This Premier Guitar Web Site (the "Web Site") is provided to you by Gearhead Communications, LLC ("Gearhead Communications"). Access to and use of the Web Site and the services available on the Web Site are subject to the following terms and conditions in this Terms of Use and Privacy Policy. By accessing or using the Web Site, you agree to be legally bound by the terms and conditions set forth below without any modification. Please review them carefully.
© Gearhead Communications, LLC
2019
All Rights Reserved
The copyright on this entire Web Site is held by Gearhead Communications. All material provided on the Web Site is protected under United States copyright laws and international copyright laws and treaty provisions. Except as expressly provided herein, none of the material provided on the Web Site may be copied, distributed, republished, reproduced, downloaded, displayed or transmitted in any form for commercial use without prior written permission of Gearhead Communications. Individual visitors of the Web Site are permitted personal, non-commercial use, provided that they do not modify the materials on the Web Site and that the materials retain all copyright and other proprietary notices contained therein. The permission terminates automatically if you breach any of the terms and conditions contained in this notice. Gearhead Communications does not grant any express or implied right to you under any patents, trademarks, copyrights, or trade secret laws.
The trademarks, logos, and service marks (collectively referred to as "Trademarks") displayed on this Web Site are federally registered and unregistered Trademarks of Gearhead Communications and no trademark license either express or implied is granted by Gearhead Communications. You do not have any right to use the Trademarks displayed on this Web Site without prior written permission of Gearhead Communications. In the event of unauthorized use or misuse of its Trademarks, Gearhead Communications will pursue its legal remedies without delay.
ELECTRONIC INFORMATION SUBMITTED TO THE WEB SITE
Any communication or material other than your personal information submitted to the Web Site by electronic mail is the exclusive property of Gearhead Communications and is considered to be non-confidential and non-proprietary. Such communication may include, without limitation, questions, comments, suggestions, and ideas. Gearhead Communications shall be free to use them for any purpose whatsoever without restriction or compensation.
DMCA NOTICE
Gearhead Communications respects the intellectual property of others, and we ask our content partners and those posting to this Web Site to do the same. If you believe that your copyrighted work has been copied and is accessible on this Web Site in a way that constitutes copyright infringement, you may notify us by providing our copyright agent with sufficient information to allow us to locate the material, including the following information:
- The electronic or physical signature of the owner of the copyright or the person authorized to act on the owner's behalf.
- A description of the copyrighted work that you claim has been infringed and a description of the infringing activity.
- Identification of the location where the original or an authorized copy of the copyrighted work exists; for example, the URL of the web site where it is posted or the name of the book in which it has been published.
- Identification of the URL or other specific location on this web site where the material that you claim is infringing is located.
- Your name, address, telephone number, and email address.
- A statement by you that you have a good faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law.
- A statement by you, that the above information you provide us is accurate and that you are the copyright owner or are authorized to act on the behalf of the copyright owner.
Our agent for notice of claims of copyright infringement on this Web Site can be reached as follows:
By Mail:
Gearhead Communications, LLC
Patti Erenberger
3 Research Center
Marion, IA 52302
By Phone: (319) 447-5550
By Fax: (319) 447-5599
By Email: patti [at] premierguitar.com
DISCLAIMER
THE INFORMATION IN THIS WEB SITE IS PROVIDED "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. GEARHEAD COMMUNICATIONS SHALL NOT BE RESPONSIBLE FOR ANY ERRORS, OMISSIONS, OR TECHNICAL INACCURACIES IN THIS WEB SITE.
Gearhead Communications is constantly improving its products and services and reserves the right to make such improvements or changes to this Web Site, the materials, products, services, or prices posted on this Web Site without prior notice, as it deems necessary.
PRIVACY
Gearhead Communications is committed to protecting your privacy. Gearhead Communications and its affiliates collect personal information from its users in limited situations as set forth in this Terms of Use and Privacy Policy. Unless otherwise indicated, Gearhead Communications and its affiliates will only disclose personally identifiable information to third parties when required by law or in the good faith belief that such action is necessary in order to conform to the edicts of the law or comply with the legal process served on this Web Site. Unless otherwise stated in this Terms of Use and Privacy Policy, Gearhead Communications and its affiliates will not rent, sell or give your personally identifiable information to any outside party without your prior permission. Gearhead Communications and its affiliates may now or in the future use personally identifiable information, such as email addresses submitted by users, to contact users and third parties and provide information on internal promotions of Premier Guitar and its affiliates. If and when this feature becomes available, users will be given the option to opt out of receiving such promotions.
You are responsible for taking all reasonable steps to ensure that no unauthorized person shall have access to your Web Site password or account. You are solely responsible for:
- Controlling dissemination and use of your user name, member ID and/or password;
- Authorizing, monitoring and controlling access to and use of your Web Site user name, member ID or password; and
- Promptly informing Gearhead Communications of any need to deactivate a password.
You grant Gearhead Communications and its affiliates the right to transmit, monitor, retrieve, store and use your information in connection with the operation of the Web Site. Gearhead Communications and its affiliates cannot and do not assume any responsibility or liability for any information you submit for your or any third party's use or misuse of the information transmitted or received using their web site.
PUBLIC AREAS
The Web Site may now or in the future provide users opportunities to comment on articles posted on the Web Site and to access public areas including chat rooms, bulletin boards or other online communities. By posting comments or using any public area on the Web Site, you agree that you are solely responsible for your own communications, the consequences of posting such communications, and your reliance on any such communications found in the public areas. Gearhead Communications assumes no responsibility for the consequences of any communications in the public areas.
By using the public areas, you agree that the following actions constitute a material breach of this Terms of Use and Privacy Policy:
- Using a public area for any purpose in violation of local, state, national or international law;
- Posting any material in a public area that infringes the intellectual property rights of others or the privacy or publicity rights of others;
- Posting any material that is unlawful, obscene, defamatory, threatening, harassing, abusive, slanderous, hateful or embarrassing to any other person or entity as determined by Gearhead Communications in its sole discretion;
- Posting advertisements or solicitations of business;
- Upon receiving a warning, continuing to disrupt the normal flow of dialogue or posting comments that are not related to the topic being discussed;
- Posting chain letters or pyramid schemes;
- Impersonating another person;
- Distributing viruses or other harmful computer code;
- Harvesting or otherwise collecting information about others, including e-mail addresses, without their identification for posting or viewing comments;
- Allowing any other person or entity to use your identification for posting or viewing comments;
- Posting the same note more than once or "spamming"; or
- Engaging in any other conduct that restricts or inhibits any other person from using or enjoying the public areas or the Web Site, or which in the judgment of Gearhead Communications exposes Gearhead Communications, its affiliates or licensors to any liability or detriment of any type.
Gearhead Communications reserves the right to record the dialogue in any public areas. Gearhead Communications does not screen communications in advance and is not responsible for screening or monitoring material posted by any user. If notified by a user of communications which are alleged not to conform to this Terms of Use and Privacy Policy, Gearhead Communications may investigate the allegation and determine in its sole discretion to remove or request the removal of communications. Gearhead Communications reserves the right to remove communications which are abusive, illegal, disruptive or that otherwise fail to conform to this Terms of Use and Privacy Policy. In addition to the removal rights described above, Gearhead Communications reserves the right to terminate any user access to any or all public areas upon user's breach of this Terms of Use and Privacy Policy. Gearhead Communications reserves the right (but is not obligated) to edit or delete any communications posted on any public area, regardless of whether such communications violate these standards for conduct.
Gearhead Communications reserves the right to take any action it deems necessary to protect the personal safety of its users or the public. Gearhead Communications has no liability or responsibility to users of the Web Site or any other person or entity for performance or non-performance of the aforementioned activities.
CHILDREN'S PRIVACY
We are committed to protecting the privacy of children. You should be aware that the Web Site is not intended or designed to attract children under the age of thirteen (13). We do not collect personally identifiable information from any person we actually know is a child under the age of thirteen (13).
INFORMATION SUBMITTED BY USER
You agree that you will not upload or transmit any type of communication or content to any public area that infringes or violates any rights of any party. By submitting any communication or content, including any business information, ideas, concepts or inventions to Gearhead Communications by e-mail or any other manner, you agree that such submission is non-confidential for all purposes. By submitting any such information to a public area or via e-mail, you automatically grant, or warrant that the owner of such content or intellectual property has expressly granted to Gearhead Communications and its affiliates a royalty-free, perpetual, irrevocable, worldwide, non-exclusive license to use, reproduce, create derivative works from, modify, publish, edit, translate, distribute, perform and display the communication or content in any media or medium or any form, format or forum now known or hereafter developed. If you wish to keep any business information, ideas, concepts or inventions private or proprietary, do not submit them to the public areas or to Gearhead Communications by e-mail.
LINKS
Gearhead Communications may provide links to third party web sites. Gearhead Communications and its affiliates do not recommend and do not endorse the content on any third party web site and are not responsible for the content of linked third party sites, sites framed within the Web Site, third party sites provided as search results, or third party advertisements, and does not make any representations regarding their content or accuracy. Your use of third party web sites is at your own risk and subject to the terms and conditions of use for such sites.
COOKIES/LOG FILES
Cookies are files that contain information created by a web server that can be stored on a user's hard disk for use either during a particular session or for future use. Gearhead Communications uses cookies for maintaining user account information, to help administer the Web Site, to measure the use of the Web Site and to improve the content of the Web Site. Users may set their computers to refuse cookies. Most browsers are initially set to accept cookies.
The Web Site may also use cookies and/or log files to collect information such as date and time of use, users' IP address and links and pages viewed by users of the Web Site. Such information is gathered for the purposes of maintaining user account information and is not used to disseminate significant information about users over the Internet or to analyze any information that users have knowingly or unknowingly provided. Such information will be accessible only by Gearhead Communications and its internet Web Site service provider.
INDEMNITY
You agree to defend, indemnify and hold Gearhead Communications and its affiliates and their respective officers, members, employees, agents, licensors and suppliers harmless from and against any claims, actions or demands, liabilities and settlements, including, without limitation, reasonable legal and accounting fees resulting from or alleged to result from your violation of this Terms of Use and Privacy Policy.
GENERAL
Gearhead Communications, LLC is an Iowa limited liability company. Gearhead Communications makes no claims that the content provided in the Web Site is appropriate or may be downloaded outside of the United States. Access to the content in the Web Site may not be legal by certain persons or in certain countries. If you access the Web Site from outside the United States, you do so at your own risk and are responsible for compliance with the laws of your jurisdiction.
In the event all or a portion of the assets owned or controlled by Gearhead Communications or any parent, subsidiary or affiliated entity are sold, assigned, transferred or acquired by another company, information from or about Web Site users may be among the transferred assets.
JURISDICTION
You expressly agree that the exclusive jurisdiction for any dispute with Gearhead Communications, or in any way relating to your use of the Web Site, resides in the courts of the State of Iowa and you further agree and expressly consent to the exercise of personal jurisdiction in the courts of the State of Iowa in connection with any such dispute, including any claim involving Gearhead Communications or its affiliates, subsidiaries, employees, officers, members, telecommunication providers, licensors and suppliers. This Terms of Use and Privacy Policy is governed by the internal substantive laws of the State of Iowa without respect to its conflict of law principles. If any provision of this Terms of Use and Privacy Policy is found to be invalid by any court having competent jurisdiction, the invalidity of such provisions shall not affect the validity of the remaining provisions of this Terms of Use and Privacy Policy, which shall remain in full force and effect. No waiver of the Terms of Use and Privacy Policy shall be deemed a further or continuing waiver of such term or condition or any other term or condition.
COMPLETE AGREEMENT
This Terms of Use and Privacy Policy constitutes the entire agreement between you and Gearhead Communications with respect to the use of the Web Site and content.
Thank you for your cooperation. We hope you find the Web Site helpful and convenient. Questions or comments regarding the Web Site should be directed by electronic mail to patti [at] premierguitar.com or via U.S. Mail to Gearhead Communications, LLC, Three Research Center Marion, IA 52302.
Stymon’s new UltraViolet pedal recreates the sound and feel of the original Shin Ei Univibe units from the ‘60s, popularized by players like Jimi Hendrix, Robin Trower, David Gilmour and Doyle Bramhall II, but adds a number of different options that were never available on the original units for greater flexibility.
Housed in the same smaller chassis as Strymon’s recent Cloudburst and Brig releases, Ultraviolet also takes advantage of all of the features of the new platform, including full MIDI implementation and 300 presets, USB-C connectivity, stereo IO on TRS jacks, a rear-panel mono-stereo switch and a discrete JFET input preamp for unmatched touch-sensitivity and tone.
UltraViolet’s simple and responsive controls provide a wider range of sounds than traditional vibe pedals. In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects. A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation.
At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory. UltraViolet gives you all the classic vibe tones—and more.
Strymon UltraViolet Vintage Vibe
UltraViolet features a new algorithm in which all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response. From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.
TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image. Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig. In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates. For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction. (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favorite recall. Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feel—all in a rugged and elegantly compact form factor.
Strymon UltraViolet Vintage Vibe – Deep Dive with Sound Designer Pete Celi
Learn more about UltraViolet ► http://strymon.net/ultravioletIn this video, Strymon co-founder and senior DSP engineer Pete Celi takes you on an in-depth tou...“Good grief this thing is addicting to play!”, said Sean Halley, Strymon’s Head of Marketing. “It has all of the low frequency girth that the best pricey boutique big-box pedal versions have, but it can do so much more than the originals could and it’s small enough to fit on any board. It’s the very first digital vibe I’ve ever heard that sounds this big”.
Pete Celi, Strymon’s co-founder and DSP guru adds “After deeply studying a bunch of the best analog units we ended up giving UltraViolet three different Bias settings, so you can really fine-tune the response to fit the music you’re playing. Also, in addition to the traditional Chorus (50/50) and Vibrato (100% wet) modes, the new Blend mode gives you a 70/30 mix of dry and wet, for more subtle versions of the effect. It can totally do the hyper-authentic ‘60s thing, but it can do a bunch of other stuff that makes it much more versatile than the original units.”
UltraViolet is available now directly from Strymon and from dealers worldwide for $259 US.
Strymon Ultraviolet
Much more than a re-creation of the legendary Uni-Vibe effect, Strymon’s UltraViolet Vintage Vibe chorus and vibrato pedal elevates classic rock’s most psychedelic effect with a significantly enhanced control section and modernized features. This pedal starts with an extraordinarily precise digital replica of the original Uni-Vibe’s Chorus and Vibrato modes, then ups the ante with a more subtle Blend mode — a 70/30 split of your dry/wet signal, as opposed to the 50/50 split of Chorus mode. Speed, Intensity, and Volume significantly increase your ability to sculpt and shape Uni-Vibe tones to your liking. Meanwhile, Strymon’s addition of a 3-position Bias switch drastically alters the UltraViolet’s voice by modifying the center frequency of the effect’s sweep. You also get all the cutting-edge benefits inherent to Strymon’s compact pedal lineup, including full MIDI implementation, a premium discrete analog input preamp, 300 presets, USB-C, and mono/stereo operation. Compact, versatile, and beaming with vintage-accurate swirl — Strymon’s UltraViolet is a must-have pedal for any Uni-Vibe fanatic.
The effects guru puts two historic pedals—the TS808 and the Nobels ODR-1—inside a single box, with a fresh circuit design that allows for four variations on their revered voices.
At first glance, Keeley Electronics’ new Noble Screamer seems like a guitarist’s dream version of a Reese’s Peanut Butter Cup. This enticing morsel tastefully pairs two classic overdrive flavors, the timeless (and ubiquitous) Ibanez TS808 Tube Screamer and the best-kept-secret Nobels ODR-1.
The two circuits lurk side-by-side beneath the Noble Screamer’s sleek hood, ready for action. But there’s more: Keeley Electronics’ founder and designer Robert Keeley provides a nifty additional twist for creating your own sonic mashups. With the Noble Screamer pedal you can link the Tube Screamer-like overdrive section—a masterpiece of soft-clipping aural bliss—with the ODR-1’s thumping sonic flavors. Or conversely, you can deploy the ODR-1’s hard-clipping drive with the Tube Screamer’s famously midrange-forward tone circuit. Voila! Suddenly you have four pedals in one.
Beyond providing some pretty darn sweet guitar tones, the Noble Screamer also embodies a few bigger and more profound themes. It shows increased emphasis on made-in-the-USA manufacturing, a trend that extends far beyond music gear. It offers additional options for buffering and true bypass as standard equipment on a guitar pedal—highly useful even for guitarists who remain stubbornly technology averse. And it aims to reinvent a key product line from an iconic company. But let’s start at the beginning…
Nailing the Right Shade of Green
“Pairing the ODR and Tube Screamer isn’t just about the green color, but it sure helped,” laughs Robert Keeley. “There is a rhyme and reason why I chose those two pedals for the Noble Screamer. I had never done any mods or anything based on the ODR-1, but the idea for the pedal came from this: Wouldn’t it be fun to combine two green pedals? And what if I could allow you to hear what makes each pedal unique, and borrow from one to the other? I was able to choose between the Tube Screamer tone control or the ODR tone control, and do the same thing with their clipping sections. So, I built both circuits in there, so people could mix-and-match and hear what makes each pedal unique.”
Keeley Electronics Noble Screamer Overdrive and Boost - Tech Demo
Keeley knew he would face heavy scrutiny in tackling the ODR-inspired circuit. Introduced in 1992, the Nobels ODR-1 has attained near-mythic status in the Nashville scene, spurred by the advocacy of session veteran Tom Bukovac. Almost singlehandedly, Bukovac—fondly known as “Uncle Larry” to his online followers—helped popularize the original ODR-1 among his Nashville friends and collaborators. And over the years, many of Nashville’s heaviest hitters have made the pedal an essential part of their arsenal.
Tom Bukovac x Keeley Electronics - Noble Screamer vs Vintage ODR-1 vs Vintage TS808
“There’s a constituency in Nashville, Brentwood, and Franklin that really loves this pedal,” Keeley notes. “They’re all friends and they’re damn near family, and this pedal works so well with their music. So, one of our goals became winning over that Nashville crowd. We carefully compared this to some great examples of 808s and ODRs—using audio analyzers, too—and then we took it to Nashville and asked veteran players to compare it to the original units.”
The Noble Screamer passed the audition. After A/B’ing it with an original ODR-1, Nashville session and stage ace Guthrie Trapp acknowledged “we’re sitting here and can hardly tell the difference. And to not have to spend $1,500 or $2,000 on a pedal…,” he added, shaking his head. And even Bukovac himself says, “They sound pretty similar. The guitar tone sounds great.”
Guthrie Trapp x Keeley Electronics - Noble Screamer vs Vintage ODR-1 vs Vintage TS808
Adding a Few Twists
Plenty of players will be hooked by the authentic sound of the Noble Screamer’s two iconic overdrives. But for many guitarists, the real fun begins when you experiment with tone/overdrive mashups, combining a Tube Screamer with an ODR tone circuit, and vice versa. “The Noble Screamer’s ODR tone control is a spectrum control,” Keeley notes, “and it moves up the bass and the treble at the same time. The Tube Screamer is a simple low-pass filter that helps create the midrange hump. They make a fun combination and they allow you to get some unique sounds.”
L.A.-based guitarist Brett Papa lauds the approach: “It’s really interesting to see how it nails both of those classic tones. But for me, the hybrid is the coolest thing about that pedal, because it really is the best of both worlds. Some pedals are so temperamental circuit-wise, but it doesn’t really matter with this pedal, because wherever your amp is at, you can dial in a great sound.”
The stompbox also offers unusual flexibility in its switching and buffering capabilities. It utilizes the buffer that Keeley perfected with his earlier Halo pedal (designed with guitarist Andy Timmons). In the Noble Screamer, the player can easily select true-bypass or buffered bypass: Simply step on the on/off switch for two seconds and it’ll toggle between the two settings.
“This pedal’s switching also makes it unique,” says Keeley. “For years I had been carrying around the quote that Bill Finnegan put on his KTR pedal, which has a switch where you can choose true bypass or buffered. He printed ‘almost always better’ on the setting when you switch on the buffer. I think it’s really valuable to have noiseless switching like the old Boss and Ibanez pedals. True bypass is great in a few cases, but the inevitability of it making a clicking sound can be a problem, so that’s why we’re offering buffered bypass, too.”
Taking Control and Upping the Ante
Beyond its sonic characteristics, the Noble Screamer underscores important investments, production advancements and design choices from a company reshaping itself and preparing for its next chapter. The Noble Screamer is the first pedal to take advantage of Keeley’s new Oklahoma City factory and its expanded production capabilities. The most visible sign is the pedal’s newly designed heavy-duty aluminum case. The streamlined, rugged enclosure is built in-house following a large investment in specialized equipment. “Making my own folded aluminum enclosure is a brand new capability,” Keeley explains. “I wanted to stop buying aluminum enclosures from China and start making my own. That way I can control the process and get exactly the type of enclosures that I want. To take full advantage of the enclosures, we also increased our capacity for circuit board manufacturing, and that was another big investment. We got another printer, powder coating booth, and oven. I doubled everything in the whole shop and invested in the future. Other manufacturers who are like-minded can do more manufacturing in the U.S. It’s pretty cool to see so much manufacturing coming back to the States.”
Keeley Factory Drone Video
Keeley chose to design a pedal that combines battle-worthy toughness and understated elegance. The Noble Screamer enclosure boasts a slightly slanted top—an homage to old-school classic pedals—but with a modern look and premium knobs. “The knobs and the subtle graphics speak really loudly on that slanted enclosure,” he says. It’s built like a tank—albeit a rather stylish one.
Was it a difficult decision to go with a standard-sized pedal when mini pedals have seen increasing popularity? Keeley is adamant. “At a time when a lot of people are cutting back on spending, I’m going against the trend and choosing to put out our boldest, most innovative ideas and give people a reason to spend their money on them,” he declares. “I think I can control the costs. The Noble Screamer is the exact same size as comparable pedals. There’s a definite trend toward small pedalboards with pedals that can fulfill one sound. Mini pedals are great and I plan on keeping them as an entry point for our product line. I don’t see any reason why I can’t fold aluminum for my own mini pedals at some point. But in the meantime, when we’re releasing our next generation of pedals, I’m going to focus on this new platform. I want this new line to redefine our product line and what we’re capable of. We’ve had success with compressors and reverbs and delays. This new line is hopefully going to redefine our drives.”
The Noble Screamer heralds a new direction for Keeley Electronics, and guitarists can look forward to more exciting mashups in the future. After all, the Reese’s Peanut Butter Cup turned out to be an enduring classic. So, you can expect plenty more ear candy from Keeley in years ahead.
The E670FE is an all tube, 100 Watt amp with three tube buffered FX loops.
The new E670FE is an updated version of Engl’s E670 Special Edition. The Special Edition amp spent years in the studios of Edmund Engl – the founder of ENGL amps – and was played by many iconic professional guitarists, who all had their own unique thoughts and requests when it came to tone and performance. Over the years, Edmund Engl and senior designer Horst Langer tweaked the Special Edition multiple times, and now it is finally available – on ENGL’s 40th anniversary year – to the public as an amp in ENGL’s standard portfolio as the Founders Edition. The E670FE – supreme in a stunning black finish with chrome knobs and an in-your-face red-lit front panel illumination – has been tuned and revoiced, but still retains the crushing tones that made the previous Special Edition iconic.
The amp, which features five ECC83 preamp tubes and either four 6L6 or four EL34 power amp tubes, delivers a massive range of sounds across its five channels (Clean, Crunch, Lead I, Lead II, and Tubedriver) and nine voicings, from crystal-clear cleans to searing high-gain distortion and everything in between. The multiple sound-shaping options on board – ranging from powerful EQs and separate gain controls on each channel to Gain Boost, Hi Gain, Mid Shift, Contour, Bright, Mid Edge, Modern Classic, Mega Lo Punch, and Depth Boost switches, alongside a built-in Reverb – help make the Founders Edition one of the most versatile amplifiers on the market. Perhaps the special pick of the bunch is the Tubedriver channel, which bypasses most of the amp’s inner workings to offer the most pure circuit and all-tube tones imaginable. On top of that, the E670FE – which is handcrafted in Germany to the highest of quality standards using only the finest components and materials – packs a wide array of practical features for the demanding modern guitarist who accepts only the best.
The amp is MIDI programmable, so players can save their favorite settings in up to 128 presets with the use of an optional external MIDI controller. There is also a threshold-footswitchable noise gate, a Power Tube Monitor, three tube buffered FX Loops, a line output and multiple cabinet output options on board. Edmund Engl, the founder of ENGL Amplifiers, said: “We're thrilled to introduce the E670FE Special Edition Founders Edition. This amplifier is the culmination of our 40 years of experience in crafting high-quality amplifiers that deliver uncompromising tone and versatility, and it is sure to take any guitar player’s tone and performance to the next level!" The E670FE is available in September 2023. For more information, visit the official ENGL website.
Features
- Five Channels: Clean, Crunch, Lead I, Lead II, Tubedriver
- All Tube, 100 Watts
- Preamp tubes: 5 x ECC83 (12AX7)
- Power amp tubes: 4 x 6L6 or 4 x EL34
- Three Tube buffered FX Loops (Serial FX Loop, FX Loop I and FX Loop II are variable from serial to parallel)
- Noise Gate with footswitchable threshold
- Power Tube Monitor
- MIDI In / MIDI Thru / S.A.C Port / Dual footswitch Jack
- Sound shaping options: Gain Boost, Hi Gain, Mid Shift, Contour, Bright, Mid Edge, Modern Classic, Mega Lo Punch, Depth Boost
- Controls: Gain (separate for each channel), Bass, Middle, Treble (Clean, Crunch), Bass, Middle, Treble (Lead I, Lead II), Reverb, Volume (separate for each channel), Presence A, Presence B, Master A, Master B
- Controls (Rear): Noise Gate threshold level, FX Loop I Balance, FX Loop II Balance, Tube Driver EQ
- Outputs: 1 x 4 ohms, 2 x 8 ohms, 1 x 8 ohms, 2 x 16 ohms, 1 x 16 ohms
- Line output
- Handcrafted in Germany