary below). For the North American trekāwhich marks the first solo shows for PERRY this yearāthe legendary guitarist will be joined by his Aerosmith bandmates Brad Whitford (guitar) and Buck Johnson (keys), along with The Black Crowesā Chris Robinson (vocals), and Stone Temple Pilotsā Robert DeLeo (bass), and Eric Kretz (drums).
āWellā¦itās time to let the music do the talkin again,ā PERRY says. āIām really excited about the JPP line up this year!!!! Most of these guys played with me at The Roxy in L.A. at the debut event for my latest solo album [Sweetzerland Manifesto] in January 2018. Theyāre all busy as hell but thankfully theyāre able to carve out some time for this run. And Iām not only lucky enough to have Brad Whitford onstage with me but Chris Robinson of The Black Crowes! [who sang āFortunate Oneā on Sweetzerland Manifesto MKII], Robert DeLeo and Eric Kretz from STP!!! and Buck Johnson who plays keys and sings with Aerosmith, the Hollywood Vampires, and is also a solo artist in his own right.ā
For the shows, the Rock and Roll Hall of Fame inductee says āthe set list is gonna include my fav JPP cuts, STP, Black Crowes, and with Brad weāll be hitting the Aero hits and some deep cuts and then ya never know!!!! Gonna be a BLAST, and if youāve ever been to one of my shows you know the words GARAGE BAND on STEROIDS come to mind! See you there!!!!ā
DATE | LOCATION | VENUE |
Wednesday, August 13 | Tampa, FL | Seminole Hard Rock - Tampa |
Thursday, August 14 | Hollywood, FL | Seminole Hard Rock - Hollywood |
Saturday, August 16 | Toronto, ON | HISTORY |
Sunday, August 17 | Muskoka, ON | Kee to Bala |
Tuesday, August 19 | Boston, MA | Wang Theatre |
Wednesday, August 20 | Hampton Beach, NH | Hampton Beach Casino Ballroom |
Friday, August 22 | Mashantucket, CT | The Premier Theater at Foxwoods Resort Casino |
Saturday, August 23 | Port Chester, NY | Capitol Theatre |
A sample page from the authorās analog log.
Seasonal changes are tough on your acoustic. Hereās how you can take better care of your prized instrument.
As you read this, spring is in bloom in most of the US, or maybe it has been for some time. Iām timing this column specifically to ask acoustic guitarists, in this season of increasing humidity and comfortable conditions, to prepare for whatās coming. Itās never too soon, and time flies. Before you know it, weāll be back to the maintenance phase and you might be blowing up the phones of your local guitar shops, luthiers, and techs. Iām here to encourage a decidedly old-school approach to preventative guitar maintenance, and yes, it starts now.
Why, you ask? Well, as the lead luthier at Acoustic Music Works, I can tell you that in my nearly 15 years in this position, this was the worst winter ever for preventable repairs on acoustic guitars. Fret sprout, bridge lifts, top sink, soundboard cracks, back cracks, loose binding, general malaise⦠These hit us very hard in the winter that spanned 2024 and 2025. Am I complaining? On the one hand, no. This is part of how we make our money. On the other hand, yes! Repair schedules related to dryness and humidity issues can stretch into weeks and even months, and nobody wants to be without their favorite instruments for that amount of time. With a little thoughtfulness, however, you might get through next winter (and every one thereafter) without hefty repair bills or time apart from your musical companion.
Our preparation is going to start with an unlikely but very important guitar accessory: the humble notebook. Plain, lined, grid, day planner⦠it doesnāt matter. We all need to actively participate in our instrument maintenance, and in my experience, fancy apps that track humidity via Bluetooth breed a kind of laziness, a feeling of safety that might prevent us from actually physically looking in on conditions. Better we keep an analog, well, log, so that we know where things stand, and I suggest checking in daily.
āThis was the worst winter ever for preventable repairs on acoustic guitars.ā
Track your relative humidity, both in the case and in the room where your instruments mostly reside, but also take notes on your action height, top deflection (StewMac has some great tips for measuring this) and anything related to playability that you believe you can observe empirically.
Dryness is the root cause of most guitar issues that manifest in the fall and winter months. Symptoms of dryness include sharp fret ends, falling action and dead frets, sunken top around the sound hole, and cracks and bridge lifts. With your trusty notebook, youāll get a feel for the sensitivity level of your instrument, and that knowledge is power!
A few other basic implements will not only assist you in your observations, but may also satisfy your need to buy guitar-related things (at least for a minute). Getting quick and comfortable with a fret rocker is a great skill to have, and is invaluable in diagnosing buzzes due to high frets or frets that have come unseated due to dryness. A well-calibrated relief gauge might seem luxurious, but it can prevent you from making unnecessary or extreme truss rod adjustments. A string action gauge, or even a simple machinistās rule or set of feeler gauges, will help you keep track of your action. Get a three-pack of hygrometers so you can average their readings, rather than depending on one.
Lest we forget: A guitar can not only be too dry, it can also be too wet. By beginning your maintenance diligence in the spring/summer, youāll also be able to tell if your instrument is the victim of a too-humid environment. The signs of over-humidification are subtle: Your action may rise from a puffed-up top, and in extreme cases, glue joints could begin to fail. In my experience, an over-humidified guitar will suffer from dulled tone, almost like a sock in the sound hole. If youāre sensing a lack of clarity in your guitar all of a sudden, start with new strings. If it persists, it might be due to over-humidification, and you may want to introduce a desiccant to the case for a time. The more lightly built your guitar is, the more sensitive it will be to seasonal changes.
By getting into these habits early, youāll be empowered by knowing your instrument more intimately. Youāll understand when and why changes in tone and playability might have occurred, and youāll hopefully save on repair bills year-round. Feel free to reach out with any questions. Who knows? I might just send you a notebook with an AMW sticker on the cover!