From the Pretenders to the Cure to Nirvana, chorus pedals are a classic modulation device. Here are 10 pedals that will convince you that space is the place!
BOSS
CH-1 Stereo Super Chorus Pedal
One of the most classic chorus options around, this recognizable stomp is easy to use for mono or stereo effects.
$119 street
boss.info
JHS
3 Series Chorus
Part of the company’s utilitarian 3 Series, this simple stomp offers three controls—volume, rate, and depth—plus a vibe switch that removes the dry signal.
$99 street
jhspedals.info
STRYMON
Ola dBucket Chorus and Vibrato
This feature-full pedal includes chorus and vibrato tones based upon the company’s dBucket DSP algorithm, with stereo ins and outs.
$299 street
strymon.net
KEELEY
Dyno My Roto
The graphics say it all! This standard-sized stomp promises ’80s rackmount tri-stereo chorus tones, plus rotary simulator and rotoflange.
$169 street
robertkeeley.com
EHX
Small Clone
Another classic choice, and this analog chorus is about as simple as it gets—with one knob and a depth switch, you’ll spend your time playing, not tweaking.
$85 street
ehx.com
TC ELECTRONIC
June-60 V2
Based on the Roland Juno-60, this affordable BBD chorus features two preset modes and mono or stereo options, plus a classic aesthetic.
$59 street
tcelectronic.com
WALRUS AUDIO
Julia V2
This simple-but-feature-rich analog chorus/vibrato features selectable wave shapes, a lag control that sets the center delay, plus a dry/chorus/vibrato blend knob.
$219 street
walrusaudio.com
EVENTIDE
TriceraChorus
Conjure rackmount tri-stereo chorus and vintage-style stomp tones via three independent chorus voices, three chorus types, presets, and much more.
$249 street
eventideaudio.com
MOJO HAND FX
Swim Team
Two selectable DSP programs offer chorus or flange settings with a simple control set and graphics that evoke your favorite ’90s chorus user … oh well, whatever, nevermind.
$159 street
mojohandfx.com
MXR
M234 Analog Chorus
This all-analog BBD chorus features low- and high-cut knobs and stereo functionality.
$129 street
jimdunlop.com
Michael Trent and Cary Ann Hearst have been making music as Shovels & Rope since 2008. The husband-and-wife duo from South Carolina specialize in rootsy, bluesy rock, Americana, and alt-country, but they don’t confine themselves to traditional two-piece arrangements. They switch off on vocal, guitar, percussion, and synth duty throughout their shows, orchestrating a full-band ruckus with all available limbs.
Their seventh full-length, Something Is Working Up Above My Head, released in September last year, and while touring in support of it, they stopped at Nashville’s Brooklyn Bowl in late February. PG’s John Bohlinger caught up with Trent before the gig to see what tools he and Hearst use to maintain their musical juggling act.
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Trent’s not a guitar snob: Generally speaking, he plays whatever he can get his hands on. While playing Eddie Vedder’s Ohana Fest, someone loaned him this Gretsch Black Falcon, and he fell in love with it. He likes its size compared to the broader White Falcon. It’s also the band’s only electric, so if it goes down, it’s back to acoustic. Hearst takes turns on it, too.
Trent loads the heaviest strings he can onto it, which is a set of .013s. It lives in standard tuning.
Ol' Faithful
As Trent explains, he and Hearst have done some DIY decorating on this beautiful Gibson J-45—it’s adorned with sweat droplets, stains, and fingernail dust. It runs direct to the venue’s front-of-house system with an LR Baggs pickup. This one is strung with Martin heavy or medium gauge strings; lighter ones are too prone to snapping under Trent’s heavy picking hand (which holds a Dunlop Max-Grip .88 mm pick). And it rolls around in an Enki tour case.
On Call
These second-stringers—a Loar archtop and an LR Baggs-equipped Recording King—are on hand in case of broken strings or other malfunctions.
Need for Tweed
Trent doesn’t trust amps with too many knobs, so this tweed Fender Blues Junior does the trick. It can get fairly loud, so there’s a Universal Audio OX Amp Top Box on hand to tame it for some stages.
Shovels & Rope's Pedalboard
Because Trent and Hearst trade off bass, guitar, keys, and percussion duties, all four of their limbs are active through the set. Whoever is on guitars works this board, with an MXR Blue Box, Electro-Harmonix Nano Big Muff, EarthQuaker Devices Hummingbird, and Boss OC-5, plus a pair of Walrus Canvas Tuners for the electric and acoustic. Utility boxes on the board include a Walrus Canvas Passive Re-Amp, Radial J48, Livewire ABY1, and a Mesa Stowaway input buffer.
A Roland PK-5 MIDI controller, operated by foot, sits on the lower edge of the board. It controls the board for “Thing 2,” one of two MicroKORG synths onstage.
Thing 1 and Thing 2
There’s no one backstage helping Hearst and Trent cook up all their racket; they handle every sound themselves, manually. During the first few sets of a tour, you’re liable to see some headaches, like forgetting to switch synth patches during a song, but eventually they hit a rhythm.
Affectionately given Seuss-ian nicknames, this pair of microKORGs handles bass notes through the set, among other things, via the foot-controlled PK5. “Thing 1” is set up at the drum station, and runs through a board with an EHX Nano Big Muff, EHX Bass9, EHX Nano Holy Grail, and a Radial Pro DI. A Walrus Aetos keeps them all powered up.
The board for “Thing 2,” beside the guitar amps, includes an EHX Mel9 and Bass9 powered by a Truetone 1 SPOT Pro, plus a Radial ProD2.
