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FU-Tone Launches Sully Guitars

The Conspiracy Series Elita models come loaded with titanium saddle inserts, brass tremolo stopper, and heavy-duty noiseless springs.

Washington Crossing, PA (February 28, 2020) -- FU-Tone.com, the original tremolo upgrade company, launches new line of upgraded Sully Guitars.

The FU-Tone.com Team is excited to announce the launch of their new partnership with the Sully Guitar Company. Sully Guitars, based in California, are designed by master luthier Jon Sullivan. Sully Guitars are fast becoming the favorite of rock guitarists around the world.

These Sully Conspiracy Series Elita Guitars are fully loaded with a custom FU-Tone FU2 Tremolo which includes: 42mm L brass big block, titanium saddle inserts, brass tremolo stopper, heavy duty noiseless springs, brass claw and claw screws and a brass tremolo stopper (which gives the user the option to float or stabilize the bridge). Custom finishes include: Ruby Red Slipper Sparkles, Sunset Fade Flame Top, Sultra-Violet Purple Burst Flame Top and Purple Sparkle.

Founder and President of FU-Tone.com, Adam Reiver said of them, ā€œThese guitars are the pinnacle of high performance rock machines that corner like a Ferrari and look like nothing else. With unlimited tonal options these guitars are ready for battle on stage or in the studio!ā€

Watch the company's video demo:

For more information:
FU-Tone.com

MayFly Le Habanero Review

Great versatility in combined EQ controls. Tasty low-gain boost voice. Muscular Fuzz Face-like fuzz voice.

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May Fly Le Habanero

mayflyaudio.com

4
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A fuzz/boost combo that’s as hot as the name suggests, but which offers plenty of smoky, subdued gain shades, too.

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Significantly smaller and lighter than original TAE. Easy to configure and operate. Great value. Streamlined control set.

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Boss Waza Tube Amp Expander Core

boss.info

5
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Boss streamlines the size, features, and price of the already excellent Waza Tube Expander with little sacrifice in functionality.

Many of our younger selves would struggle to understand the urge—indeed, the need—to play quieter. My first real confrontation with this ever-more-present reality arrived when Covid came to town. For many months, I could only sneak into my studio space late at night to jam or review anything loud. Ultimately, the thing that made it possible to create and do my job in my little apartment was a reactive load box (in this case, a Universal Audio OX). I set up a Bassman head next to my desk and, with the help of the OX, did the work of a gear editor as well as recorded several very cathartic heavy jams, with the Bassman up to 10, that left my neighbors none the wiser.

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