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GALLERY: People of NAMM, Part 3

Colorful personalities caught on candid camera from the showroom floor.

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The Winter NAMM show is supposed to be an industry-only event that’s closed to the public. But when it comes to the actual attendees, there seems to be a generous definition to the phrase “industry-only.” They come in packs and tribes and oftentimes they dress up so that fellow tribe members will know them. The metal heads are well represented, as are the hipsters, the hippies, and the just plain hip. They arrive, show off, and bond. They also seem to laugh a lot. Here they are!

The Hi/Low footswitch is designed to provide a gain boost with an EQ shift for tight tones.

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The country music guitar slinger dishes on building chops in bluegrass, his mandolin and guitar heroes, and how he finds his tones.

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Big guitar-building workshops keep it clean, and so can you!

Developing good, clean workshop practices will help you save time and money.

Who doesn’t like a sweet, sustaining, saturated guitar sound? I know I do, but I also love a clear and full clean tone maybe even more. Dirty or clean, to me a guitar sounds like a million bucks when the tubes are glowing and the playing flows. But most of the time I’m in the workshop making lots of dirt, and I don’t mean the overdriven amplifier kind. Making guitars can be a dirty business. Carving wood, plastic, and steel into a majestic instrument creates a lot of mess, and eventually you have to sweep your way clear.

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The Jason Richardson signature includes HT humbucker pickups, 24 stainless steel frets, and custom tremolo.

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