The Revv Generator 120 MK3 is the world's first stereo-direct-output reactive load & IR Loading tube amp. It brings you 4 channels of all-tube finely-tuned tone based on feedback from touring artists, session guitarists, & engineers. It also features Two notes Torpedo-embedded technology for going direct to FOH, studio monitors, or headphones. No cabinet required. A built-in noisegate & lush reverb are accompanied by a host of switching & voicing options to make getting the sound in your head faster than ever.
The Blue Channel is chimey with tons of headroom, & now includes a "Wide" switch to give you a wide-range frequency boost for more push & sustain. The Green Channel features 3 all-new drive modes to take this dynamic channel from edge of breakup, to fat overdriven tones. The Purple Channel is famous for its razor-sharp metal clarity, & now in MK3 it receives more low end & saturation with no loss in tightness. Finally, highest gain - Red Channel has an all new touch-sensitive feel which takes you from warm oldschool overdrive to the most massive modern tones available.
Revv Amplification is committed to bringing you the most complete amplifier experience available. Clarity, feel, & tone – for stage, studio, & home.
The PRS HX 100 captures the flexibility, power, and balance of late 60's British-inspired tone. A continuation of PRS's popular HXDA amplifiers, PRS HX amps feature a refined control layout and a newly-documented "Authentic Hendrix" Touring Circuit. This circuit is heavily inspired by one of Hendrix's personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018.
Designed in collaboration with Robert Keeley of Keeley Electronics as a follow-up to the bestselling Custom 10, the Keeley Custom 12 is built to seamlessly integrate your pedals into the heart of an all-tube Supro amplifier. The preamp and 2-band EQ section are voiced perfectly for running your gain pedals in front of the amp, while still maintaining Supro's signature midrange heft and phenomenal touch dynamics.
The MOD 102+ is a great place to start for those interested in building their own tube amp. It is based on a classic American tube-circuit design combined with a British-style Class A output tube section that produces 8 Watts of power. At low volume it produces a clean, chimey tone that moves into smooth overdrive at higher volumes. The amp features a three position progressive toggle switch for off-standby-power. In addition, each control features push-pull functionality - pull out the bass control knob for "mid boost", pull out the treble control knob for "bright", pull out the volume control knob for "turbo". These features along with a JJ ECC803-S (a long plate 12AX7 known for its complex mid range tones) allow for a wider variety of tones and extra control for the user. All parts are included along with a pre-drilled steel chassis, wire, and tubes. Click here for audio clips. Click here to follow Amplified Parts on Instagram
The Two-Rock Studio Signature is the latest generation of the single channel 35 watt amplifiers. Making some changes to the original Studio Pro 35, the new Studio Signature model remains a 6L6 clean amplifier for a solid pedal platform with some additions that will make the Studio Signature a continued legendary product.
New build techniques, layouts, and materials implemented over the last few years were the key starting points to this amplifier's new construction. The added boost toggles are an obvious change at first glance, allowing the use of our potentiometers with custom tapers. Reverb send control on the back panel and a Return control on the front give room for these toggles. The Gain Structure switch can also be found on the back, allowing the same functions as the flagship Classic Reverb Signature essentially giving 3 front-end types to this already versatile clean amplifier.
New aluminum chassis, anodized in silver or black and donning new silver knobs, a black bronco cab, and black matrix grill cloth give this amp a stunning new look.
Mighty Bass 50BT is a versatile bass amp for practice, rehearsing and recording. It's equipped with a premium 6.5" loudspeaker and driven by a 50-watt classic D power amp.
NUX's iconic TSAC modeling technology provides various nice-sounding amp models and all the essential effects with great playability & response, while IR offers you more cab sounds! You can engage drum function with APP, and record phrase loops with footswitch.
Mighty Bass 50BT has 3 channels, you can save one preset in each. For deep tone editing, simply use its Mobile APP and PC Software!
Highlights: -Bass Amp Modeling with Cab IRs, expanding possibilities of tones -IR loading (1024 samples) with Edit Software -Whitebox compressor effect offers you analog touch & response -Independent IR toggles for Amp and DI out -USB Audio Stream for recording interface with routing setup -Footswitch to remote Drum&Loop (60s)
The Southern blues guitar champion talks his touring routines, custom gear, working with Rick Rubin, and the medicine of music.
Marcus King has already been through the wringer, but he’s on the come-up. His hotly anticipated third LP, Mood Swings, drops this Friday, April 5, and on this episode of Wong Notes, the earnest, honest 28-year old South Carolinian goes deep on his career with Cory Wong.
The two shredders open by swapping notes on how touring has changed post-pandemic. Costs are way up, but they’re managing to make it work. King reveals to Wong that on his upcoming tour, he’s wrangled a few sizeable, must-have creature comforts into the trailers—tune in to find out what King brings on the road.
King walks us through his custom amp and cabinet setups, detailing why he prefers 10" speakers to 12", how he became friends with Orange Amplifiers founder Cliff Cooper, and the family history that led to his signature Gibson Marcus King 1962 ES-345, complete with sideways vibrola.
He and Wong get down to the nitty-gritty, too. Marcus talks about pressure to conform to certain genre communities, his struggles with self-medicating, and how sometimes, music feels like the only medicine we’ve got on hand.
Joe Satriani and Steve Vai release new music together for the first time in nearly five decades of friendship.
Teaming up with Satch and Vai on the track are Eric Caudieux on keyboards, who also served as co-producer the song, with the rhythmic backbone provided by Matt Chamberlain on drums and Matt Bissonette on bass. A music video, directed by Z.Z. Satriani, takes this concept one step further with a whimsical look imagining what the beginning of that friendship might have looked and sounded like way back in the 70’s. The video will also premiere on March 29 at 9:00am PT/12pm ET.
JOE SATRIANI & STEVE VAI ' The Sea Of Emotion, Pt.1' - Official Video
Of the inspiration behind the new song, Satriani commented, “When Steve and I decided the time had finally come for us to collaborate on an album I immediately thought of our humble beginnings, where we came from, and our teenage rock ’n’ roll hopes and dreams. To anybody else it may look like just a field, part of the sprawling Carle Place Public School complex, but for some of us, back in the early ’70’s, when the sun went down and the moon came up, it became "The Sea of Emotion”.
We would hang out there late at night and share our deepest thoughts with each other. For me and my closest friends, it was a magical place, this field right outside the back of the Rushmore gym. The memories we shared at that location so long ago became the inspiration for a musical journey in three parts. Each part of the song has little reminders of what we were so into musically back then, including a chord sequence that Steve and I would sometimes jam over during guitar lessons.
Vai echoes the sentiment about their hometown, “This song, and its additional 2 parts, are inspired by a giant field outside the High School of the town Joe and I grew up in. As young teenagers, we would sit overlooking this magnificent field and wax on generously for hours about the meaning of life and many other deep, rich discussions, so we deemed this field, “The Sea of Emotion”. 50 years later, it has been memorialized in melody and groove.
Connecting with Joe on this track, and the other music we are working on, is perhaps the most rewarding musical collaboration I’ve ever engaged in. Although we’ve toured and recorded jams together through the decades, for this music we are intimately bringing together our melodic impulses and playing techniques and creating something that is bigger than the sum of its parts.”
Fans will be able to experience this new music live when “The Satch-Vai Tour” launches on March 22 in Orlando, FL. The tour will continue on, hitting Atlanta, Boston, New York, DC, Detroit, Minneapolis and more before winding up in Santa Rosa, CA on May 12 with 38 shows in total. This tour also marks the first time that the long-time friends have joined together as a duo-bill.
Satch and Vai’s musical careers have been intertwined since their very early days. Satriani served as Vai’s guitar teacher during their teenage years on Long Island, New York. Their connection has continued to evolve over the years, even sharing record labels, starting at Relativity Records in the late 80’s, to both calling Sony/Epic Records home for a significant portion of the 90’s. Together, they have also frequently teamed up with a third guitarist on multiple occasions throughout the span of 29 years, participating in the semi-annual G3 Tours, both in the U.S. and abroad.
March 29 North Charleston, SC North Charleston Performing Arts Center March 30 Durham, NC Durham Performing Arts Center April 2 Charlotte, NC Belk Theater April 3 Richmond, VA Dominion Energy Center April 5 Boston, MA Orpheum Theatre Boston April 6 New York, NY Beacon Theatre April 7 Waterbury, CT Waterbury Palace Theater April 8 Red Bank, NJ Count Basie Center for the Arts April 10 Collingswood, NJ Scottish Rite Auditorium April 11 Washington, DC Warner Theatre DC April 13 Northfield, OH MGM Northfield Park April 14 Rochester, NY Kodak Center Theater April 16 Detroit, MI Fisher Theatre April 18 Chicago, IL Chicago Theatre April 19 Cincinnati, OH Andrew J. Brady Icon Music Center April 20 Fort Wayne, IN Embassy Theatre April 21 Indianapolis, IN Murat Theatre April 23 Milwaukee, WI Riverside Theater April 24 Minneapolis, MN State Theatre April 25 Des Moines, IA Des Moines Civic Center April 26 Springfield, MO Gillioz Theatre April 28 La Vista, NE The Astro April 29 Salina, KS The Stiefel Theatre April 30 St. Louis, MO The Factory May 1 Kansas City, MO Uptown Theater May 3 Austin, TX ACL Live at The Moody Theater May 4 Dallas, TX Music Hall at Fair Park May 5 Houston, TX 713 Music Hall May 7 Denver, CO Paramount Theatre (SOLD OUT) May 8 Salt Lake City, UT Delta Hall at Eccles Theater May 10 Valley Center, CA Harrah’s Resort Southern California – The Events Center May 11 Wheatland, CA Hard Rock Hotel & Casino May 12 Santa Rosa, CA Luther Burbank Center for the Arts
Dunlop worked closely with the Metallica bassist to develop a set of strings to complement his signature sound and playing style with extra power and flexibility.
The resulting Robert Trujillo Bass Strings are designed to serve up a clear and articulate top end, a solid midrange punch to cut through a wall of guitars, and more than enough focused bottom to knock you on your backside.
Robert likes his tapered, but not everyone has their bass configured for that style—so these strings are designed specifically for non-tapered setups using the exact same formulas. They’re available in Nickel Wound and Stainless Steel in four-and five-string sets.
“Always trust your ears, attitude, and fingers,” Robert says. “These strings are the perfect balance of power, tone, and resonance on wood.”
Designed using the same formulas as Robert Trujillo's own custom tapered strings
Made specifically for non-tapered setups
Clear & articulate top end
Solid midrange punch
Focused bottom to knock you on your backside
Dunlop Robert Trujillo Bass Strings are available now at $30 (four-string sets) and $35 (five-string sets) from your favorite retailer.
