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9 Acoustic Preamp Pedals for Stage or Studio

9 Acoustic Preamp Pedals for Stage or Studio

Wherever you’re looking to plug in your acoustic, these stomps have you covered with a wide range of functionality and sounds.

A good preamp plays an important role in making your acoustic guitar sparkle. Here are options in a wide price range that will keep your 6-string singing.


This stomp includes a full-isolation DI output, 5-band EQ with adjustable low- and high-mid bands, variable clean boost, and a chromatic tuner all in one acoustic pedal.

$328 street


This 2-channel acoustic preamp offers precise tone-shaping and effects control. You can seamlessly integrate dynamic or condenser mics, switch effortlessly between channels, activate a booster and an effects loop, and mute the signal for hassle-free onstage tuning.

$639 street


With all the know-how of Orange’s acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, this do-it-all, compact preamp pedal will help you battle feedback or brighten a dull instrument.

$169 street

TRACE ELLIOT Acoustic Transit A

This portable rig includes a 3-band active EQ, chromatic tuner, built-in pre- and post-XLR balanced output, dry output, headphone output, carry bag, plus user-definable boost, chorus, delay, and reverb.


TECH 21 Acoustic Fly Rig

Whether for recording or live performance, this unit is jam-packed with useful features: a 100-percent-analog SansAmp, parametric EQ, boost, compressor, tap-tempo delay, independent reverb, tuner, headphone capability, and XLR output.

$249 street

FISHMAN Platinum Pro EQ

This all-analog universal instrument preamp box features a discrete, high-headroom class-A preamp, switchable guitar/bass EQ modes, adjustable volume boost, a balanced XLR DI output, and much more.

$319 street


This full-featured acoustic preamp is designed to be portable and rugged but still deliver true studio-quality sound with the same level of performance as the company’s pro audio range on the live stage.

$765 street

BOSS AD-2 Acoustic Preamp

With just three knobs, this stomp will do the trick. Controls include resonance, which processes your acoustic’s natural sounds, ambience or reverb, and a notch filter, plus normal or balanced DI outputs.

$119 street

FENDER Acoustic Preverb

Combining three distinct reverb voices with an acoustic preamp, this pedal is a powerhouse. Other features include a notch filter, damping control, and mute switch.

$179 street

With a team of experts on hand, we look at six workhorse vintage amps you can still find for around $1,000 or less.

If you survey the gear that shows up on stages and studios for long enough, you’ll spot some patterns in the kinds of guitar amplification players are using. There’s the rotating cast of backline badasses that do the bulk of the work cranking it out every day and night—we’re all looking at you, ’65 Deluxe Reverb reissue.

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Amazon Prime Day is here (July 16-17). Whether you're a veteran player or just picking up your first guitar, these are some bargains you don't want to miss. Check out more deals here!

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.


Danelectro Nichols 1966


The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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The author standing next to a Richardson gunstock lathe purchased from Gibson’s Kalamazoo factory. It was used to make six necks at a time at Gibson in the 1950s and 1960s.

Keep your head down and put in the work if you want to succeed in the gear-building business.

The accelerated commodification of musical instruments during the late 20th century conjures up visions of massive factories churning out violins, pianos, and, of course, fretted instruments. Even the venerable builders of the so-called “golden age” were not exactly the boutique luthier shops of our imagination.

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