PG contributor @TomButwin dives into the latest evolution of the green-box legacy: the TWA Source Code SC‑01 Overdrive. Designed by the legendary Susumu Tamura (yes—the original mind behind the TS808), this pedal combines vintage tone and handmade USA craftsmanship with serious modern enhancements: internal 18v voltage-boosting circuitry for extra headroom, a multi-transistor input buffer to preserve your guitar’s core tone, and a unique “Bite” control for dialing in even-order harmonics and amp-style saturation.
At just 26, the guitar-playing phenom has already netted a Grammy, earned a signature Telecaster, started his own label, and we think this is just the beginning. John Bohlinger checks in with the lovable Mississippi kid who always has a guitar nearby and continues finding inspiration in his church roots and new gear.
PG contributor Tom Butwin explores the new BOSS XS‑100 Poly Shifter—an 8-octave powerhouse that lets guitarists and bassists go from subtle drop-tuning to full-on pitch chaos with expression pedal and MIDI control. From transforming a standard guitar into a baritone to turning a 4-string bass into a five-string monster, this pedal offers both inspiring sounds and real gig-day utility.
The long-running punk quartet pick prototypes, P basses, and Pauls for their latest live shows.
On tour supporting their 12th full-length record, Silver Bleeds the Black Sun…, California rockers AFI rolled through Nashville’s Marathon Music Works in October. After first running down their rigs in 2017, PG’s Chris Kies linked up again with guitarist Jade Puget and bassist Hunter Burgan to see how their gear has evolved in the past eight years.
Puget found this Les Paul Standard hanging at Guitar Center 15 years ago, and it’s still his go-to live guitar. A surprisingly light specimen, it’s had a Seymour Duncan pickup swapped in, and it’s strung with Ernie Balls—usually .010s.
Throughout AFI’s set, Puget switches between tunings: D sharp, drop C sharp, D standard, and E standard.
Silver Surfer
This new Schecter, a prototype made for Puget, is his first ever silverburst, which saw service in the music video for “Holy Visions.” It’s loaded with a Sustainiac system in the neck position.
Willing and Ableton
Puget has experimented a lot to get his rig to this point. His signal runs through a pair of rack-mounted Line 6 Helix units in a stereo configuration, and also through a computer running Ableton that triggers the exact sound designs he created while recording. The RJM Mastermind and Effect Gizmo are programmed to control all pedals, the Helix, and Ableton.
Jade Puget’s Pedalboard
Most of Puget’s effects come from the Helix, but he also runs a few pedals in his rack, including an MXR EVH 5150 Overdrive and Carbon Copy, Boss DC-2W, RV-2, and BF-2, and a Keeley Compressor.
Another board carries a Boss TU-3, TC Electronic Mimiq, EHX The Clone Theory, TC Electronic Arena, MXR Echoplex, and L.R. Baggs Venue DI.
Blackout
In live contexts, Burgan uses Fender P basses exclusively. This is his No. 1, which he’s had since 2012.
Pinky
This dazzling Fender P was made custom for Burgan before this tour.
Triples is Best
Burgan runs this trio of Ampeg SVT Classics.
Hunter Burgan’s Rack Setup
Burgan uses a RJM Mastermind GT to control his in-show switching. In his backstage rack, there’s an EHX Bass Big Muff, Micro Synth, Satisfaction, Nano POG, Bass Clone, and Graphic Fuzz, and on a second shelf, there’s the rest of the collection: a Bass Soul Food, Battalion, Lizard King, Neo Mistress, and Memory Toy.
For over 130 years, groundbreaking Gibson instruments have shaped some of the most powerful moments in music history. Now, in celebration of the Live ’25 Tour and the long-awaited return of Oasis, Gibson proudly introduces the Noel Gallagher Les Paul™ Standard—a model designed by world-renowned singer, songwriter, and guitarist Noel Gallagher himself to capture the sound, vibe, and aesthetics of the 90s while bringing everything full circle for today’s audiences. Available for a limited time at authorized dealers, Gibson Garage locations in London and Nashville, and Gibson.com, this release marks a new chapter in the iconic partnership between Gibson and one of rock’s most influential artists.
“This guitar is simply too iconic and cool not to be released more widely and made available for more fans to get their hands on,” says Lee Bartram, Head of Commercial and Marketing EMEA at Gibson. “Noel’s original Gibson Custom version of this Les Paul was the first guitar he played during the biggest rock ’n’ roll reunion of the 21st century. This Gibson USA version embraces that legacy, capturing a historic moment in British and global live music.”
The Gibson Noel Gallagher Les Paul Standard features a non-weight-relieved mahogany body with a bound maple cap and a mahogany neck with Gallagher’s preferred SlimTaper™ profile. A bound rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays completes the classic look. Hardware includes an ABR-1 Tune-O-Matic™ bridge and aluminum Stop Bar tailpiece for precise intonation and sustain, along with smooth-turning Grover® Rotomatic® tuners with kidney buttons, plus a chrome switch washer and output jack plate.
The pickguard is a black five-ply unit similar to those typically found on Les Paul Custom models. The electronics are equally distinctive, featuring unique chrome-covered Gibson P-90 Soapbar pickups hand-wired to individual volume and tone controls, along with a three-way pickup selector. The control knobs are black Top Hats with silver reflectors and dial pointers. The Noel Gallagher Les Paul Standard also includes an artist signature reproduction decal on the back of the headstock and comes in a hardshell guitar case to keep it safe—whether you’re taking it to a local gig or on your next world tour. Perfectly encapsulating the historic Live ’25 Tour, the Gibson Noel Gallagher Les Paul Standard is sure to be a fan favorite—so get yours today while they’re still available.