Benicia, CA (September 21, 2020) -- Tom Morello, as a member of Rage Against The Machine, Audioslave, and in his solo work, has long harnessed the expressive power of the Cry Baby Wah as an integral part of his sound, propelling the voice of the unheard above the raucous groove of drums and bass. Express your own vision in solidarity with one of music's great freedom fighters with the Tom Morello Cry Baby Wah. It features the aggressive, modern sound of the GCB95—the exact pedal Tom has used on every album and every tour throughout his career—with a custom finish bearing quotations chosen by Tom himself to highlight the battle for justice that he's dedicated his craft and career to.
- Limited edition
- The expressive power integral to Tom’s sound through ought his career
- Heard on every one of his albums and tours
- Custom finish bearing quotations that highlight the battle for justice
- MSRP: $185.70
- Street: $129.99
MXR FOD DRIVE
The MXR FOD Drive supplies the overdriven power of two highly coveted amp stacks in a single housing. Pros and tonechasers have been combining amplifiers on stage and in the studio for years, blending their sounds together and opening up new tonal palettes for exploration. Thanks to MXR’s award-winning team of engineers, you can recreate that experience right from your pedalboard.The MXR team got their hands on a pair of heavily customized guitar amplifiers of legendary make and model, reveled in thunderous bliss, and then pulled them apart for careful analysis. One of the amps was modified for super scooped high-gain saturation, while the other was modified for punchy midrange crunch. Played in tandem, the complementary tonal profiles revealed a harmonically complex palette of grit, grind, and maxed-out overdrive that sounded so incredible that the team knew they had to make it available to players around the world.
The FOD Drive is the result of their efforts. Painstakingly recreating each amplifier in pedal circuit form, the MXR engineers fit them into a single housing as separate channels—High Gain and Crunch Gain. Each channel has its own Gain and Volume controls so that you can dial in just the right sonic signature for each side. The Blend control then allows you to set the mix ratio of the two signals—just like having two separate amps running into a mixing box. The Tone knob sets the EQ for the overall output signal, and the Scoop switch allows you to choose between flat, scooped, or boosted midrange voices.
Get the MXR FOD Drive, and experience the invigorating potential of playing through two ripping amp stacks.
Features:
- Two highly coveted amp stacks recreated in MXR pedal form
- High Gain channel provides super high gain saturation
- Crunch Gain provides punchy midrange crunch
- Separate controls for each channel
- Blend the two together to create your own harmonic palette
- Scoop switch selects flat, scooped, or boosted midrange voice
- Recreate the experience of playing through two amp stacks at once
- MSRP: $242.84
- Street: $169.99
For more information:
Dunlop
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
