The '78 Model
The Seymour Duncan ‘78 is loaded with an Alnico 2 magnet, wound to the exact same hot specs as that original P.A.F. rewind. The magnet and output combination lend themselves to a warm crunch with biting leads and overtone laden tapped runs. If you’re a tone-chasing player who wants the classic hard rockin’ rhythm crunch, articulate picked harmonics for your tapped solos and whammy bar acrobatics, the ’78 Model is what you need.
Green Magic
With these humbuckers you’ll get the classic neck and bridge tones as expected, but when you activate both Green Magics you’ll get the clarity and expressiveness generally associated with single coils. The Green Magic set recreates this magical out of phase sound by flipping the neck pickup’s magnet to reverse the phase when combined with the bridge pickup. They are also voiced for the classic era, warm and expressive with the perfect balance of clarity.
For any guitarist wanting to expand the versatility of their guitar and capture the authentic tones of blues rock’s golden era with a touch of the supernatural, get the Green Magic set.
High Voltage
The Seymour Duncan High Voltage pickups were designed for players that are looking for the perfect balance between hard rocking tone and crystal clear cleans. Powerful chords, low end legato riffage and generally expressive tight rhythms on one end and screaming, sustaining leads on the other.
The High Voltage humbuckers are a nod to the old school with the familiar Alnico 2 magnets, but they are wound for a bit more aggressive voicing that creates a noticeable sonic distance. The bridge pickup is degaussed in this calibrated set that delivers a very balanced tone.
Learn more about these pickups today from seymourduncan.com.
Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors like the now-discontinued Diamond Optical Compressor to high-end rack units such as the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware.
Features
- 6 Types of Compression: The Atlas offers many different styles of compression with sounds inspired by studio rack gear and classic effects pedals.
- LA2A Optical Compression: A faithful recreation of an electro luminescent panel combined with a photo resistor and the resulting warm and smooth compression that has been the standard in studios since the 1950s.
- 1176 Feedback FET Compression: Based on the solid state FET compressor known for its full body and super-fast attack.
- LED Optical Compressor: Inspired by pedals that work on a similar concept as the LA2A, but swap the electro luminescent panel for an LED and a quicker, dirtier response.
- Dual Compressors: Use Atlas’ dual compressors in a variety of ways: in Series, Parallel, or Band Split mode, which provides a separate set of controls for both high and low frequencies.
- Studio Level Compression Controls: Access all the essential compression parameters including Feedback, Ratio, Attack, Release, Makeup Gain, Mix, and Tone, either with the pedal’s knobs or the Neuro Editor.
- Special Bass Mode: With the push of a button, quickly convert Atlas to a special Bass Mode with compressor engines specifically optimized for bass.
- Auto Makeup Gain: Dial in sounds quickly. Atlas automatically increases or decreases the Makeup Gain depending on the amount of compression.
First Look: Source Audio Atlas Compressor
John BohlingerScores of superb, deep compression emulations in a super-easy-to-use format.
More info: https://www.sourceaudio.net.
