A positive attitude won’t fix your problems, but accepting things as they are is a good start.
I did not enjoy the transition from childhood to adulthood. Going from a loving, nurturing home to an indifferent and, at times, seemingly cruel real world was not a good fit for me. My freshman year in college, I was adrift, scared, and, occasionally, what I now recognize as clinically depressed. Out of desperation, I took a philosophy course to get some answers. There, I read Nietzsche’s book, The Gay Science (perhaps the greatest title ever), and learned the phrase amor fati, which is Latin for “love of one’s fate.”
Nietzsche wrote:
“My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity…
“I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who makes things beautiful. Amor fati: let that be my love henceforth! I do not want to wage war against what is ugly, I do not want to accuse; I do not even want to accuse those who accuse.”
I’ve tried to embrace amor fati as my personal battle cry ever since. When applied, that philosophy has gotten me through a lifetime of catastrophes, beautiful moments, and the mundane. It’s also been a valuable tool to make me a better and happier musician. Here’s how:
Collaboration
When playing with a band, the goal is to serve the song, to make the music feel good. Sometimes my idea of where the song should go does not align with other players’ visions. If we stopped and talked it through, we could try a few ideas and see what works best. But in a live jam, that’s not an option. When ideas clash live, that can become a battle of wills. When I try to force it by playing louder and leaning harder into my idea of what it should be, it almost never works. Embracing what the other player is doing rather than forcing what I imagined is usually the quickest and most practical way to make the music feel right. It doesn’t matter how great your idea is if it rubs the wrong way against another player. Let go of your plan and try making what is happening work. The song will go where it was supposed to go.
Envy
There’s an old musician saying: “Whenever a friend succeeds … part of me dies inside.”
Success doesn’t only visit the most talented, or go to the most deserving, so it’s easy to compare yourself to others and feel like you are shortchanged. There’s always somebody else doing something bigger and better, and that’s when it’s hard to love where you are. Yesterday, I was playing the CMT Awards. The show’s big finale was a Skynyrd tribute with an all-star lineup (Slash, Billy Gibbons, Warren Haynes, Chuck Leavell, Paul Rodgers, etc.). During rehearsal, I watched my friends Rich Redmond and Ethan Pilzer playing drums and bass with these legends and caught myself feeling the bitter sting of envy, even though I’m a terrible drummer, a mediocre bassist, and I was literally booked on the same show. That’s like a greedy child in a room full of toys wanting somebody else’s. Count your blessings.
Career
Currently, I’m not touring. I get four to eight cool TV gigs a year and a few monthly sessions, but most of my present work is on Nashville’s very non-glamorous Lower Broadway. Two to six times a week, I haul my gear down and play four-hour slots. At times, it’s grueling, frustrating, embarrassing, too loud, and there’s a physical toll. You either get better or bitter. Your choice.
Singer checks into rehab and a gig is same-day canceled? Amor fati. Carpal tunnel is making the fingers flow like Elmer’s glue from a clogged tube? Amor fati. Your bandmate plays horribly? Amor fati. Amp dies, strings break, back aches? Amor fati. If you can laugh about it later, you can laugh about it now. It’s been a wildly entertaining chapter that’s made me a better musician and a better person. Not what I planned, but right where I’m supposed to be.
You either get better or bitter. Your choice.
Nietzsche gleaned amor fati from Epictetus, a Greek philosopher (c. A.D. 50), who was born into slavery, crippled by his master, and later exiled from his homeland after gaining his freedom. Epi knew a bit about things not going as planned.
Epictetus said:
“Every difficulty in life presents us with an opportunity to turn inward and to invoke our own submerged inner resources. The trials we endure can and should introduce us to our strengths.”
Loving your fate doesn’t mean you plaster on a smile and ignore the hard truth. A positive attitude does not fix issues. But getting depressed and dwelling on your problems won’t fix them either. Once you accept it is what it is, then you can focus on a solution rather than the problem. You stop wishing and start doing.
Life is one big improv jam. What’s happening to you is happening for you. Amor fati.- Last Call: Find Your Purpose ›
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Stompboxtober is finally here! Enter below for your chance to WIN today's featured pedal from Diamond Pedals! Come back each day during the month of October for more chances to win!
Diamond Pedals Dark Cloud
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology which was once deemed unobtainable by standard BBD circuit.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other
Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.