Wow, a cool amp at the best possible price … free! Those Plush amps are pretty reliable workhorses, and make a great loud and clean platform from which to build on, very similar to a Fender Twin Reverb.
Amp Man, Someone recently gave me a Plush P1000S 100-watt tube head. I retubed it with 4 Mesa 6L6 tubes on the power section, and I purchased some 12AX7 Groove Tubes for the preamp section. I also picked up a used Boss overdrive pedal. This thing is sounding better than great, but there are two items I can’t figure out. First, I am getting a buzzing sound when I turn up the reverb chamber (anything past 2). When I keep it turned down, it is more or less very quiet. It does have the standard buzz when I take my hands off of the neck. Second thing is, while I have a pretty good tone, I can’t seem to get better definition out of my notes. The lower strings tend to sound muddy while soloing. The high notes are fine, and actually have a really cool tone. Any help would be great. Jim |
Wow, a cool amp at the best possible price … free! Those Plush amps are pretty reliable workhorses, and make a great loud and clean platform from which to build on, very similar to a Fender Twin Reverb.
First, the reverb issue. There could be a few causes for the reverb hum; possible faulty cables or dirty connections could be one. I would suggest cleaning the RCA plugs and jacks on each end of both cables. Remove each plug (one at a time so there’s no chance of the connections becoming reversed) and spray a little contact cleaner/lubricant into and on the RCA jack. Re-insert the RCA plug into the jack a few times with a slight rotating movement each time if you can; this helps assure full surface contact. Do this to each of the four RCA connections and then give the amp a try.
If that didn’t help, it could be that the cables are faulty. Check the length of the cables, find yourself a replacement set and give those a try. Remember, as you remove the cables, be sure to follow the cables and mark the connections on each end of one cable so that there’s no confusion when you install the new ones. If the cables didn’t solve the problem, another cause may be the orientation of the reverb tank itself. Who knows how many times or in what way this amp has been serviced in the last 35 years? Someone may have installed/reinstalled the reverb tank incorrectly.
Check the location of the “in” and “out” jacks. Normally (at least in transformerdriven reverb circuits like this) the “in” jack should be the one closest to the AC mains transformer on the chassis (generally the transformer closest to the AC line input). This is because the mains transformer can induce hum into the reverb tank transformers. The reverb tank “in” transformer, being a much lower impedance transformer than the “out” transformer, is far less susceptible to this hum. If the tank is incorrectly positioned, simply turn it around and re-mount it.
There is one more issue we can explore that may help. You mentioned that the amp “does have the standard buzz when I take my hands off the neck.” You might want to have a 3-conductor line cord installed on the amp to make sure that the chassis has a good ground connection. It’s generally safe, effective, and cures most forms of “shock therapy.” If all that doesn’t take care of the reverb hum, then it just may be a design issue that you’ll have to live with.
Now let’s look at the tone issue. You mentioned that you replaced the output tubes, but you never made mention of having them biased. Under-biased tubes can sound muddy on the low end when pushed, so I’d definitely have that checked by a tech when you have the 3-conductor line cord installed. Next, have you checked to see if it’s the pedal itself that has the muddy low end? It’s entirely possible that the pedal lacks the low end definition that you’re looking for. I would suggest trying a myriad of different pedals to find one that suits your needs. I mean, you are a guitar player! Our quest is never over!
You might even try something like a cool old pedal called the Dallas Rangemaster – it was the secret weapon of many a ‘60s rock god. Basically known as a “treble booster,” it works by keeping the gain relatively unison on the lower notes and increasing the gain as the notes go up in frequency. This keeps the low end clean and tight while overdriving the amp in the upper registers. There are a few Rangemaster clones made today; check out the Java Boost by Robert Keeley and the Beano Boost by Analog Man. Just know that these units do not produce any form of distortion or overdrive, but simply drive the amps input stage into overdrive, so ya’ gotta play em’ loud and proud!
Jeff Bober
jeffb@budda.com
www.budda.com
Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ’90s hard rock riffs.
During these sessions, Scott’s go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHS’ Hardest to Date
The Hard Drive’s control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, you’re in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 o’clock, is very loud and in-your-face. You don’t have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Drive’s EQ controls are very effective and powerful. Moving the treble knob from 11 o’clock to 1 o’clock changes the pedal’s tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone that’s creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedal—if you’re looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. It’s meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ’80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ’80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If that’s your jam, the Hard Drive is hard to beat.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.