Stompboxtober 3 Calendar

Stompboxtober 3 Winners: Oct. 1 (Lovepedal): Ken Koldys of Phoenix, AZ Oct. 2 (T-Rex): Mike Stillwagon of Midland, MI Oct. 3 (Analog Man): Neil Kirtley of Nairn, Scotland Oct.



Stompboxtober 3 Winners:

Oct. 1 (Lovepedal): Ken Koldys of Phoenix, AZ
Oct. 2 (T-Rex): Mike Stillwagon of Midland, MI
Oct. 3 (Analog Man): Neil Kirtley of Nairn, Scotland
Oct. 4 (Ibanez): Williiam Moriarty of Brick, NJ
Oct. 5 (Stone Deaf): Robert Callahan of Providence, RI
Oct. 6 (VanAmps): Kley De Jong of West Des Moines, IA
Oct. 7 (Walrus Effects): Peter Knoot of San Carlos, CA
Oct. 8 (Whirlwind):Thomas Domino of Las Vegas, NV
Oct. 9 (Mad Professor): Jaime Barajas of Torre—n, Co, Mexico
Oct. 10 (Tech 21):Darnell Wicks of Oak Park, MI; Jeff Russel of Odessa, TN; and James Gower of Fort Gibson, OK
Oct. 11 (Celestial Effects): Christopher Loseth of Sumner, WA
Oct. 12 (Source Audio): Dylan Slack of Chicago, IL
Oct. 13 (Pigtronix): Justin Butler of Portland, OR
Oct. 14 (Loud Button): Tony Medlin of Baton Rouge, LA
Oct. 15 (EHX):Parker Speirs of Provo, UT
Oct. 16 (Empress Effects): Stanislav Evmeshkin of Moscow, Russia
Oct. 17 (Peterson): Brian Loose of Gering, NE
Oct. 18 (Strymon): Dan Mulloy of Nanjemoy, MD
Oct. 19 (Full Custom Effects): Justin Phillips of Southbury, CT
Oct. 20 (Fulltone): Richard Gehring of South Bend, IN & Jim Rezac of Dover, DE
Oct. 21 (FX Pedal Jam Pedals):Jeff Tatreau of Chandler, AZ
Oct. 22 (Rockbox): Nicholas Jensen of Poway, CA
Oct. 23 (Pedaltrain): Neal Gardner of Greer, SC
Oct. 24 (Digitech): Steve Bramblett of Madison, AL
Oct. 25 (Snark): Bryan Wright of Hendersonville, TN; Michael Henningsen of Cedar Crest, NM; Mark Allard of Essex Junction, VT; Romy King of Saint Estephe, France; Laszlo Sztana of San Francisco, Ca
Oct. 26 (Jetter): Bill Davis of Lapel, IN
Oct. 27 (Diago Effects): Malcolm Bellino of Tahlequah, OK
Oct. 28 (Alairex): John Weber of Havre de Grace, MA
Oct. 29 (Big Joe Stompbox Co.): Nick Skinner of Calistoga, CA
Oct. 30 (Earthquaker): Barron Hardison of Plano, TX
Oct. 31 (SolidGoldFX): Michael Miller of Philadelphia, PA

It’s not difficult to replace the wiring in your pickups, but it takes some finesse. Here’s a step-by-step guide.

Hello and welcome back to Mod Garage. After numerous requests, this month we’ll have a closer look at changing wires on a single-coil pickup. As our guinea pig for this, I chose a standard Stratocaster single-coil, but it’s basically the same on all single-coil pickups and easy to transfer. It’s not complicated but it is a delicate task to not destroy your pickup during this process, and there are some things you should keep in mind.

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The emotional wallop of the acoustic guitar sometimes flies under the radar. Even if you mostly play electric, here are some things to consider about unplugging.

I have a love-hate relationship with acoustic guitars. My infatuation with the 6-string really blasted off with the Ventures. That’s the sound I wanted, and the way to get it was powered by electricity. Before I’d even held a guitar, I knew I wanted a Mosrite, which I was sure was made of fiberglass like the surfboards the Beach Boys, Surfaris, and the Challengers rode in their off time. Bristling with space-age switchgear and chrome-plated hardware, those solidbody hotrod guitars were the fighter jets of my musical dreams. I didn’t even know what those old-timey round-hole guitars were called. As the singing cowboys Roy Rogers and Gene Autrey strummed off into the sunset, the pace of technology pushed the look and sound of the electric guitar (and bass) into the limelight and into my heart. Imagine my disappointment when I had to begin my guitar tutelage on a rented Gibson “student” acoustic. At least it sort of looked like the ones the Beatles occasionally played. Even so, I couldn’t wait to trade it in.

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Need an affordable distortion pedal? Look no further.

We live in the golden age of boutique pedals that are loaded with advanced features—many of which were nearly unthinkable a decade or so ago. But there’s something that will always be valuable about a rock-solid dirt box that won’t break your wallet. Here’s a collection of old classics and newly designed stomps that cost less than an average concert ticket.

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