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Fryette Deliverance® 120 Series II Plus | Monsters of High Gain [2023]

Fryette Deliverance® 120 Series II Plus | Monsters of High Gain [2023]
Fryette Deliverance One Twenty II Plus | Monsters of High Gain (2023)

The penultimate high gain amp is here! Check out the Fryette Deliverance® 120 Series II Plus!

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Fryette Deliverance One Twenty II Plus

The newly enhanced Deliverance preamp section has a richer low gain tonal palette with increased dynamic range, which accounts for its extra touch-sensitivity and excellent guitar volume control response. In addition, devastating high-gain voicings can be dialed up with perfectly balanced timbre via the GAIN I/GAIN II structure by assigning GAIN II to the high-gain "MORE" mode, which adds further overdrive flexibility. In "LESS" mode, GAIN II is now defeated, which greatly expands clean to edge of breakup range to produce truly authentic old school sparkle and power amp bark. Adding a boost or overdrive pedal in this mode produces fearsome jumped-input vintage Non-Master-Volume amp performance with unmatched Master Volume control.

The One Twenty power amp section utilizes four KT88 power tubes for robust low mids and sparkling high end harmonics. It is designed for big round tone and dynamic response at low to medium guitar volumes and a rapid but smooth transition into saturation, turning rich and thick at full guitar volume. This combination of preamp voicing and power amp response makes the Deliverance® amplifier an ideal partner for any instrument, from a vintage Tele to a fully blown 7-string metal axe.

It’s Day 26 of Stompboxtober! Today’s pedal from MXR could be yours—enter now and return tomorrow for more!

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Keeley ZOMA Stereo Reverb, Tremolo & Vibrato Demo | First Look
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Vintage-style reverb, tremolo, and vibrato sounds abound in a 3-in-1 stomp that might be the only box you need.

The Keeley ZOMA combines two of iconic amp effects—tremolo and reverb—into one pedal.

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A Telefunken ELA M 251E large-diaphragm condenser mic, seen in its natural habitat.

By now, we’re all familiar with the many options out there for amp modeling. Mic modelers are another reliable asset to digital recording tech, and can rapidly grow your inventory with just a few clicks.

As guitarists, we’re very aware of amp-modeling and profiling technologies, such as the Line 6 Helix, Fractal Axe-Fx, Neural DSP Quad Cortex, and Kemper Profiler. While our bases are covered for these (with modelers available for every “holy grail” amp under the sun), we are still missing another vital area of the recording process—microphones—for the acoustic instruments and vocals we might want to capture.

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