If you’re looking for info on stompboxes, check out effectsdatabase.com. This free, non-commercial site contains a wealth of stompbox lore. In my previous column [“Raising the Bar of Wah
If you’re looking for info on stompboxes, check out effectsdatabase.com. This free, non-commercial site contains a wealth of stompbox lore.
In my previous column [“Raising the Bar of Wah Design,” May 2012], I quoted some statistics about the vast amount of effect brands that are currently on the market. While the numbers I listed have likely changed since then, it’s worth noting that someone is actually out there compiling this type of data, not to mention a ton of other useful and interesting factoids pertaining to—and only to—guitar effect pedals and the people who build them.
This oracle of all things stomp is effectsdatabase.com (formerly known as Discofreq). Created by Bart Provoost, FXDB started 10 years ago as a website about envelope filters, and since filter boxes are one of my obsessions, it was inevitable that I ran across the site and bookmarked it for future reference.
Since then FXDB has grown into the go-to source for info on pedals, be they vintage or in current production. There are more effect pedals listed on FXDB than any other place that I can think of, and the listings cover many extremely obscure brands and models that most people don’t even know about.
Yet the best (or worst?) thing about FXDB is that Provoost helps you find the effects you’re looking for and buy them. When searching for that hard-to-find vintage pedal or even the low-profile custom builder, FXDB is a great place to narrow your search and zero in on the pedal of your desire (more on how this actually works in a moment).
I recently spoke with Provoost and asked
him to list a few of the things that set FXDB
apart from other pedal-related websites.
Here’s what he had to say about some of the
site’s unique features and his future plans to
make it even more useful and informative:
• Complete pedal database: No other site
lists this many different pedals—more
than 17,000 already! There are quite a
lot of pedals you can only find here. The
drawback is that I need to add more info
about a lot of them, but I’m working on
that (and all input is very welcome).
• New builders: I’m always searching for
pedals that are not on the site yet, and
for new builders that are big enough or
serious enough to be added. I’ve discovered
quite a lot of interesting brands and
really helped some of them get noticed.
That’s important to me—I really like
how small companies (sometimes only one
person) can be big in this industry that
also includes a lot of huge multinationals.
• Interviews: I’m doing a big interview
project focusing on effect manufacturers.
I’ve conducted almost 300 interviews,
and I post one interview a day.
• Relationships between pedals: I try to
make associations between pedals (“based
on,” “clone of ”) to help visitors learn the
background of each model.
• Links to brands: Where possible, I add
links to the site and all the social profiles
of the brands.
• Audio/video: About a year ago, I started
adding audio and video from a lot of
different sources, and I add links to
new demos every day.
• Useful ads: Where other sites buy plugins
or use scripts by eBay, Amazon, and
other vendors, I made my own system
to search for pedals on eBay (and that’s
worldwide—if you try a normal search
on eBay, it still doesn’t show all auctions)
and use my own “logic” to rank these
auctions. I may also add classifieds to the
results, but some people are against that
because it would lessen the chances for
scoring good deals, so I’m still not sure
about doing this. When possible, I include
related auctions in the right column and
there’s a link to pages with many more
results. I’ve received messages thanking me
for that column because buyers got a good
deal or found something they were looking
for. I don’t think a lot of other sites get
thanked for ads! [Author’s note: Beware
of this feature, as it can put a serious dent
in your PayPal balance. Many times I’ve
been looking for one pedal and found
something completely different but equally
desirable in this right-hand column—
something I simply had to acquire!]
• Referrals: I also link to brands’ Etsy and
BigCartel web shops and link to the
relevant products there from the respective
pages on FXDB. This takes some
time to do and I don’t earn any referral
fees—I simply like the idea of buying
directly from the builders.
• Clever search features: Recently I added
some new categories (under effectsdatabase.
com/special) for people who just
want to look around without searching
for anything specific: Classics, Eye Candy,
Funny, Vaporware, etc. I still have to add
more pedals to these categories.
• Future growth: I have many more ideas
for features and want to add much more
media (including demos from my own
pedal collection and vintage documentation
from my archives), but it all takes time
to do that on my own and in my spare
time (I have a full-time job and family,
as well). There will be a great new feature
in a few months, which I’m working on
now, and I think folks will appreciate it.
Whether you’re looking for info on a rare or vintage effect or hoping to actually add one to your collection, I highly recommend effectsdatabase.com for its informative, voluminous content and clever, useful search features. Few people have shown such dedication and affection for effect pedals as Bart Provoost. Let’s help him make FXDB a household name amongst pedal junkies worldwide!
Kevin Bolembach is the president and founder of Godlyke, the U.S. distributor for many well-known boutique effect brands, including Maxon, Guyatone, EMMA, and Providence..
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vai—plus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Tool’s Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimson’s highly influential ’80s albums Discipline, Beat, and Three of a Perfect Pear. PG’s editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrian’s decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.
Realistic and highly controllable Leslie sounds from an essentially easy-to-use stompbox. More control than some similar-priced models. Stereo ins and outs.
Drive control could be more responsive and, at higher settings, more subtle. Slow-fast switch’s multi-functionality can be initially confusing, so save the instructions.
$299
Keeley I Get Around Rotary Simulator
robertkeeley.com
A highly controllable, mid-priced rotary speaker simulator inspired by the Beach Boys that nails the essential character of a Leslie—in stereo.
There’s nothing cooler than using a Leslie cabinet in the studio, and few things worse than having to lug one to gigs. The famed Leslie 981, for example, weighs nearly 150 pounds. Enter the rotary speaker pedal—an easy-on-the-back alternative for players who are looking to conjure Leslie-derived guitar sounds employed on classic records by Hendrix, Pink Floyd, Led Zeppelin, the Beatles, and others.
California Roller
There are a lot of good options for on-the-floor rotary pedals between $99 and $549. At $299, Keeley Electronics’ new I Get Around Rotary Simulator falls in the middle of the pack on pricing but has an array of functions that make it competitive with costlier examples. The I Get Around is part of a collaboration between Keeley, JHS Pedals, and Benson amps, dedicated to creating five limited-edition effects in tribute to the Beach Boys. I can’t recall many Beach Boys tracks with Leslie-style guitar, but Brian Wilson did use the effect on brother Carl’s guitar on 1965’s “You’re So Good to Me,” and a year later on the song “Pet Sounds.”
At 5" x 4" x 2", the I Get Around is a little larger than the average stompbox, but that’s necessary to accommodate the three big dials on top (blend, drive, and speed) as well as the on/off (which also works to select true bypass or buffered mode) and slow-fast switches, plus the stereo inputs and outputs. Using two amps in stereo makes the flutter and warble of the rotary sound more pronounced and immersive. It’s truly psychedelic. There’s also a toggle that adds a 4.5 dB mid-boost, which fattens and tightens the tone enough for me to simply want to leave that boost engaged all the time.
How I Got Around
I ran the I Get Around—powered by a 9V barrel connector at 130 mA— through a pair of Carr amps, playing a Gibson Les Paul Standard and a PRS SE Silver Sky, and blended the pedal with overdrive, fuzz, and delay as I experimented. I love the extra-large size of the speed control, which let me adjust the rate of simulated rotation at a whim with my shoe. The speed’s range is .06 Hz to .6 Hz, with 1 Hz being one revolution per second, and all the speed settings sound great and conjure the vibes you’d want from a Leslie, from velvet-painting dreamscapes to edgy, breathless Robert Ward- and David Gilmour-style psychedelic blues. Add a little delay and the sound becomes spongier and stranger, but too much, of course, can turn things to muck, as can an overbearing fuzz.
The drive control is a subtle overdrive that simulates a pushed 6550 and 12UA7 tube. At moderate amp volume, it doesn’t add much discernable grit until about 9 o’clock. Past 2 o’clock it rolled off enough top end to make my guitar sound less potent. But between those demarcations lies a very sweet spot for adding beef. The blend control starts being effective at about 8 o’clock, when the first hints of the rotary sound become a backdrop for the guitar’s voice, and then it's just a matter of turning up to taste—including cranking all the way clockwise to entirely eliminate your core guitar sound in favor of the rotary effect alone. For my taste, the best overall sounds were achieved with subtle-to-pronounced blends, between 9 o’clock and a bit past 2, that added rotary effect to my always-present basic guitar tone, thickening, supporting, and swirling behind it.
The slow-fast switch is all about drama. It allows toggling between two speed settings, and when it’s held down it stops the rotating speaker effect, which resumes when the switch is pressed again. The ramp rate can be customized as well. I like it slow, so the activation of the swirl is audible.
The Verdict
Keeley’s new I Get Around Rotary Simulator commands all the essential sounds you’d want from an actual Leslie. Unlike some pedals in its price range, it’s got stereo outs, which, to my thinking, are essential, because the rotary effect sounds best through guitar amps run in stereo. Also, the deep functionality beyond the basic adjustments of the three topside dials is attractive, adding more Leslie-like realism. There are cheaper alternatives, but to find competitive or better examples, you’ll need to reach deeper into your pockets.