![Fryette Deliverance® 120 Series II Plus | Monsters of High Gain [2023]](https://www.premierguitar.com/media-library/fryette-deliverance-one-twenty-ii-plus-monsters-of-high-gain-2023.jpg?id=34217610&width=1245&height=700&quality=85&coordinates=0%2C0%2C0%2C0)
The penultimate high gain amp is here! Check out the Fryette Deliverance® 120 Series II Plus!
.
Fryette Deliverance One Twenty II Plus
The newly enhanced Deliverance preamp section has a richer low gain tonal palette with increased dynamic range, which accounts for its extra touch-sensitivity and excellent guitar volume control response. In addition, devastating high-gain voicings can be dialed up with perfectly balanced timbre via the GAIN I/GAIN II structure by assigning GAIN II to the high-gain "MORE" mode, which adds further overdrive flexibility. In "LESS" mode, GAIN II is now defeated, which greatly expands clean to edge of breakup range to produce truly authentic old school sparkle and power amp bark. Adding a boost or overdrive pedal in this mode produces fearsome jumped-input vintage Non-Master-Volume amp performance with unmatched Master Volume control.
The One Twenty power amp section utilizes four KT88 power tubes for robust low mids and sparkling high end harmonics. It is designed for big round tone and dynamic response at low to medium guitar volumes and a rapid but smooth transition into saturation, turning rich and thick at full guitar volume. This combination of preamp voicing and power amp response makes the Deliverance® amplifier an ideal partner for any instrument, from a vintage Tele to a fully blown 7-string metal axe.
- Synergy Amplification Unveils the Fryette Pittbull Ultra-Lead Module ›
- Fryette Amplification Memphis Thirty 1x12 Combo Amp Review ›
- An Interview with Steven Fryette ›
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
