Our Last Call columnist reflects on a big birthday with some thoughts about living one’s best life.
“Life is what happens to you while you’re busy making other plans.” —Allen Saunders (via John Lennon’s “Beautiful Boy”)
By the time this is published, I will be 60 years of age. I’ve been writing this bit of infotainment for nearly 18 years, so it feels like I should have some life lessons to share. Let me preface it by reminding you I’m not particularly wise, nor have I accomplished much. But I have been gigging for 44 years, and I’m still standing, so here are a few tips that might help fellow musicians on the long journey.
Although ageism is the last socially acceptable prejudice, I no longer sweat it. Because music is marketed primarily to kids, I worried I’d be aged out when my hair began transitioning from black to white in my 30s. I’d dyed it Elvis black for nearly two embarrassing decades to extend my imagined expiration date. By 50, the jig was up; I’d have to dye my hair every four minutes to maintain the illusion. That’s when I realized there are two options: grow old or look creepy.
Turns out, all the anxiety and wringing of hands fearing the inevitable was a huge waste of time and bad feelings. Sure, now I wake up every morning feeling like I have been beaten by a bag of doorknobs. And on a long gig, the weight of my guitar is more important than the tone. And my hearing, vision, and stamina are no longer at their peak. But honestly, life is, for the most part, better now.
I definitely am a better musician today than when I was younger. If you put in the time playing, you will inevitably improve. The key is, you have to work to push past what you already know. A lot of players hit their plateau early and never surpass it. They built a tool kit of riffs and tricks that got the job done, started working professionally, and then stopped working to improve beyond that. If you want to get to the next level in anything, you’ll need to get out of your comfort zone. Want to play better? Do something hard you’ve never done, like learning jazz, bluegrass, or metal tunes and practicing them with a metronome.
“The key is, you have to work to push past what you already know..”
Apply the same technique to other parts of your life. Want to feel better? Get off the couch and push your body with regular exercise, even if it’s just walking for 15 minutes. Want to be better off financially? Invest as much as you can, even if it means you will not be able to afford some creature comforts in the present. Or have that super uncomfortable conversation with your boss and ask for a raise. Want a better relationship? Be vulnerable. Nobody has ever improved their life without going through something uncomfortable. Life will pay you back for the work you put into it.
There’s a common fallacy about youth's fearlessness versus the wisdom of age. I was terrified through much of my youth. I was way too concerned about what other people thought about me. I was constantly comparing myself to others. I did not know what I was doing, and I was broke. I was always scheming and planning to improve life, and then was crestfallen when it never went as planned.
Life became much easier when I learned:
• Nobody is thinking about me. (People are generally thinking about themselves.)
• Comparison is the thief of joy.
• Nobody really knows what they are doing. (We are all just trying to figure it out.)
• If you work hard and live simply, the money thing works out.
• Plans lead to a betrayal of expectation. It’s good to have a plan to motivate you to work toward something, but be fluid. Failed plans will lead you to where you are supposed to be.
• Wisdom does not come with age unless you learn something along the way. If you live your entire life with a closed mind, too afraid or too lazy to think, you are missing out.
• Probably the biggest improvement that’s come with age is I’m learning to live in the moment. Most mental health professionals agree that depression often involves ruminating on the past, whereas anxiety is caused by spending a lot of time worrying about the future. But if you can stay in the eternal now, which really is all there is, then you’re living, not worrying.
I realize this reads like a string of cliché maxims, but that doesn’t make them less true. Let me leave you with a few more.
• Forgiveness is the gift you give yourself.
• It’s okay to not be okay. Life will inevitably hurt. Good or bad, this too shall pass.
Everybody has their theory of spirituality. Mine is, if there is a higher power, how we live our life is how God experiences his creation. I want to use up all my tickets and ride every ride at the carnival. If life has a point, the point is to live it. The Titanic sinks; we in the band play on.
Danelectro keeps bring the past to the future by recreating cult classics from their history. The masonite masters brought a pair of new electrics, their Sitar in a cracked-black finish, and some new colors on the Longhorn basses.
Xvive wants to make sure you take some time for yourself and your tone with their new More You HUB. It's the starting point to bulid out your studio or rehearsal space with an expandable audio interface and personal monitoring system for up to eight people and 24 inputs. The More You Hub (1st slide) is the heart of the system, with two combo inputs for microphones and instruments, and outs to your DAW, headphones/IEMs, and studio monitors. True gain mic preamps with 60dB of gain in 1dB steps for precise setting and recall; 48V phantom power, phase and hi-pass filter available on all inputs; each user controls Level and Reverb for themselves on their two inputs. Talkback mics on each unit allow musicians to communicate without removing headphones and all settings automatically recall after shutdown and restart. The second slide shows the additional, expandable MORE YOU 2X Expansion Unit that works with the HUB.
Tsakalis AudioWorks Phonkify X and Mothership Tube Overdrive + Preamp Demos | NAMM 2025
The latest iteration of Tsakalis' expansive envelope filter is a pure funk machine. All the classic '70s-era sounds are packed in there, but with three separate filters, you can get so much more out of it. Both the octave and filter are switchable, and with effect order switching you can really push the limits of out-of-this-world wah sounds. It will be available in March for $229.
EHX always brings some fresh goodies to NAMM and this year they showed us a trio of tone twisters. The most impressive unit had to be the POG3 that builds off their stupendous previous iterations and put lightning-fast tracking and perfect polyphony over four octaves with smoother tone and performance than ever before. It has six voices including DRY, -2, -1, +5th, +1, & +2, you can mix each with individual sliders and create enveloping stereo effects with dedicated pan knobs and selectable LEFT/RIGHT/DIRECT outputs. The effects section has been expanded to offer envelope control and adjustable Q for the new multi-mode FILTER, enhanced DETUNE section with SPREAD, and individual DRY effect selection, plus the famous ATTACK slider for subtle or dramatic swell effects. It also includes expression effects like Freeze, Glissando, Volume, Filter, X-Fade, and Warp.