
The Foo Fighters’ frontman once took my Les Paul at a Halloween gig and played it onstage, with glee, for 90 minutes. But his new autobiography is full of better stories and plenty of wisdom.
“Life is just too damn short to let someone else’s opinion steer the wheel.”
—Dave Grohl, The Storyteller
In 2013, I was playing a Halloween party at Paul Allen’s Beverly Hills home/studio. It was a surreal gig, playing “Season of the Witch” with Donovan while supermodels, musicians, titans of industry, and celebrities like Sacha Baron Cohen, Dan Aykroyd, and Gina Gershon weaved around the packed yet spacious and spooky dance floor. Right in front of me, dressed like an Amish farmer, was Dave Grohl bobbing his head to the music. I held out my guitar to him and shouted, “DO YOU WANT TO PLAY?” He shrugged his shoulders like, “why not,” jumped onstage, took my Les Paul, and proceeded to play for 90 minutes, pretty much nailing every cover song requested by the crowd.
It was an impromptu jam at a party, but Grohl turned it into an epic performance, putting everything into every song, hitting the high notes by screaming like his life depended on it while beating my guitar like it owed him money. I remember thinking, “Man, no wonder this guy is a two-time Rock and Roll Hall of Famer. He gets it.”
I hadn’t thought about that for years until last week, when Dave Grohl told me his life story over the course of 10.5 hours as he read the audio version of his autobiography, The Storyteller.
Right in front of me, dressed like an Amish farmer, was Dave Grohl bobbing his head to the music. I held out my guitar to him and shouted, “DO YOU WANT TO PLAY?”
If you’re a musician, you know people like the young, pre-Nirvana Grohl: the seemingly misguided who dropped out of high school to tour with a bunch of grown men in a dodgy van, sleep in abandoned squats, and survive on a diet of gas station corn dogs, generic cigarettes, and whatever else a $7 per diem can get you. Most professional musicians go through a similar rite of passage when they first forsake all common sense, security, and comfort to play music full time. Check back with those friends 10 to 30 years later and you’ll hear a lot of stories—some sad, some triumphant, but few more inspiring than Grohl’s. Consider these differences between Grohl’s experience and other sadder versions of parallel musicians’ lives.
Grohl put in the work.
Before he had drums, Grohl learned to play by hitting pillows in his small childhood home and making drumbeats with his mouth when no kit or pillows were available. He played and listened all the time, learning every song by his favorite bands. So, when Scream auditioned drummers, he already knew the entire catalog, proving that success is when preparedness and opportunity intersect.
Grohl had the humility to listen and learn along the way.
Like many young drummers, Grohl was shoehorning fills into every space, thinking he was killing it. One day, Scream bassist Skeeter Thompson forced Grohl to get very high and play one simple groove without any fills for 30 minutes. Grohl described it as “breaking a wild pony.” I know a lot of young drummers who could not or would not do this. Consequently, they never get to the next level.
Grohl puts everything into every performance.
When Nirvana saw this skinny kid playing the shit out of his drums for the tiny crowd at a Scream show, they knew he was the guy. I see guys onstage checking their texts between songs or looking bored. If you’re going to play, be in it. Every gig is not just a performance. It’s an audition for the next gig.
Grohl said, “It’s hard to put into words the belief I have in music. To me, it is God. A divine mystery in whose power I will forever hold an unconditional trust.” We’ve all met wild-eyed Law of Attraction zealots who look at the universe as a divine vending machine, where you say the magic words, believe with all your might, and then get the shining prize you crave. It’s not about the prize; it’s about the journey: the rejection, embarrassment, discomfort, and lessons you learn along the way. The reward is that you become the person you’re supposed to be. I suspect the trick to manifesting your destiny is to move forward trusting that what’s happening to you is happening for you. Big dreams remain an empty distraction from real life unless you put in the work, sacrifice, and hustle to make it happen.
Honestly, if, like Grohl, you steadfastly work, keep your mind/soul open, say yes, be grateful, and put your whole heart into it, eventually, amazing things will happen to you. It will be a wild ride full of soul-crushing and soul-expanding experiences that will lead you where you’re supposed to be. That may be rich and famous or poor and anonymous, but if you can find happiness in one, you will have it in the other as well.
The Velvet Sledgehammer is Mayfly’s first heavy distortion pedal.
It uses an overdriven LM308 op-amp with 1N4148 clipping diodes, followed by an adjustable filter circuit. This is followed by an active midrange control with 12db of boost or cut. This allows you to scoop or boost your mids adding a whole lot of flexibility to a classic distortion design.
If you were to say “Hey! That sounds like a RAT with an active midrange!”, you would not be far off. But it’s that midrange control that makes this pedal so much better sounding than a typical RAT clone. You can scoop it for a metal tone, but I especially like to boost the mids with higher distortion settings. A typical RAT can get pretty fizzy when you crank the distortion, but boosting the mids gives a lot of body back to your sound. Either way (I’m going to use a big cliché here) with the active midrange control your palette of tones expands onwards towards the horizon. ;)
The name “Velvet Sledgehamer” and the motorcycle artwork are both inspired by a motorcycle model known for its sophistication, grace, and for having so much power it would lift the front wheel instantly when you twisted the throttle. The Velvet Sledgehammer distortion pedal has the same kind of feel. Crank on the distortion knob and it will make you feel like you can wheelie all the way down the block.
• Heavy distortion pedal.
• Active midrange control with 12db of boost/cut (center position is flat).
• Two pole adjustable filter control.
• Distortion and volume controls.
• Full bypass.
• 9VDC, 28mA.
MAP price: $145 USD ($199 CAD).
Duane Betts enjoys a control set modification that was preferred by his father, the late, legendary Dickey Betts.
Duane Betts and reader Steve Nowicki join the PG staff to discuss their favorite ways to customize their setups.
Question: What’s your favorite guitar mod?
Guest Picker - Duane Betts
Betts’ 1961 ES-335 has its toggle and volume-dial positions switched.
A: My favorite mod is the one on my 1961 Gibson ES-335. The toggle switch and neck volume knob positions have been switched so the volume knob is more accessible for volume swells using your pinky finger. This is something my dad had done when he obtained the guitar in the ’90s as he loved using the volume swell effect.
A pedal primed for vintage fuzz sounds.
Obsession: My current obsession is this DanDrive Secret Machine fuzz that JD Simo gave me a few years ago. I don’t use fuzz often but I’ve loved it as a way to change things up and give the listener something fresh. My normal tone is very natural with the amp turned up. This is just a great fuzz tone that gives me a new angle that I really enjoy pursuing both live and in the studio.
Reader of the Month - Steve Nowicki
A: A push/pull knob for humbucker coil split. It’s a sneaky little mod I throw on my tone pots. You won’t get amazing Strat tone, but the ability to instantly swap between Les Paul chunk and Fender twang during a jam opens a ton of possibilities tonally. Plus, no extra switches or routing needed—even though it’s fun to hack guitars apart.
Obsession: The EVH 5150 Iconic EL34 amp. Owning an 80-watt half-stack in a Brooklyn apartment might be overkill, but damn this amp is awesome. It delivers insane amounts of gain and distortion, yet every little nuance of your playing comes through crystal clear. I pair it with a Bugera Power Soak so I can crank the head and get that warm “Brown Sound” tone at lower volumes.
John Bohlinger - Nashville Correspondent
John Bohlinger and his Lukather-ized Strat.
A: I’ve hacked up a bunch of guitars over the years, but my favorite mod remains the highly intrusive, expensive, and quixotic B-bender install. It is the equivalent of open heart surgery, and there’s no going back—but the first time you play the Clarence White “You Ain’t Goin’ Nowhere” intro right, it’s totally worth it.
John at work. When it comes to mods, he know the drill!
Obsession: I recently filmed a PG video where we swapped pickups in my ’90s Strat with an EMG Lukather set. I never thought I’d go active, but what gets me is how smoothly the volume and tone work. I’m rethinking all my gear biases. Like maybe there’s been some progress since 1957.
Jon Levy - Publisher
Let it bleed: Jon dials back the treble on his Tele.
A: Installing a treble bleed on my volume pots has changed how I play electric guitar. Previously, I never dialed back my volume knob because it dulled my sound. Now I can fine-tune loudness and gain while retaining tone—it’s a game changer. I still swap pickups and hardware, but one mod always comes first: the humble treble bleed.
Did you know both John Paul Jones and Jimmy Page played on Shirley Bassey’s iconic recording of “Goldfinger?”
Obsession: John Paul Jones. I’ve always loved his bass (and other instrumental contributions) with Led Zeppelin. But after seeing the Zep documentary [Becoming Led Zeppelin] I searched his session work from 1964–1968, which includes Shirley Bassey, Lulu, Donovan and more. What an amazingly versatile and talented artist he is!
The series features three distinct models—The Bell,The Dread, and The Parlor—each built to deliver rich, resonant acoustic sound with effortless amplification.
Constructed with solid Sitka spruce tops and solid mahogany back & sides, the Festival Series offers warm, balanced tone with incredible sustain. A Fishman pickup system, paired with hidden volume and tone control knobs inside the sound hole, ensures seamless stage and studio performance.
Grover 16:1 ratio tuners provide superior tuning stability, while D’Addario strings enhance clarity and playability. Each guitar comes with a heavy-padded gig bag, making it a perfect choice for gigging musicians and traveling artists.
Key Features of the Festival Series Guitars:
- Solid Sitka Spruce Top – Provides bright, articulate tone with impressive projection
- Solid Mahogany Back & Sides – Adds warmth and depth for a well-balanced sound
- Fishman Pickup System – Delivers natural, high-fidelity amplified tone
- Hidden Volume & Tone Control Knobs – Discreetly placed inside the sound hole for clean aesthetics
- Grover Tuners (16:1 Ratio) – Ensures precise tuning stability
- D’Addario Strings – Premium strings for enhanced sustain and playability
- Heavy-Padded Gig Bag Included – Provides protection and convenience for musicians on the go
Mooer Prime Minimax M2 Intelligent Pedal boasts 194 effects models, 80 preset slots, MNRS and third-party sample file compatibility, an 80-minute looping module, internal drum machine, high-precision tuner, Bluetooth support, and a rechargeable lithium battery.
Over the last few years, Mooer has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family–the Prime Minimax M2 Intelligent Pedal.
Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects, etc., and more. In typical Mooer style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the Mooer Cloud and third-party sources to the device, which they can then save across 80 preset slots.
As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the devices banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.
While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in Mooer's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.
As if the addition of a looper wasn’t enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it’s a reminder that Mooer clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.
Extra features are included to complete this all-in-one pedal, including a high-precision tunerwith fully customizable frequency ranges. Guitarists can even leverage the M2’s built-inBluetooth input support, allowing them to practice, jam, and even produce looped musicalstructures over their favorite backing tracks, band prototypes, and musical pieces.
Perhaps unsurprisingly for existing Mooer product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.
Speaking of on-the-go, Mooer is continuing its recent portable-play focus with the Prime M2Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won’t get in the way of rehearsals and live performances. Combined with the pedal’s lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.
Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.
Features:
- 194 built-in effect models and tonal emulations
- 80 preset slots for storing downloaded MNRS and third-party sample files
- Compatibility with the MOOER Cloud tone-sharing platform
- Built-in 80-minute looping module
- Record, overdub, pause, delete, and playback functions for looping
- Internal drum machine module, stocked with 56 drum grooves
- 4 unique metronomes
- Synchronization between drum machine and looper
- Convenient count-in cue function support from the metronome
- High-precision and customizable tuner module
- 2 multi-function footswitches
- 1.28-inch touchscreen interface
- LED digital display
- LED charge indicator
- Portable USB/OTG recording
- Direct compatibility with the MOOER prime mobile APP and MOOER Studio desktop software for preset management
- Bluetooth 5.0 audio playback
- 3000mAh integrated lithium battery with up to 6 hours of use time
- DC 5V/2A power supply and charging
- 3 hours charging time
- Low weight of 228g
- Compact, at 74mm (L), 125mm (W), and 49mm (H)
- Sample rate of 44.1kHz
- Bit depth of 24bit
- Compatible with MOOER F4 wireless footswitch
- 3.5mm MIDI port
- Mono TS ¼” input
- Stereo TS ¼” output
- 3.5mm headphone output
- Power switch button
The Prime Minimax M2 Intelligent Pedal will be available from the official distributors or retailersworldwide.
For more information, please visit mooeraudio.com.