
Whether you're looking to shop for the guitarist in your life or are searching for a wishlist to send your spouse, Premier Guitar's Holiday Gift Guide is for you!
Aguilar Special Edition Amps and Cabinets
Step into the spotlight and make a statement with Aguilar's all-new Custom Color SL Cabinets and Tone Hammer / AG 700 amps. These special limited-edition masterpieces are meticulously crafted to offer both an unparalleled sonic experience and a visually striking aesthetic. Available in a palette of standout colors, including Racing Green, Blue Bronco, Tuxedo Black, or Winter White. With Aguilar's Custom Colors, customers can express their unique style and steal the show, whether on stage or in the studio.
Blackstar Dept. 10 AMPED 3
AMPED 3 is a 100 Watt high gain pedal amplifier featuring 6 voicing options and 3 programmable channels with Reverb. Perfect for players seeking the ultra high gain tones found in multi-channel valve amps like Series One. You can use it to power a cabinet up to 100 Watts, go direct or to use in the front end of a traditional amp ensuring you can take your sound with you anywhere. Power reduction down to 1W and USB-C connectivity means it’s equally at home in the studio or the stage.
D'Addario XS Guitar Strings
XS strings are the longest lasting guitar strings D’Addario has ever made (which means they’re also likely the longest lasting strings in the known universe). Using a special film coating on the wound strings and dispersion coating on the plain steels, XS guitar strings are made to be played, not changed.
Thanks to their incredible lifespan and smooth feel, XS strings have become been played and praised by pros across the spectrum, from Mike Dawes to Alex Skolnick. But perhaps most impressively, they’ve become the “preferred” string of Taylor Guitars, which means they’re now strung on every Taylor that leaves the factory.
The XS price tag is slightly elevated, but it makes a lot of sense when you realize how many string changes you’re about to avoid. It also helps that D’Addario runs some great deals throughout the year. In fact, select XS guitar strings are now on sale for up to 25% off. Find this deal wherever you buy strings.
Kyser Capo For 6 String Acoustic Guitar
The perfect gift for every guitarist!
Kyser is the world's most trusted capo. Found on the largest stages around the world, more recording artists trust Kyser than any other brand.
-The original one-handed quick-change guitar capo
-Aircraft-grade aluminum with steel spring
-Parks on the guitar's headstock when not in use
-Made in USA
-Guaranteed for life
EMG Jmaster Set
The JMaster® set is a standalone addition to the EMG Retro Active lineup. The pickups feature a preamp design that provides the player a vintage feel and response, along with the added benefit of a noise-cancelling active preamp.
This set is hand-built with Alnico V rods and wide stacked coils, delivering a rich and balanced single-coil tone. The pickup set is available in three colors: black, ivory or white, allowing you to choose the aesthetic that best suits you.
Like all EMG Pickups, this set includes EMG’s solderless wiring kit, complete with a master volume and master tone controls. It enables the player to install the pickups into their existing instrument without any modifications.
For Jazzmaster® players who have upper horn controls, EMG also offers a preloaded pickguard. For more information, please visit the EMG Pickups website.
Donner HUSH-I Headless Acoustic-Electric Guitar
The HUSH-I features a headphone output, graduated asymmetrical C-shape neck with a headless design that offers beginning players the ability to easily access frets. The detachable body lets players take their guitar with them anywhere.
Fralin 'Tron
It's finally here – our brand-new Fralin'Tron! Experience exceptional clarity and articulation in a Filter'Tron® format with Lindy's unique Fralin'Tron design. Featuring a focused single-coil vibe with a rich, warm midrange and crisp attack, you'll wonder where this pickup has been all your life.
When Lindy started designing the Fralin'Tron, he did so with a particular goal: to get as much clarity and articulation as possible out of this design.
We're thrilled with the result! Our Fralin'Tron features a scooped midrange and defined bass and highs. In addition, you can expect more nuance out of the wound strings, unlike the original design. Furthermore, the treble strings have a round, warm quality, making this pickup perfect for all styles of music – from clean to dirty.
The Fralin'Tron looks impressive, too: it's available in Gold, Chrome, and Polished Nickel. Give the Fralin'Tron a listen on our website today.
ESP LTD Deluxe SN-1000HT Fire Blast
The LTD Deluxe SN-1000HT Fire Blast is a guitar that offers tone and playability that’s as intense as its looks. Its textured, sandblasted Fire Blast finish over a swamp ash body is incredible, and its bolt-on roasted maple neck offers smooth, fast playability. Its Macassar ebony fingerboard has has a compound radius for maximum speed and comfort, and includes 22 extra-jumbo stainless steel frets, mother-of-pearl dot inlays, and is scalloped from frets 17-22. Components on the SN-1000HT Fire Blast include a black bone nut, a brushed black pickguard, dome control knobs, LTD locking tuners, and a Hipshot hardtail bridge with string thru body. It features a set of Fishman Fluence Modern Humbuckers (alnico in the neck position, ceramic in the bridge), with a push-pull control to activate each pickup’s second voicing.
Darkglass Electronics Microtubes X 900
Designed after the revered X series pedals, the Microtubes X 900 sets a new standard for accuracy and control. We packed an all-analog preamp, a 900 watt Class D amplifier, and an ultra-quiet 6-band graphic equalizer inside to sculpt tones from crystal clear to aggressive and overdriven.
108 Rock Star Guitars - 10th Anniversary Limited Edition
108 Rock Star Guitars - 10th Anniversary Limited Edition
By Lisa S. Johnson, first published in 2013, was awarded Best Book by American Photo. We now celebrate the 10th Anniversary Limited Edition featuring some of the most famous guitars ever played. Lisa guides the reader with stories of her adventures capturing the guitars, their provenance, and insights from the artists. This special edition features a signed hardcover, limited edition silk scarf, 10-page booklet, guitar pick, metallic ink book bag, and one giclee guitar print signed by one of 7 artists: Dave Mason, Zakk Wylde, Steve Lukather, Peter Frampton, Brian Setzer and Randy Bachman. Limited to 252 reserve copies. Available at: LSJRockPhotos.com
Takamine G Series GN77KCE
This beautiful Hawaiian Koa Takamine sounds as great as it looks. The Takamine GN77KCE is equally at home with fingerstyle or bold strumming. A luxurious clear gloss finish compliments the mini-jumbo NEX cutaway body. The GN77KCE employs all-Koa construction on top, back, and sides, with a comfortable mahogany neck and laurel fingerboard. Like all Takamine guitars, the transition to the stage is made effortless with the addition of Takamine’s own TP-4TD electronics, complete with a three-band equalizer and chromatic tuner built-in.
StewMac Ghost Drive Pedal Kit
Don’t want to pay thousands for an original Klon Centaur? Tired of Klones that don’t really capture the sound? That’s why StewMac made the Ghost Drive Pedal Kit—it's the closest we've ever heard to the real thing! The Klon is shrouded in mystery, epoxy, and hype—but amazingly, it delivers. It's a dream come true: overdriven tube tone at any volume. It doesn't change the character of your amp, you get just the right amount of transparent overdrive without losing your unique tone. StewMac dug deep to find the identical pair of 1N34A germanium diodes just like the original. With this kit you’ll hand wire all the components for the truly authentic tone—the black epoxy is optional. And don’t worry if you’ve never built a pedal: you'll see every solder joint and resistor value to make sure your build is perfect from start to finish. If you get stuck, StewMac’s techs are ready to help! In just a weekend you’ll have this incredible pedal on your board ready to chase new tones.
George L's Cables Effects Kit
The effects kit comes with 10ft of .155 cable, 10 right angle plugs, and 10 stress relief jackets. Colors include black. vintage red, blue and purple.
Custom fit your pedalboard needs with exact precision.
Strymon Cloudburst
Sometimes a piece of gear can change your perception of what is possible – what sounds you can achieve, what parts you can cover, or what emotions you can convey. Strymon’s Cloudburst is just that sort of device, featuring a single reverb algorithm that can go from shorter chambers and halls all the way up to the actual Cloud machine from BigSky. Not just a killer reverb, Cloudburst also features our brand-new Ensemble engine, which creates orchestral-inspired pads and soundscapes that organically follow your playing. Add in TRS MIDI and 300 presets, stereo IO on TRS jacks, Infinite/Freeze capability and USB-C, and you have one powerful transformation machine.
Spector Bass NS Dimension HP
The NS Dimension HP basses combine the iconic NS contours with cutting-edge multi-scale construction. This powerful pairing delivers optimal performance and an all-business aesthetic that is always ready to work. HP basses are engineered with a 3-piece, multi-scale maple neck capped with a dark ebony fingerboard and illuminating side dot markers. The neck spans the entire length of the instrument, ensuring enhanced tonal transfer, impeccable intonation with lowered tunings, and unwavering stability. Each bass is also loaded with a unique combination of EMG pickups and a Darkglass Tone Capsule preamp, keeping your tone detailed and powerful. Available in White Sparkle, Solid Black, Plum Crazy, and Gunmetal gloss finishes, the NS Dimension HP basses are high-performance basses for today’s high-performance players.
Strymon Brig dBucket Delay
It used to be that if you wanted to play a delay like an instrument, Bucket Brigade chips ruled the roost. Brig offers emulations of three separate BBD circuits that are sonically indistinguishable from the real thing, giving you access to all of the historic warmth, grit and playability of classic BBD pedals without the headaches and limitations inherent to the vintage designs. With a Time knob that unlocks Radiohead-like chaos, artifact-free Tap Tempo, up to 2 seconds of delay, TRS MIDI and 300 presets, stereo inputs and outputs on single TRS jacks and USB-C for MIDI control and firmware updates, Brig is in a class by itself.
Taylor Guitars 222ce-K DLX
This stunning all-Hawaiian-koa Grand Concert from Taylor’s 200 Deluxe Series combines dazzling visual character with a bold, sparkling sound that’s sure to entice players of all styles. Back and sides of layered figured koa paired with a solid koa top yield a woody, focused voice, with a rich midrange, articulate treble notes and a low-end response that will grow warmer and more pronounced with time and play. Players will find the compact dimensions of cutaway Grand Concert body — newly added to this series — comfortable and inviting, and together with a slim-profile neck, the playability is a dream. It all adds up to a versatile musical tool for everything from fingerpicking to lively strumming, with the hardwood koa top leveling out the response across the tonal spectrum. The beautiful koa body is tastefully accented with a shaded edgeburst around the top, back and sides, black binding, black and white top purfling, a shimmering single-ring rosette, a black pickguard and a rich gloss finish. The neck features a solid ebony fretboard, Small Diamond fretboard inlays, gold Taylor tuning machines. It also includes Taylor’s onboard ES2 electronics and a deluxe brown hardshell case.
VOX Amplification MiniGo3
The VOX MINI GO 3 guitar amp can be taken with you anywhere you go for practice and performance. This amp is lightweight, compact and can be powered by a mobile battery. It also offers powerful and realistic amp models, as well as a newly developed vocoder for talking modulation effects, onboard effects that let you create a diverse range of sounds, a mic input, AUX input, a headphone jack and a rhythm machine that can play back patterns from many genres.
Strymon Power Supplies
Noisy pedalboard? Effects not sounding quite right? Strymon’s expandable power supply system shields your gear from noise TWICE, first with a dedicated 24V bus and again by using individual transformers and multistage filtering on each channel. Each discrete output can achieve 500mA of current, and if you add in variable output voltages and native worldwide power compatibility, you get the most technologically advanced power supply system on the market. By starting with a Zuma or low profile Zuma R300 and then adding expansion Ojai units as your needs grow, you’ll never worry about power again.
Taylor Guitars Builder’s Edition 814ce Blacktop
Taylor’s ultra-premium Builder’s Edition collection showcases the highest levels of Taylor design and craftsmanship, with the goal of creating the ultimate playing experience in both feel and sound. This blacktop variant of the Builder’s Edition 814ce reveals a luxurious, eye-catching aesthetic presentation. It starts with Taylor’s best-selling Grand Auditorium body (including a Venetian cutaway), crafted with solid Indian rosewood back and sides and paired with a four-piece Adirondack spruce top. Taylor’s patented V-Class bracing architecture supercharges the response with greater dynamic range, longer sustain and ear-pleasing pitch precision, complementing the natural power of the Adirondack top. This model is appointed with a striking black color treatment for the top, a beautiful rosewood pickguard, a Kona edgeburst around the back and sides, all enhanced with a gloss-finish body. Other aesthetic details include a single-ring green abalone rosette and rosewood-bound soundhole, maple and rosewood top purfling, maple fretboard and peghead purfling, precise Gotoh 510 tuners in antique gold, and Element inlays in mother-of-pearl.
Strymon Iridium
Come see why some stadium rockers have ditched their onstage amps! Iridium delivers the authentic tone, feel and girth of three iconic tube amplifiers in a single pedal-sized enclosure. The simple user interface lets you dial in the right sound in moments with zero menu-diving, and three speaker cabinets per amp mean you’re always ready with more sonic options. Iridium’s IR-based speaker cabinets and hybrid reverbs deliver unbeatable realism by using high-resolution 500ms impulses (usually reserved for DAW plugins), and adding in TRS MIDI control, 300 presets and stereo IO means you’re ready for anything the stage or studio can throw at you.
Warm Audio ODD Box v1
The Warm Audio ODD (Over Drive Disorder) is inspired by an iconic (now discontinued) pedalboard staple with a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. The hard-clipping, op-amp-based circuit delivers all of the sounds of a cranked, saturated tube amp and features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from “British” to “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.
Pigtronix 2NR
The Pigtronix 2NR is a no-nonsense, high-precision chromatic tuner pedal for guitar and bass. It features a large, high-contrast LED screen and ultra-fast pitch detection software that makes tuning quick and easy for musicians of every skill level.
2NR intentionally contains no extraneous features. There are no alternate modes or opportunities for accidental frustration. The pedal exists solely to help musicians tune their instrument to 440 Hz standard concert pitch as quickly and accurately as possible.
When 2NR is activated, the output is muted. When the pedal is not in use, relay-based, true bypass switching ensures that 100% of your tone passes through the pedal without any loss of fidelity. Housed in a robust aluminum chassis, 2NR is built for a lifetime of onstage performance. Pigtronix 2NR runs on standard 9VDC power.
Warm Audio Centavo
King of the Klon(es)! The Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the most sought-after overdrive pedal of the 90’s and beyond. Whether you’re after the fabled clean boost tones, transparent overdrive, or you want to push your dirty channels to true grit - the Centavo has all of the adored tones of the vintage box. In addition, the Warm Audio Centavo has the infamous “MOD” selectable switch on the back. When in the “up” position, the switch engages the mod made famous by Jeff Beck, extending the low end response on the lower guitar strings. With a true-to-original, custom-cast golden enclosure & all the signature sounds of the original, Centavo delivers an authentically legendary pedal experience.
AxLabs Habanero by Grover Jackson Loaded Pickguard
The AxLabs Habanero-loaded pickguard system features boutique-quality components including USA-made Habanero Serrano Pickups from the legendary Grover Jackson, a Pure Tone multi-contact output Jack, custom AxLabs switches and potentiometers, Orange Drop capacitor, and Gavitt Cloth Jacketed Wire (Red+ / Black-).
The Habanero Serrano Single Coils are Grover Jackson's own Texas-style, high output take on the classic designs from the 50's and 60's. Using Alnico III magnets, the fuller and warmer tones offer the right amount of fatness for the modern player while still retaining the chimey high end of the classics. The neck has warmer bubbliness, the middle pup harnesses a fatter midrange, and the bridge cuts through the tastebuds with stinging clarity unlike any other.
Unlike any other potentiometers on the market, all AxLabs pots were specifically designed for electric guitars. Custom-taper volume and tone controls give you the smoothest (and most musical) turn of the knobs without any lag.
The patented Pure Tone jack contains dual tension grounds and dual positive tips for optimal signal and lowest possible noise. 100% greater surface area at all contact points!
Spürr Audio Time Traveler Delay
The Spurr Audio Time Traveler Delay is a remarkable pedal that transcends the boundaries of your typical delay pedal. This meticulously crafted stompbox seamlessly marries the vintage warmth of analog circuitry with the modern versatility that today's musicians crave.
At the heart of the Time Traveler Delay lies a sonic realm where guitarists can immerse themselves in the cozy embrace of analog warmth. With a delay time that extends up to a generous 500 milliseconds, it caters to a wide spectrum of musical needs, from subtle echoes that add depth to your sound to expansive repeats that transport you to a world of sonic wonders. Regardless of your playing style or genre, the Time Traveler Delay is your trusty companion in adding depth and dimension to your musical expressions.
What truly sets the Time Traveler Delay apart is its ability to satisfy the cravings of sonic adventurers. It empowers you to embark on mesmerizing journeys through oscillating delays that surge and evolve, pushing the limits of your creativity to unprecedented heights. Activating the infinite repeats function on this pedal is like opening a portal to a boundless sonic landscape. Here, you become the architect of expansive soundscapes and captivating textures, all of which will hold your audience spellbound.
However, the Time Traveler Delay doesn't stop at its aural prowess. It features an analog VU meter that not only adds a dash of vintage charm but also serves as a dynamic companion to your musical odyssey. This meter responds in real-time to your playing, effectively measuring the "plutonium" in your tone journey. It's not just a functional addition; it's a visual spectacle that adds an extra layer of dimension to your musical performance.
Solar Guitars Type X
After endless drawings and sleepless nights, the extremely focused and motivated Solar Guitar product team succeeded to give birth to this violent but elegant and unique looking Type X guitar that Chug-Master and Heavy-Metal Youtube sensation Ola Englund makes his own.
Ola adds, “With prices @ 949-1499 including standard case, this is a dream come true to have an extreme X shape of our own that is available to everyone.”
The extensive series offers models in 6 and 7 string with different pickup selections along with a multitude of finishes and hardware configurations including Evertune, Floyd Rose and Fixed Bridges. Hardshell Case included.
NoiseBoyz Guitar Pedal Subscription
NoiseBoyz is the most cost effective way to try every combination of tone you can possibly imagine. With plans starting at $9.99 per month, NoiseBoyz gives you access to over 150 pedals from the very best boutique pedal brands like Beetronics, MojoHandFX, Pigtronix, Supro, Fuzzrocious, and AnalogAlien, with new brands and pedals added every month. With no waitlists, no deposits collected for rental, no required return dates, and customer-exclusive discounts, it's a truly hassle-free way to find and save on the pedals that are just right for your play style. It's the perfect holiday gift for the guitarist in your life and we have no doubt that Clark Griswold wouldn't have kidnapped his boss if he'd just gotten a subscription to NoiseBoyz instead of the jelly-of-the-month club.
SmallStage Cable Cup Amp-Top Pick Tray & Cable Rest
The Cable Cup is a convenient pick tray and cable rest that uses microsuction technology to adhere securely to an amp or tabletop, allowing for simple removal without leaving any residue behind.
Providing ample room for your picks, slide, capo, and other small playing accessories, the Cable Cup ensures that the essentials stay organized and within easy reach. Notched cable rests guarantee hassle-free cable management, eliminating the need to fumble around for cable ends during practices, studio sessions, or performances. The Cable Cup Pick Shape also fits your favorite frosty beverage, complete with a “sweat” collector to prevent water rings from staining your amp! Composed of lightweight, flexible silicone, Cable Cup products are washable and reusable, ensuring a lifetime of usage.
The Cable Cup line features a variety of shapes and sizes, including officially licensed Fender® Stratocaster® and Telecaster® headstock shapes, Stratocaster® and Telecaster® body shapes, and a classic pick shape.
Doubleday Guitars Buteo Demo
Doubleday Guitars are entirely handmade one at a time in Austin, Texas. Our new Buteo model takes on a T style foundation, while adding increased comfort, playability, and versatility with the standard pickup options. The Buteo is a pleasure to play in any position, and the unhindered upper register access allows effortless lead playing. Each Doubleday Guitar is meticulously crafted from one-piece body lumber, and quarter-sawn hard maple neck lumber. From all Nitrocellulose finishes, to the hand-wound Doubleday pickups, no detail is missed in the design and execution of these fine instruments. Options are plentiful for each one of our four base models, from binding to color and even wood types and pickup configurations. Let's build your dream guitar today!
Guitar Slip No More
Guitar Slip No More, GSNM the new electric and bass guitar accessory designed
for seated guitarists.
Winner Best Modern Band Product, Tools for Schools "At first glance, this
unassuming product would seem to be no big deal, but the guitar teachers on our
panel assured us that it is a great idea. It's hard to play a Stratocaster-style guitar
while sitting as it's always sliding down, and as students like to share guitars, straps
just get in the way. Snap Guitar Slip No More on the bottom edge of the guitar, take
a seat, and the guitar holds tight and is nicely balanced to boot. It's available for
most solid body guitar styles and costs less than a decent strap. Problem solved."
Artist Review, Rod Welles “The guitar is just so stable and anchored when you’re
sitting down playing...It’s brilliant, simple and very well made. It comes on and off in
a second and is more comfortable for your leg as well”.
Owner Commitment “Whether practicing, recording, writing or transcribing, anytime
a guitar is in your lap is the right time for a GSNM. If for any reason you are not
satisfied with our product, promptly return item for a full refund”.
This wonky Zim-Gar was one of many guitars sold by importer Gar-Zim Musical Instruments, operated by Larry Zimmerman and his wife.
The 1960s were strange days indeed for import guitars, like this cleaver-friendly Zim-Gar electric.
Recently I started sharing my work office with a true gem of a guy … one of the nicest fellas I’ve ever come across. If you’ve been following my column here, you might remember my other work mate Dylan, who is always telling me about new, fad-type things (like hot Honey guitars) and trying to convince me to use AI more. (What can I say, he’s a millennial.) But Steve, on the other hand, is about 10 years my senior and is a native New Yorker—Brooklyn actually, from the Canarsie neighborhood. Steve is a retired teacher and spent many years teaching in the Brownsville area of Brooklyn, and man, he has some amazing stories.
Mostly we talk about music and sports (he’s exiled here among us Philadelphia sports fans) and he’s just endlessly interesting to me. He has a huge appetite and can eat a whole pizza. When he talks, he sounds like one of the Ramones and he still has an apartment in Rockaway Beach. We both love Seinfeld and, like George Costanza, Steve knows where all the great bathrooms are across New York City. Since he’s been added to my circle (and is such a mensch), I decided I should work him into a column.
So here’s the connection: Back in the day there were many American importers, dealers, and wholesalers. A lot of them were based in New York, Chicago, and Los Angeles, but I only know of one guitar importer located in Brooklyn: Gar-Zim Musical Instruments. The company was run by Larry Zimmerman and his wife, and the couple had some success importing and selling Japanese guitars and drums. I used to see early Teisco imports with the Zim-Gar badge, which was the brand name of Gar-Zim. I’ve also seen Kawai guitars with the Zim-Gar label, but the Zimmerman’s seemed to sell cheaper and cheaper gear as the ’60s wore on, including the piece you see here.
“This build reminds me of the cutting boards I used to make in wood shop back in my high school days.”
The model name and factory origin of this guitar is a mystery to me, but this build reminds me of the cutting boards I used to make in wood shop back in my high school days. The guitar is just flat across the top and back, with absolutely no contouring or shaping. Its offset body is plywood with a thin veneer on the top and back. From a distance this guitar actually looks kind of nice, but up close you can see a rather crude and clunky instrument that offers little flexibility and playability. The non-adjustable bridge is off center, as is the tremolo. It was really hard to get this guitar playing well, but in the end it was worth it, because the pickups were the saving grace. Another example of gold-foils, these units sound strong and raw. The electronics consist of an on/off switch for each pickup and a volume and tone knob. The tuners are okay, and the headstock design is reminiscent of the Kay “dragon snout” shape of the mid to late ’60s, which is where I would place the birthdate of this one, probably circa 1966. Everything is just so goofy about this build—even the upper strap button is located on the back of the neck. It reminds me of that era when simple wood factories that were making furniture were tasked with building electric guitars, and they simply didn’t know what they were doing. So, you get oddities like this one.
Gar-Zim continued to sell guitars and other musical instruments through the 1970s and possibly into the ’80s. I once even saw a guitar with the label Lim-Gar, which is totally puzzling. I think there should’ve been a Stee-Gar designation for my new buddy Steve-o! Yes, good readers, with guitars and me, there are always just a few degrees of separation.
In line with the MOOER’s recent expansion on the MSC range, the company is excited to announce the new MSC50 Pro, an Alder-bodied electric guitar with gloss finish, available in the new Magic Crystal color.
Featuring a roasted maple neck with a satin finish, a rosewood fingerboard for playing comfort, 22 frets, and a standard C shape, the guitar has been designed with classic guitarists in mind. This is beautifully emphasized with its beautifully resonant tonewoods, all while still being balanced perfectly with style and comfort of use.
The MSC50 Pro features all of the industry-standard features you might expect from such an impressively affordable guitar, such as bolt-on construction, a bone nut, and a dual-action steel truss rod. However, other features make the electric guitar stand out among others at a similar price point, such as its MTN-3LC locking tuning pegs, beautiful Abalone dot inlay, and, of course, its previously mentioned tonewood selection.
In order to capture the MSC50 Pro's balanced tonal profile, MOOER's luthiers have built it with three perfectly balanced pickups: the MSC-II N single coil neck pickup, the similar MSC-II M single coil middle pickup, and, best of all, the MHB-II B bridge humbucker. When these carefully chosen pickups are combined with the guitar's MPW 2-point chrome bridge, guitarists can make the most out of its tonal versatility, all while maximizing tuning stability.
To ensure that the guitar is suitable for a wide range of genres, both softer and higher-gain examples, the MSC50 Pro has a convenient coil split switch built into it, giving users better resonance control. Of course, this is also combined with a classic tone dial, a standard 5-way tone switch, and a volume control dial.
Overall, the MSC50 Pro reminds users of MOOER guitars that the company has never forgotten about its roots in classic-style guitars. Yes, the company is continuing to develop innovative guitar technology in other areas, but this electric guitar also represents a grounded approach, keeping things classic, sleek, and tonally versatile–all at a reasonable price point.
Features:
- Alder Body with a Gloss Finish
- Available in the Magic Crystal color
- Standard C-shaped roasted maple neck with a Satin finish
- Bolt-on construction
- 22-fret rosewood fingerboard
- Abalon dot inlay
- MTN-3LC locking tuners
- Bone nut
- Dual-Action Steel Truss Rod
- 12" radius
- 09-46 strings
- 25.2" scale
- MSC-II N Single Coil neck pickup, an MSC-II M Single Poil middle pickup, and an MHB-II B Humbucker Bridge Pickup
- Chrome guitar strap pin
- Coil Split Switch
- 5-Way Tone Switch
- Volume and tone dials
- MPW 2-Point chrome bridge
The MSC50 Pro will be available from the official distributors and retailers worldwide on 13th May 2025 at an expected retail price of USD419/Euro399/GBP339.
MOOER Expands Its Popular MSC Guitar Line with the MSC30 Pro and MSC31 Pro
MOOER has never shied away from innovation when it comes to its guitars. However, with the recently announced release of the MSC30 Pro and MSC31, the company reminds us that, sometimes, true innovation lies in mastering and enhancing a proven classic. With this philosophy, MOOER introduces two new exciting additions to their beloved MSC series of electric guitars.
Both the MSC30 Pro and MSC31 Pro continue MOOER’s philosophy of creating affordable guitars, but without sacrificing quality or performance, thanks to the poplar bodies and flame maple tops. Some guitarists will be drawn to the bright tones of the MSC30 Pro’s maple fingerboard, whereas others will prefer the warmer resonance of the MSC31 Pro’s rosewood alternative.
Each guitar features sturdy bolt-on neck construction, dual-action steel truss rods, bone nuts, and MTN-1 chrome tuning pegs (with the BK upgrade being reserved for the MSC31 Pro), ensuring tuning stability and comfort at all times.At the heart of both models are MOOER’s versatile MSC pickups, comprising the MSC-1N single-coil neck pickup, the MSC-1M single-coil middle pickup, and the powerful MHB-1B dual-coil humbucker at the bridge. Further complemented by a versatile 5-way pickup selector and exclusive coil split switch, players can effortlessly switch between a wide palette of tones, such as pristine cleans ideal for jazz or blues, or high-gain tones for heavier genres.
Tremolo support is also provided through both the guitar's bridges, with the MSC30 Pro featuring an MTB-1 2 Point Tremolo bridge, and the MSC31 Pro boasting an exclusive black MTB-1 BK 2 Point Tremolo bridge. Both bridges guarantee guitarists the ability to use tremolo bars in their guitar performances, without compromising the integrity of tuning stability.
Both guitars come with a selection of vivid new colors, complementing the guitar’s hardware with undeniable visual appeal. The MSC30 Pro is available in the classic finishes of Sunset Red, Lake Blue, Lemon Green, and Rose Purple. Meanwhile, the MSC31 Pro boasts its own selection of glossy finishes: Grey Burst, Blue Burst, Green Burst, and Purple Burst.
Overall, the MSC30 Pro and MSC31 Pro solidify MOOER’s commitment to combining quality craftsmanship, affordability, and versatility, giving guitarists of all levels the chance to own instruments that genuinely inspire.
Features
MSC30 Pro:
- Classic S-style design
- Poplar body with flame maple top
- Maple fingerboard
- Maple neck with satin finish
- Bolt-on neck construction
- 22 nickel silver frets, Abalone dotted inlay
- Coil split switch and versatile 5-way pickup selector
- MSC-1N/M single-coil pickups and MHB-1B humbucker
- 25.5" scale
- MTN-1 Chrome tuning pegs
- Available in gloss-finished Sunset Red, Lake Blue, Lemon Green, and Rose Purple
- Volume and tone dial
- Chrome strap pin
MSC31 Pro:
- Classic S-style design
- Poplar body with flame maple top
- Rosewood fingerboard
- Maple neck with satin finish
- Bolt-on neck construction
- 22 nickel silver frets, White Shell dotted inlay
- Coil split switch and versatile 5-way pickup selector
- MSC-1N/M single-coil pickups and MHB-1B humbucker
- 25.5" scale
- MTN-1 BK tuning pegs
- Available in gloss-finished Grey Burst, Blue Burst, Green Burst, and Purple Burst
- Volume and tone dial
- Chrome strap pin
The MSC30 Pro and MSC31 Pro will both be available from the official distributors and retailers worldwide on 2nd April 2025.
MOOER Gives Bassists What They Want with the New MBJ410 and MBJ420 Electric Bass Guitar Models
For 15 years, MOOER has built a critically acclaimed name for itself thanks to its cutting-edge electric guitars, pedals, and accessories. While the company is no stranger to building electric bass guitars, this has not been its focus for some time, hence why so many bassists are excitedly anticipating the release of the MBJ410 and MBJ420 electric bass guitars.
Both the bass guitars sport glossy Poplar bodies, keeping the price point affordable but without limiting their tonal resonance and versatility, whereas the MBJ420 holds the additional bonus of being built with a Poplar Burl top. Complete with roasted maple C-shaped necks (also accented with a gloss finish) as well as Roasted Maple fingerboards and White Shell dot inlays, the necks are designed to offer as much comfort as possible–a high priority for bass guitarists.
A 34" fret scale further enhances practicality for bassists, as does the neck's 12" radius. Strings are available in .045, .065, .080, and .100 gauges, providing something for any type of bass style - whether slapping, plucking, or picking techniques are preferred.Thanks to the industry-standard components of a dual-action steel truss rod and bone nut, the tuning and resonant stability of both the MBJ410 and MBJ420 models are also of a high standard. However, this is accentuated further by the guitars' strong and reliable BTN-1 tuning pegs, essential for heavier-gauge bass strings.
The tonewoods and structural integrity of the MBJ-series electric bass guitars wouldn't be complete without the accompaniment of the guitar’s two single-coil JB-style pickups. Combined with the MOOER BSC-2 bridge, both bass guitars have been carefully designed to amplify bass resonances excellently, complemented even further by their simple but effective tone dials. Two volume controls are also built in, ensuring that bassists can customize their sonic output to have the perfect tonal blend.
In terms of standout features, the main difference between the two bass guitars is the MBJ420's added poplar burl top, but most notably, the color selections. For the MBJ410, the bass guitar is available in Gunmetal Gray, Metal Green, and Metal Blue, perfectly suiting the stages of higher-gain performances. In contrast, the aesthetics of the MBJ420 are more classic, purchasable in Red Burst, Blue Burst, and Tobacco Burst. Finally, both guitars are topped with a chrome strap pin, enabling stylish and energetic live performances.
Overall, bassists will no doubt be excited to see MOOER return to electric bass guitars with the MBJ410 and 420 models. Of course, electric guitars will remain the focus for the company, but the release of these two new products is a reminder of just how accommodating MOOER is for its wide audience of musicians.
Features
- Electric bass guitar built with gloss-finished Poplar body (MBJ420 also features a Poplar Burl Top)
- Roasted maple C-shaped neck with a gloss finish
- Roasted maple fingerboard
- White Shell dot inlay
- 12” neck radius
- MOOER BSC-2 bridge
- VBJ-1 and VBJ-2 Single Coil pickups
- MOOER BTN-1 tuning pegs
- Bolt-on construction
- Bone nut
- Dual-action steel truss rod
- Pre-installed strings available in .045, .065, .080, and .100 gauges
- 21 frets
- 34"fret scale
- Colors available in Gunmetal Gray, Metal Green, and Metal Blue (MBJ410), and Red Burst, Blue Burst, and Tobacco Burst (MBJ420)
- Chrome strap pin
- 2 x volume control dials
- 1 x Tone dial
The MBJ410 and MBJ420 will both be available from the official distributors and retailers worldwide on 29th April 2025 at an expected retail price of USD319/Euro299/GBP249(MBJ410), USD399/Euro379/GBP319(MBJ420).
The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation. The pedal is centered around dual reverb engines that are independently programmable with full-stereo algorithms including Hall, Spring, Shimmer and more. Place these reverbs into a customizable signal path with additional FX blocks like Delay, Chorus, Tremolo, or Bit Crusher for a completely unique soundscape building experience.
Electro-Harmonix has paved the way for powerful, accessible reverbs since the release of the original Holy Grail and now we’ve pushed the envelope deeper with the fully-equipped Oceans Abyss. Featuring a customizable signal path with up to 8 effects blocks, the Oceans Abyss can be configured as individual reverb, modulation, EQ, delay, bit crusher, saturation or volume effects, or as countless combinations for incredibly creative effect shaping. From a simple Spring reverb to a lush stereo field featuring stereo hall and shimmer reverbs, chorus, delay, overdrive, and tremolo, you can go from surf to shoegaze instantly, without breaking a sweat.
Deep parameter editing is accessible via the high-visibility OLED display with multiple graphical views and easy-to-read designs. Expression/CV control over nearly every parameter gives artful control of your effects and dynamics. Fully-stereo I/O plus an FX Loop allows for use with any instrument, recording set up, or live rig. 128 programmable presets via onboard footswitching or MIDI ensure perfect recall in all performance situations. MIDI IN/OUT ports with MIDI IN support of PC, CC, and Tempo Clock expand the already immense talents of the Oceans Abyss. Connect with UBS-C to Windows or Mac for effects editing, preset management, and more with the free EHXport™ app (coming soon).
- Two Stereo Reverbs available at once, each fully pannable in the stereo field
- 10 reverb types to choose from: Room, Hall, Spring, Plate, Reverse, Dynamic, Auto-Infinite, Shimmer, Polyphonic, Resonant
- Additional FX blocks: Delay (Digital, Analog and Tape emulations), Tremolo, Chorus, Flanger, Phaser, Graphic EQ, Saturation, Bit Crusher, External FX Loop, Volume
- Create custom signal path routing with up to 8 effects blocks. Two blocks may be re-verb, the rest may be any of the additional FX blocks.
- Infinite reverb sustain with the press of a footswitch
- Stereo Audio I/O
- Stereo FX Loop routing on TRS Jacks
- Dual action footswitches allow for momentary or latching use
- Easily enable or disable tails
- 128 fully customizable presets
- All controls can be saved to presets
- Dive deep into global and preset settings to set up Oceans Abyss for your specific needs
- Illuminated slide pots and buttons
- High-visibility OLED graphical display
- Multiple graphical views: Signal Path, Performance, Settings, Physical, Explorer
- Easy-to-navigate menu system
- Ergonomic NavCoder knob allows rotary and directional navigation through menus
- EXPRESSION / CV input to control nearly any parameter in any FX block
- Footswitch input allows for adding up to three external footswitches, each assigna-ble to a number of functions
- MIDI In and Out. MIDI IN supports PC, CC (over nearly every available parameter), and Tempo Clock
- USB-C port to connect to Windows or Mac and interface with EHXport™ app (coming soon)
- 96kHz / 24-bit sample rate conversion
- Supplied with 9.6VDC / 500mA power supply
Our columnist’s silver-panel Fender Bandmaster.
How this longstanding, classic tube amp design evolved from its introduction in 1953.
I have a silver-panel Bandmaster Reverb that I don’t think I’ve talked about enough in this column. It’s one of the most versatile and flexible amps I own, so I use it for everything. It’s portable, has tube-driven reverb and tremolo, and has a full set of EQ knobs including the critical bright switch, which we discussed the importance of earlier this year (“How to ‘Trebleshoot’ a Vintage Fender Amp,” March 2025). The amp is not only pedal-friendly; the flexible 4-ohm output impedance will handle almost all speaker configurations and sound any way you’d like. Let’s take a deeper look at the Fender Bandmaster amp and walk through its development through the years.
The first Bandmaster was introduced in 1953 as a wide-panel tweed amp with Fender’s 5C7 circuit. This rare combo was loaded with a single 15" Jensen P15N and powered by dual 6L6GC tubes in push-pull configuration to produce a modest 25 watts. The 6L6GCs were cathode biased and along with the 5U4GB rectifier tube contributed to a forgiving sag, early breakup, and a midrange-y voice.
Fender made several changes when they launched that amp’s successor in 1955, the more widely known 5E7 narrow-panel Bandmaster, a well-proven amp that has come back as a reissue model. It was still a dual-channel amp—instrument and microphone—but the newer 5E7 model had a fixed bias and a negative feedback loop, providing a louder, firmer, and cleaner tone. Most importantly, the single 15" speaker was replaced by three 10" speakers, making it very similar to the narrow-panel tweed Bassman, the granddaddy of all Marshall amps. This Bandmaster had three speakers instead of the Bassman’s four, and it delivered 25–30 watts instead of 40. It offered early breakup with a midrange-y, big and full tone.
For those not acquainted with tweed amps, the volume and EQ knobs behave differently than on silver- and black-panel Fender amps. The volume pot can act like a distortion control, while the EQ knobs control the volume, and many players I’ve talked to have not really unlocked this secret. This works because, in these circuits, the volume pot sits right before the preamp tube, which allows it to push the tube into full distortion. Since the EQ pots are located right after and are capable of reducing the volume, you’re able to distort the preamp at low volume settings.
“Things became more standardized in 1964 with the arrival of the black-panel AB763 Bandmaster, an amp I have worked on a lot and appreciate for its robustness, simplicity, and versatility.”
In 1960, a short-lived and rare Bandmaster dressed in brown tolex and a black faceplate appeared with the 5G7 circuit. From here on, all Bandmasters had the modern top-mounted chassis. With this circuit, the Bandmaster started to both look and sound more like a black-panel amp. It kept the 3x10" speakers but got a diode rectifier and bigger transformers resulting in a 45-watt output. Tremolo was introduced for the first time, and both channels were now intended for guitar.
The following year, a blonde 6G7 Bandmaster followed as a smaller amp head paired with a 1x12 extension cabinet. It had the timeless early blonde looks with cream tolex, brown faceplate, oxblood grill cloth, large Fender logo, and white knobs. But halfway into the blonde era, towards 1964, things turned strange and rather confusing. There were suddenly two 12" speakers, black knobs, a wheat-colored grill cloth, a more slim black-panel-style Fender logo, a black faceplate, and all in various combinations close to the transition into ’64.
Things became more standardized in 1964 with the arrival of the black-panel AB763 Bandmaster, an amp I have worked on a lot and appreciate for its robustness, simplicity, and versatility. It offers a pure, clean, scooped black-panel tone that’s somewhere between a Vibrolux Reverb and Pro Reverb, which share the medium-sized 125A6A output transformer and dual 6L6GC tubes. With its medium/high power and flexible 4-ohm output impedance, it can drive all kinds of speaker cabinets—as long as you stay between 2 and 8 ohms, you are safe.
For a short time in 1967–68, there was a transitional Bandmaster with aluminum trim and black-panel innards before the all-new silver-panel Bandmaster Reverb replaced it in 1968. The small-head cabinet had grown in size and, unfortunately, weight to accommodate the reverb tank. The amp got a 5U4GB rectifier tube along with a few general silver-panel changes to the circuit. Several silver-panel models existed with minor differences until a 70-watt beast version came along in 1977 with master volume.
To my own 1968 Bandmaster Reverb, I have done a few adjustments. First, I made a custom baffle to hold two 8" speakers. I installed a pair of WGS G8C speakers that fit perfectly on the baffle board without colliding with the reverb tank or transformers. Sometimes, I use only one of the 8" speakers for bedroom volume levels. Second, I reversed the bias circuitry to standard AB763 specs, making it easier to adjust bias correctly on both power tubes. If you are into sparkling clean and funky Strat sounds, you would love this little 2x8" combo.