Scotts Valley, CA (January 19, 2017) -- Universal Audio, a leading manufacturer of professional audio recording hardware and software, is proud to announce that the Apollo Twin MkII—a ground-up redesign of the world's most popular professional desktop recording interface for Mac and Windows—is now available in stores worldwide.
Featuring onboard Realtime UAD-2 SOLO, DUO, or all new QUAD processing, this portable, compact, and lightweight 2x6 Thunderbolt audio interface improves upon the original Apollo Twin’s gold-standard audio quality with completely redesigned A/D and D/A next-generation conversion—offering increased dynamic range and ultra-low THD.
Apollo Twin MkII also features Unison technology, which allows its dual mic preamps and front-panel DI to sound and behave like the world's most sought-after tube and solid-state preamps, guitar amps, and stompboxes—including their all-important impedance, gain stage “sweet spots,” and circuit behaviors.
Based on breakthrough integration between Apollo’s digitally controlled analog inputs and its onboard UAD processing, Unison lets Apollo Twin MkII owners track through a range of colorful preamp emulations from Neve, API, Fender, and more with amazing accuracy.*
Apollo Twin MkII also offers improved monitor functionality versus the original Apollo Twin—with Mute, DIM, Mono, and ALT speaker switching. It also includes monitor remote controls and a built-in talkback mic for easy communication with talent, or for recording slate cues. These features, combined with Apollo Twin MkII’s scalability, make it the new standard for professional desktop recording.
Apollo Twin MkII comes with Universal Audio's "Realtime Analog Classics" UAD plug-in bundle, featuring legacy editions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, as well as the 610-B Tube Preamp & EQ plug-in, and Softube Amp Room Essentials.
Apollo Twin MkII Audio Interface –– Key Features
- Desktop 2x6 Thunderbolt audio interface for Mac and Windows with next-generation 24-bit/192 kHz audio conversion.
- Available UAD-2 QUAD, DUO, or SOLO Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency.*
- Unison technology offers stunning models of classic tube and transformer-based preamps, guitar amps, and stompboxes.
- Built-in talkback mic for communication with studio talent and recording slate cues
- Improved monitor functionality including monitor remote functions and Mono, Mute, DIM, and ALT monitor controls.
- 2 premium Unison mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output.
- 2 digitally controlled analog monitor outputs for full resolution at all listening levels.
- Up to 8 channels of additional digital input via Optical TOSLINK connection.
- Includes Realtime Analog Classics UAD plug-in bundle, featuring Legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, Raw Distortion, 610-B Tube Preamp & EQ, and more.
- Runs UAD Powered Plug-Ins via VST, Audio Units, RTAS, and AAX 64 in all major DAWs.
Apollo Twin MkII is now shipping with an estimated street price of $699 (SOLO), $899 (DUO), and $1,299 (QUAD).
*Apollo Twin MkII includes the "Realtime Analog Classics" UAD plug-in bundle. All other plug-ins are sold separately at www.uaudio.com. All trademarks are property of their respective owners.
For more information:
Universal Audio
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Silos features six presets, tap tempo, one full second of delay time, and three voices—two of which are styled after bucket-brigade and tape-delay sounds. In the $150 price category, it’s not unusual for a digital delay to leave some number of those functions out. And spending the same money on a true-analog alternative usually means warm, enveloping sounds but limited functionality and delay time. Silos, improbably perhaps, offers a very elegant solution to this can’t-have-it-all dilemma in a U.S.-made effect.
A More Complete Cobbling Together
Silos’ utility is bolstered by a very unintimidating control set, which is streamlined and approachable. Three of those controls are dedicated to the same mix, time, and repeats controls you see on any delay. But saving a preset to one of the six spots on the rotary preset dial is as easy as holding the green/red illuminated button just below the mix and preset knobs. And you certainly won’t get lost in the weeds if you move to the 3-position toggle, which switches between a clear “digital” voice, darker “analog” voice, and a “tape” voice which is darker still.
“The three voices offer discernibly different response to gain devices.”
One might suspect that a tone control for the repeats offers similar functionality as the voice toggle switch. But while it’s true that the most obvious audible differences between digital, BBD, and tape delays are apparent in the relative fidelity and darkness of their echoes, the Silos’ three voices behave differently in ways that are more complex than lighter or duskier tonality. For instance, the digital voice will never exhibit runaway oscillation, even at maximum mix and repeat settings. Instead, repeats fade out after about six seconds (at the fastest time settings) or create sleepy layers of slow-decaying repeats that enhance detail in complex, sprawling, loop-like melodic phrases. The analog voice and tape voice, on the other hand, will happily feed back to psychotic extremes. Both also offer satisfying sensitivity to real-time, on-the-fly adjustments. For example, I was tickled with how I could generate Apocalypse Now helicopter-chop effects and fade them in and out of prominence as if they were approaching or receding in proximity—an effect made easier still if you assign an expression pedal to the mix control. This kind of interactivity is what makes analog machines like the Echoplex, Space Echo, and Memory Man transcend mere delay status, and the sensitivity and just-right resistance make the process of manipulating repeats endlessly engaging.
Doesn't Flinch at Filth
EarthQuaker makes a point of highlighting the Silos’ affinity for dirty and distorted sounds. I did not notice that it behaved light-years better than other delays in this regard. But the three voices most definitely offer discernibly different responses to gain devices. The super-clear first repeat in the digital mode lends clarity and melodic focus, even to hectic, unpredictable, fractured fuzzes. The analog voice, which EQD says is inspired by the tone makeup of a 1980s-vintage, Japan-made KMD bucket brigade echo, handles fuzz forgivingly inasmuch as its repeats fade warmly and evenly, but the strong midrange also keeps many overtones present as the echoes fade. The tape voice, which uses aMaestro Echoplex as its sonic inspiration, is distinctly dirtier and creates more nebulous undercurrents in the repeats. If you want to retain clarity in more melodic settings, it will create a warm glow around repeats at conservative levels. Push it, and it will summon thick, sometimes droning haze that makes a great backdrop for slower, simpler, and hooky psychedelic riffs.
In clean applications, this decay and tone profile lend the tape setting a spooky, foggy aura that suggests the cold vastness of outer space. The analog voice often displays an authentic BBD clickiness in clean repeats that’s sweet for underscoring rhythmic patterns, while the digital voice’s pronounced regularity adds a clockwork quality that supports more up-tempo, driving, electronic rhythms.
The Verdict
Silos’ combination of features seems like a very obvious and appealing one. But bringing it all together at just less than 150 bucks represents a smart, adept threading of the cost/feature needle.
EarthQuaker Devices Silos Multi-generational Time Reflection Delay Pedal
