Lake Elsinore, CA (February, 7 2013) -- The Koji Comp is a versatile analog compressor, designed to offer a wealth of vintage and modern style compression effects without compromising your tone. With a simple twist of the Mix control, or flick of Koji’s Voice switch, you can easily create a limitless range of compression effects. Whether you choose subtle, transparent compression for smoothing out your rhythms, or dial in warm and squishy tones to take you into R&B and Country territory -the Koji Comp is possibly the last compressor you will ever need.
MSRP $200
Steeped in the classic, hot-rodded American tone tradition, the Suhr Hedgehog is designed to offer players the utmost in tonal versatility. The Hedgehog is a modern all-tube, 50 watt single-channel amplifier that features a cascaded overdrive section, four voicings, and a series/parallel effects loop - all of which are easily programmable.
MSRP $TBA
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Suhr
The day before they played the coveted Blue Room at Third Man Records in Nashville, the Washington, D.C.-based garage-punk duo Teen Mortgage released their debut record, Devil Ultrasonic Dream. Not a bad couple of days for a young band.
PG’s Chris Kies caught up with guitarist and vocalist James Guile at the Blue Room to find out how he builds the band’s bombastic guitar attack.
Brought to you by D’Addario.
Devilish Dunable
Guile has been known to use Telecasters and Gretsches in the past, but this time out he’s sticking with this Dunable Cyclops DE, courtesy of Gwarsenio Hall—aka Jordan Olds of metal-themed comedy talk show Two Minutes to Late Night. Guile digs the Dunable’s lightness on his shoulders, and its balance of high and low frequencies.
Storm Warning
What does Guile like about this Squier Cyclone? Simple: its color. This one is also nice and easy on the back, and Guile picked it up from Atomic Music in Beltsville, Maryland.
Crushing It
Guile also scooped this Music Man 410-HD from Atomic, which he got just for this tour for a pretty sweet deal. It runs alongside an Orange Crush Bass 100 to rumble out the low end.
James Guile’s Pedalboard
The Electro-Harmonix Micro POG and Hiwatt Filter Fuzz MkII run to the Orange, while everything else—a DigiTech Whammy, Pro Co Lil’ RAT, and Death by Audio Echo Dream 2—runs to the Music Man. A TC Helicon Mic Mechanic is on board for vocal assistance, and a TC Electronic PolyTune 3, Morley ABY, and Voodoo Labs Pedal Power 3 Plus keep the ship afloat.
