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Onstage, Tommy Emmanuel executes a move that is not from the playbook of his hero, Chet Atkins.

Photo by Simone Cecchetti

Recorded live at the Sydney Opera House, the Australian guitarist’s new album reminds listeners that his fingerpicking is in a stratum all its own. His approach to arranging only amplifies that distinction—and his devotion to Chet Atkins.

Australian fingerpicking virtuoso Tommy Emmanuel is turning 70 this year. He’s been performing since he was 6, and for every solo show he’s played, he’s never used a setlist.

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Strapped with the ’51 Fender “Nocaster” that he used to record the solo on “Tumbleweed,” Urban walks Shifty through some of his guitar secrets, like how he came to own Waylon Jennings’ iconic, leatherbound 1950 Fender Broadcaster.

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Keith Urban’s first instrument was a ukulele at age 4. When he started learning guitar two years later, he complained that it made his fingers hurt. Eventually, he came around. As did the world.

Throughout his over-30-year career, Keith Urban has been known more as a songwriter than a guitarist. Here, he shares about his new release, High, and sheds light on all that went into the path that led him to becoming one of today’s most celebrated country artists.

There are superstars of country and rock, chart-toppers, and guitar heroes. Then there’s Keith Urban. His two dozen No. 1 singles and boatloads of awards may not eclipse George Strait or Garth Brooks, but he’s steadily transcending the notion of what it means to be a country star.

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