With a nylon-string and subtly psychedelic production, Simpson channels Waylon Jennings while keeping Gram Parsons' vision of "cosmic American music" alive.

It must have been a bit weird for Shooter Jennings when Sturgill Simpson’s eponymous 2013 debut, High Top Mountain, was garnering all those comparisons to Shooter’s late, great father—country legend Waylon Jennings. One listen to Simpson’s voice, and it’s impossible to deny that he inflects more like ol’ Waylon than his son does.

Maybe that’s why Simpson’s 2014 follow-up, Metamodern Sounds in Country Music, plays with a noticeable departure in style. Where his first album was a rootsy nod to the anti-Nashville outlaw-country movement of the ’70s, his sophomore outing is gussied up with a countrypolitan production that’s tinged with a subtle psychedelia similar to the Everly Brothers’ 1968 opus, Roots.

“Turtles All The Way Down” opens with Simpson’s throaty drawl crooning over a simply strummed nylon-string before Mellotron, tape phasing, and other astral-sounding effects are tastefully layered in. Foregoing the genre’s usual themes of beer, trucks, and divorce, Simpson’s lyrics are largely inspired by Dr. Rick Strassman’s book The Spirit Molecule—a work that researches mystical experiences people have undergone while taking the powerful hallucinogenic drug DMT.

Here and throughout Metamodern Sounds in Country Music, Simpson has reinvented Gram Parsons’ vision of “cosmic American music” without resorting to any of the post-hippie rock ’n’ roll clichés that riddled the ’90s alt-country scene. sturgillsimpson.com

Diatonic sequences are powerful tools. Here’s how to use them wisely.

Advanced

Beginner

• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/13574/7Shred-Jan22.pdf', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less
Johnny Winter's Burning Blues by Corey Congilio

Learn to rip like one of the all-time masters of modern electric blues.

Read More Show less
x