Fender honors country pioneer Waylon Jennings with a limited-edition Telecaster and Phaser pedal.
The "Outlaw Country" pioneer was rarely seen without a Fender guitar in hand—and more often than not, it was his prized, leather-clad 1954 Telecaster. FCS Masterbuilder Dave Brown worked closely with the Jennings family estate to replicate even the smallest details of Waylon's iconic guitar after deconstructing the original.
Throughout his career, Jennings consistently topped charts and received awards including induction into the Country Music Hall of Fame and Male Vocalist of the Year, both from the Country Music Association. Although the country legend passed away over 20 years ago at age 64, the impact he left on the genre is still felt today. Today, Waylon’s legacy lives on through his son, two-time Grammy winner Shooter Jennings, who’s released 11 studio albums and produced dozens of songs spanning across multiple genres and many different artists including Tanya Tucker and Brandi Carlile.
Waylon Jennings Telecaster
The limited-edition Waylon Jennings Telecaster is designed to replicate Jennings’s original model down to the smallest of details. The 2-piece ash body is finished in period-correct Butterscotch Blonde before being wrapped in the distinctive, hand-tooled leather cover and paired with a 10/56 “V”-shaped, one-piece quartersawn maple neck. Custom Shop Hand-Wound '50/'51 Blackguard pickups provide unmistakable early-‘50s Telecaster tones with clear, crisp highs with well-balanced midrange and low end. $25,000.00 USD.
The Limited Edition Waylon Jennings Telecaster | Dream Factory | Fender
“Waylon Jennings’ 1954 Telecaster is instantly recognizable, both in style and sound, and it was an honor to work with Shooter and the rest of the Jennings family to recreate an instrument that helped define Waylon’s career,” said Dave Brown, Masterbuilder, Fender Custom Shop. “The original Telecaster was gifted to Waylon back in the 60s which he eventually had wrapped in a hand-tooled leather. I was excited to feature its incredible specs, including the banjo tuner that allows players to detune the low E enabling them to drop to a low D. The Telecaster, the pedal and accessories from the capsule collection pay a beautiful tribute to Waylon’s musical legacy.”
Waylon Jennings Phaser
Building on Fender’s original four-stage phaser circuit developed in the 1970’s, the Waylon Jennings Phaser provides three distinct flavors of phasing by switching between two, four, or six phase stages. When combined with the Range and Feedback Controls, these three phase voices cover the gamut of phasing tones used by Jennings on stage and in studio.
$129.00 USD.
Fender Waylon Jennings Phaser Demo | First Look
More info at fender.com.
We’re giving away more gear! Enter Stompboxtober Day 24 for your chance to win today’s pedal from Maxon!
Maxon OD-9 Overdrive Pedal
The Maxon OD-9 Overdrive Effects Pedal may look like your old favorite but that's where the similarity ends. Improved circuitry with a new chip yields the ultra-smooth dynamic overdrive guitarists crave. Drive and Level controls tweak the intensity and volume while the Hi-Boost/Hi-Cut tone controls adjust brightness. Features true bypass switching, a die-cast zinc case, and 3-year warranty. From subtle cries to shattering screams, the Maxon OD-9 delivers a huge range of tones.
Features
Improved circuitry with a new chip yields ultra-smooth dynamic overdrive
Drive and Level controls tweak the intensity and volume
Hi Boost/Hi Cut tone controls adjust brightness
True bypass switching
Die-cast zinc case
AC/DC operation (order optional Maxon AC210N adapter)
Product Specs
Input: 1/4" mono jack
Output: 1/4" mono jack
Power: 9V DC, 6 mA, center pin minus (not included)
Dimensions: (WxDxH) 74 mm x 124 mm x 54 mm
Weight: 580g
Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.
The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.
Key Features of the ZOMA
● Intuitive Control Layout: Three large knobs give you full control over Reverb Level, Tremolo Rate,and Depth
● Easy Access to Alternate Controls: Adjust Reverb Decay, Reverb Tone, and Tremolo Volume withsimple alt-controls.
● Instant Effect Order Switching: Customize your signal path. Position tremolos after reverb for avintage, black-panel tone or place harmonic tremolo before reverb for a dirty, swampy sound.
● True Bypass or Buffered Trails: Choose the setting that best suits your rig.
Three Reverb and Tremolo Modes:
● SS – Spring Reverb & Sine Tremolo: Classic spring reverb paired with a sine wave tremolo for that timelessblack-panel amp tone.
● PH – Plate Reverb & Harmonic Tremolo: Smooth, bright plate reverb combined with swampy harmonictremolo.
● PV – Plate Reverb & Pitch Vibrato: Achieve a vocal-like vibrato with ethereal plate reverb.
Reverb: Sounds & Controls
● Spring Reverb: Authentic tube amp spring reverb that captures every detail of vintage sound.
● Plate Reverb: Bright and smooth, recreating the lush tones of vibrating metal plates.
● Reverb Decay: Adjust the decay time using the REVERB/ALT SWITCH while turning the Level knob.
● Reverb Tone: Modify the tone of your reverb using the REVERB/ALT SWITCH while turning the Rate knob.
Tremolo: Sounds & Controls
● Sine Wave/Volume Tremolo: Adjusts the volume of the signal up and down with smooth sine wavemodulation.
● Harmonic Tremolo: Replicates classic tube-amp harmonic tremolo, creating a phaser-like effect withphase-split filtering.
● Pitch Vibrato: Delivers pitch bending effects that let you control how far and how fast notes shift.
● Alt-Control Tremolo Boost Volume: Adjust the boost volume by holding the REVERB/ALT footswitch whileturning the Depth knob.
The ZOMA is built with artfully designed circuitry and housed in a proprietary angled aluminum enclosure, ensuring both simplicity and durability. Like all Keeley pedals, it’s proudly designed and manufactured in the USA.
ZOMA Stereo Reverb and Tremolo
The first sound effects built into amplifiers were tremolo and reverb. Keeley’s legendary reverbs are paired with their sultry, vocal-like tremolos to give you an unreal sonic experience.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound.
Stevie Ray Vaughan was a force of nature. With his “Number One” Strat, he drove a veritable trove of amps—including vintage Fenders, a rotating Vibratone cab, and a Dumble—to create one of the most compelling tones of all, capable of buttery warmth, percussive pick articulation, and cathartic, screaming excess. As he drew upon an endless well of deeply informed blues guitar vocabulary, his creativity on the instrument seemingly knew no bounds.
Your 100 Guitarists hosts are too young to have experienced SRV live. We’ve spent decades with the records, live bootlegs, and videos, but we’ll never know quite how it felt to be in the room with SRV’s guitar sound. So, we’d like to spend some time imagining: How did it feel when it hit you? How did he command his band, Double Trouble? The audience?
SRV was mythical. His heavy-gauge strings tore up his fingers and made a generation of blues guitarists work a lot harder. And his wall of amps seems finely curated to push as much air in all directions as possible. How far did he take it? Was he fine-tuning his amps to extreme degrees? Or could he get his sound out of anything he plugged into?