
Our steady-gigging Nashville correspondent faces a ruptured eardrum and considers his recovery.
About three and a half years ago, Graham Nancarrow and I met on a club date in Nashville. We quickly fell in music-love, wrote a bunch of songs, and recorded an album together in 6 days with a few friends laying down bass and drums.
Graham had a headlining gig at Belly Up Tavern in San Diego in early September, and asked me to join him on pedal steel. Monetarily, the gig did not make sense, but love is love, so I cleared my schedule, rounded up a babysitter, and bought a ticket for the wife in an attempt to shoehorn a needed couples vacay into a gig in a beautiful location with beachside accommodations.
The day of the show, I joined Graham surfing. I had never surfed before, and I still havenāt. I just got beat around by waves that pushed plenty of the Pacific into my ears.
āSometimes, I fear I push my plugs too deepāmaybe that did it? The ocean waves didnāt help. The pharmacy ear-cleaning thing definitely did not help. Rock ānā roll is a contact sport. You take some hits.ā
When we went to soundcheck, my hearing was at about 60 percent, so I walked to a pharmacy to find a miracle remedy. I spent $40 on a kit that douched out my ears and took my hearing down to about 20 percent. My hearing was so bad at soundcheck that I couldnāt tell if my backline amp was blown or I was just hearing it wrong. (It was blown.) I was nauseous and had vertigo and a raging headache. The last time I felt this bad was 30 years ago when I had the misfortune of getting in an altercation with a guy who tested out some karate moves on me. (I donāt recommend it.) He hit me on both ears simultaneously with two open palms and I dropped immediately. Soundcheck felt similar.
Afterwards, my new bandmate Tommy dropped me at an urgent care where the doctor told me I had a ruptured eardrum and a double infection. The diagnosis terrified me; I felt tears welling up as I pondered my new semi-deafness. The doctor quickly put me at ease, assuring me that most ruptured eardrums heal completely. He scripted me some ear drops and pills, and told me to avoid loud sounds and stay out of the ocean. He said I could play the gig that night with earplugs but to take off two to six weeks, get a follow-up appointment, and my ear should be fine.
To define our terms: A ruptured eardrum is a tear in the thin membrane that separates the outer ear from the inner ear. The eardrum can rupture when pressure increases, like from a very loud noise near the ear, or a rapid change in ear pressure, such as when flying, scuba diving, or driving in the mountains. A ruptured eardrum can result in hearing loss and make the middle ear vulnerable to infections. Small holes can heal in three to six weeks, but bigger ones can take many months to heal. Sometimes surgery is needed to repair the eardrum.
Iām not really sure how I ruptured my eardrum. Iām around loud music too often, and as little as 70 dB (the volume of a washing machine) over a prolonged period of time may damage your hearing. Loud noise above 120 dB (a siren) can cause immediate harm to your ears.
I wear earplugs often. That helps protect your ears while simultaneously forcing wax deep into your ears, which eventually will need to be removed, but you put yourself in danger of puncturing your eardrum while attempting to do so. Despite normally using earplugs at loud gigs, I do take the occasional unprotected hit when a rehearsal, session, or gig goes from a safe volume to a punishing roar. Sometimes, I fear I push my plugs too deepāmaybe that did it? The ocean waves didnāt help. The pharmacy ear-cleaning thing definitely did not help. Rock ānā roll is a contact sport. You take some hits.
As I write this, itās 15 days later, and Iām doing everything that ear-health experts suggest:
Keep your ears dry. (Iāve been so paranoid, I went for a week without showering. My apologies to my family.)
Avoid cleaning your ears.
Donāt blow your nose hard.
Iāve been evaluating my regular live gigs, determining which are too loud and seeking safer environments.
My right ear still feels a bit plugged, and I still have headaches and some vertigo. That said, Iām confident Iāll recover, perhaps with some more battle scars, but functioning fine. What is happening to us, is happening for us. Sometimes, God, the Universe, your higher self, tells you to pump the brakes, reassess, find a balance and take some time to let ourselves heal. Sometimes we listen.
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Jack White's 2025 No Name Tour features live tracks from his album No Name, with shows across North America, Europe, the UK, and Japan.
The EP is a 5-song collection of live tracks taken from Whiteās 2024 edition of the tour, which was characterized by surprise shows in historic clubs around the world to support the 2024 album No Name.
No Name is available now via Third Man Records. The acclaimed collection was recently honored with a 2025 GRAMMYĀ® Award nomination for āBest Rock Albumā ā Whiteās 34th solo career nomination and 46th overall along with 16 total GRAMMYĀ® Award wins. The No Name Tour began, February 6, with a sold-out show at Toronto, ONās HISTORY and then travels North America, Europe, the United Kingdom, and Japan through late May. For complete details and remaining ticket availability, please visit jackwhiteiii.com/tour-dates.
Whiteās sixth studio album, No Name officially arrived on Friday, August 2 following its clandestine white-label appearance at Third Man Records locations that saw customers slipped, guerilla-style, free unmarked vinyl copies in their shopping bags. True to his DIY roots, the record was recorded at Whiteās Third Man Studio throughout 2023 and 2024, pressed to vinyl at Third Man Pressing, and released by Third Man Records.
For more information, please visit jackwhiteiii.com.
JACK WHITE - NO NAME TOUR 2025
FEBRUARY
11 ā Brooklyn, NY ā Kings Theatre
12 ā Brooklyn, NY ā Brooklyn Paramount
17 ā Boston, MA ā Roadrunner
18 ā Boston, MA ā Roadrunner
21 ā Paris, France ā La Cigale
22 ā Paris, France ā La Trianon
23 ā Paris, France ā La Trianon
25 ā Utrecht, Netherlands ā TivoliVredenburg (Ronda)
26 ā Utrecht, Netherlands ā TivoliVredenburg (Ronda)
28 ā London, UK ā Troxy
MARCH
1 ā London, UK ā Troxy
2 ā Birmingham, UK ā O2 Academy Birmingham
3 ā Glasgow, UK ā Barrowland Ballroom
10 ā Hiroshima, Japan ā Blue Live Hiroshima
12 ā Osaka, Japan ā Gorilla Hall
13 ā Nagoya, Japan ā Diamond Hall
15 ā Tokyo, Japan ā Toyosu PIT
17 ā Tokyo, Japan ā Toyosu PIT
APRIL
3 ā St. Louis, MO ā The Factory
4 ā Kansas City, MO ā Uptown Theater
5 ā Omaha, NE ā Steelhouse Omaha
7 ā Saint Paul, MN ā Palace Theatre
8 ā Saint Paul, MN ā Palace Theatre
10 ā Chicago, IL ā The Salt Shed (Indoors)
11 ā Chicago, IL ā The Salt Shed (Indoors)
12 ā Detroit, MI ā Masonic Temple Theatre
13 ā Detroit, MI ā Masonic Temple Theatre
15 ā Grand Rapids, MI ā GLC Live at 20 Monroe
16 ā Cleveland, OH ā Agora Theatre
18 ā Nashville, TN ā The Pinnacle
19 ā Nashville, TN ā The Pinnacle
MAY
4 ā Austin, TX ā ACL Live at the Moody Theater
5 ā Austin, TX ā ACL Live at the Moody Theater
6 ā Dallas, TX ā South Side Ballroom
8 ā Denver, CO ā Mission Ballroom
9 ā Denver, CO ā Mission Ballroom
10 ā Salt Lake City, UT ā The Union Event Center
12 ā Los Angeles, CA ā Hollywood Palladium
13 ā Los Angeles, CA ā Hollywood Palladium
15 ā Santa Barbara, CA ā Santa Barbara Bowl
16 ā Oakland, CA ā Fox Theater
17 ā San Francisco, CA ā The Masonic
19 ā Seattle, WA ā The Paramount Theatre
20 ā Seattle, WA ā The Paramount Theatre
22 ā Vancouver, BC ā Commodore Ballroom
23 ā Vancouver, BC ā Commodore Ballroom
24 ā Troutdale, OR ā Edgefield Concerts on the Lawn
A dose of magic gain potion.
Works like a little vial of magic gain potion. Fattens without obscuring individual frequency bands.
None.
$129
Solodallas SVDS Boost
solodallas.com
The Schaeffer-Vega Diversity Systemāan early and very successful wireless systemāexcelled at the tasks it was designed for. But there was more magic than met the eye. Though designed to sound as transparent as possible, it nonetheless colored the signal in a way that people like Angus Young and Eddie Van Halen found essential.
SoloDallas explored the possibilities of this circuit before in pedals like theSchaeffer Replica, but the new SVDS Boost strips the formula to essentials. Minimalist controlsāone knob, thatās itāmake this boost no less delicious. Iām not surprised Angus Young was smitten with the original SVDS. An SG and Marshall 18-watt amp sound fantastic naked, but the SVDS Boost has the rare talent for fattening everything without seeming to favor or obscure any frequency band too much. And as zest to the PAF/Marshall style formula, it makes the kind of rowdy, organic, airy, large, and punch-packing Marshall sound you would dream of getting in a studio or hearing on the radio. There are many shades of this basic awesome color in spite of the single knob. Unity gain lives in the earliest third of its range. From there you certainly get more volume, but mostly you bathe in various hues of compressed, saturated, thick, and dynamite growl. You donāt need a Gibson and a Marshall to use it to devastating effect, either. A Telecaster and Vibrolux snap with attitude and whip-crack energy with the SVDS in the line. And with both guitar/amp combos, the SVDSā wide dynamic responsiveness to volume and tone attenuation assures that things stay cracking when you need more control.
Learn about this iconic guitar's journey, its mods done by Frank, and hear how it sounds in the hands of his son Dweezil.
Neil Youngās ā70s hits are some of the most recognizable radio rock jams of all time. But Neilās guitar playing continued to grow over the ensuing decades, as he traversed styles from blues to country to electronic to rockabilly and beyond, eventually developing one of the most tonally decadent, fully formed improvisational voices in the entire guitar universe.
Neil Youngās ā70s hits are some of the most recognizable radio rock jams of all time. But Neilās guitar playing continued to grow over the ensuing decades, as he traversed styles from blues to country to electronic to rockabilly and beyond, eventually developing one of the most tonally decadent, fully formed improvisational voices in the entire guitar universe.
Like any discography thatās been growing over the course of more than half a century, it can be hard to decode Youngās work. And with such an adventurous spirit, it could be easy to make some missteps and miss out on his best guitar works. In this episode, Nick guides Jason through some of his heroās finest moments.
More news from Neil always seems to be on the horizon, so hereās your chance to catch up.