With simple controls, models from the award-winning HX family, and the option for battery power, this compact unit is designed to be perfect for Metal guitarists seeking versatile tone options.
Simple controls make it easy to use, while models derived from the award-winning HX family of processors ensure exceptional hard-driving sound quality and authentic feel.
This new unit gives players seven amps, seven cabs, and 17 distortion, modulation, reverb, and delay effects—including a looper—and it may be powered by three AA batteries (included) or an optional 9-volt power supply.
Guitarists can also download the free POD Express Edit app for their computers or mobile devices to quickly and easily access a world of deeper tone editing, preset management, and global settings.
“For a wide variety of Metal guitarists, the POD Express Black is a great all-in-one modeler that gives them a unique selection of high-gain tones, plus essential effects,” says Rick Gagliano, Line 6 Director of Product Management. “It’s compact, fun and easy to use, affordable, and—most importantly—it features tones derived from the Helix family of products.”
Additional features include stereo outputs, tap tempo, a tuner, a noise gate, a headphone output, and a USB-C audio interface with re-amping capabilities. Add an optional expression pedal for volume control, or up to two footswitches to select presets or turn effects on and off.
The POD Express family, which also includes the previously released POD Express Guitar and POD Express Bass, represents the latest evolution of a line that began in 1998 with the groundbreaking red "kidney-bean" POD—the portable processor that pioneered the amp modeling revolution.
POD Express Black is $179.99
For more information, please visit line6.com.
Gary is not exclusively a destruction machine. Its distortion/overdrive section is a very streamlined take on EarthQuaker’s Gray Channel, a versatile DOD 250-derived double distortion. Like any good circuit of the 250 ilk, Gary’s hard clipping OD/distortion section bites viciously in the high- and high-mid frequencies, supported by a tight, punchy low-mid output. You can play anything from balanced M.O.R. studio crunch to unhinged feedback leads with this side of Gary. But it’s the envelope-triggered pulse-width fuzz—which most of us will hear as a gated fuzz, in many instances—that gives the Gary its werewolf duality. Though practice yields performance patterns that change depending on the instrument and effects you use around the Gary, its fuzz ultimately sputters and collapses into nothingness—especially when you throw a few pitch bends its way. The cut to silence can be jarring, but also compels a player to explore more rhythmic leads and choppy riffs that would sound like sludge with a Big Muff. The Gary’s unpredictable side means it won’t be for everybody, but its ability to span delicioso distortion and riotous splatter fuzz in a single unit is impressive.
EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz/Overdrive Pedal
