Hughes And Kettner Spirit Series Amplifiers - Summer Gear Slam '21

A trio of tiny heads that are simple, powerful, and impressively loud.


Spirit Nano

Sparkling clean tone that chimes like a glockenspiel. Smoky blues tones with the snarl of a junkyard dog. Lead sounds that wail as seductively as Siren's song. Expansive, enveloping arena rock tones. The malevolent grind of a chainsaw gnawing on heavy metal: Iconic sounds such as these have been giving voice to new modes of musical expression and shaping the sound of entire genres for more than 60 years now. The new Spirit Nano Heads from Hughes & Kettner capture the spirit of each era of legendary guitar sounds in three amps with distinctive personalities: Spirit of Rock, Spirit of Metal, Spirit of Vintage.

Hughes and Kettner
$239

Amp Man Classic

Hughes & Kettner's all-analog Spirit Tone Generator is now available in a compact pedal format. AmpMan Classic´s two distinctive channels each embody an entire era of legendary guitar tones, served up by the built-in 50-watt power amp or the integrated Red Box AE+. With connoisseur tone-shaping capabilities, impressive power and a comprehensive set of professional features in a handsome little box, AmpMan is the go-to solution on stage, at home and in the studio.

Hughes and Kettner
$399

For at least a decade, the classic Ampeg SVT was the dominant bass amp for power and tone.

Photo courtesy of ampeg.com

From the giant, hefty beasts of yore to their modern, ultra-portable equivalents, bass amps have come a long way. So, what's next?

Bassists are often quite well-informed about the details of their instruments, down to the finest technical specs. Many of us have had our share of intense discussions about the most minute differences between one instrument and another. (And sometimes those are interrupted by someone saying, "It's all in the fingers.") But right behind our backs, at the end of our output cables, there is a world of tone-shaping that we either simply ignore or just don't want to dive into too deeply. Turning a gear discussion from bass to amp is a perfect way to bring it to an abrupt end.

Read More Show less

Intermediate

Beginner

  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
{u'media': u'[rebelmouse-document-pdf 12793 site_id=20368559 original_filename="DeepPockets-Nov21.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/12793/DeepPockets-Nov21.pdf', u'type': u'pdf', u'id': 12793, u'media_html': u'DeepPockets-Nov21.pdf'}

Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.

Read More Show less
x