Engl''s Ritchie Blackmore Signature combines gain with clarity at an reasonable price.
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Download Example 2 | |
Recorded with 2006 Gibson Flying V |
Blackmore’s unique guitar tone was a combination of the best of both worlds. Originally achieved with a Fender Stratocaster with a scalloped fretboard (purchased from a roadie of Eric Clapton’s) into modified Marshall Major 200-watt heads, it had the cut and tightness of the Strat and the heft, thickness and power of the Marshall Major. Since 1994, Blackmore has been using amplifiers from Engl. More recently, his own signature model was released to try to replicate the sheer power of his past rig and offer a larger, more modern tonal palette.
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Features
The E 650 head presents the player with a relatively simple layout, consisting of a 3-band EQ section with a Presence control. A total of four channels share this circuit, and can also utilize the included Bright and Contour switches (more on this later). Along with a separate Lead Volume control and two Master Volume Controls, each channel setup reacts differently, depending on how the amplifier is set. The amplifier is all tube, running a quartet of 5881 power tubes and a total of four ECC83 preamp tubes.
Plugging In
After setting up the head with the matching Engl PRO series 4x12 cabinet, the head was set with the EQ controls at the 12 o’clock positions, the clean channel engaged, and fed with the input from a 1978 Gibson Les Paul Custom and a 2006 Fender American Stratocaster. Two words can best describe this channel: intense power. Older-era single channel Marshall amps, especially the Marshall Major, had a reputation for pushing a lot of air even when clean. Certainly, one of the defining characteristics of the Major was the added headroom; it was a very difficult amplifier to distort because it was extremely loud. It was certainly a shock to hit an open G chord and feel that old school non-master volume amp punch in the chest—that feeling that lets you know this is a healthy amplifier with a lot of power underneath the hood. This channel can be pushed into a light crunch more easily than a non-master volume amp by using the preamp gain control knob in tandem with the Master Volume A control, but it isn’t necessary. Pressing the “Gain Lo-Hi” button shoved out a killer British drive tone capable of handling any seventies rock tone you could want. In addition, the channel still had the punch and cut of the stock clean channel— the great vibration that exudes from a welldesigned amplifier, and that you can feel in your chest. The surprises did not stop there, though; this amp had a lot more say as the trial pressed on.
The lead channel section in the Blackmore has a somewhat different feel from the more unsoiled half. While the clean side has a very immediate attack with an extremely muscular tone, the lead channel gives in, just a little, for a spongier feel. It certainly doesn’t lose its defined punch, clarity and grind. Rather, it makes the amp a little easier to play, which is very nice, considering how much gain this thing has. For rock players of all eras, this is a great amplifier, but it is especially so if seventies hard rock is in order.
If more modern metal is what you’re after, the Engl Blackmore can hold its own against pretty much anything. The drive is rich, thick and enormously clear, sounding better and better as the master is turned up. Make no mistake, the Blackmore sounds great at low volumes, but sounds out of this world when pushed hard. It surely shares the tonal hi-fi ranks of other brilliant European amp makers, such as Diezel. It has that great British high gain tone with perfect midrange, but melded with modern, high fidelity circuitry and a particularly efficient power section. In the world of guitar tone, this is a relatively new sound and feel. Some players don’t care at all for the hi-fi quality of these amps, while others have been waiting their whole careers for something to come along that does it. Obviously, the best bet would be to play one in person, simply because the Engl Ritchie Blackmore is a very punchy and uniquely-voiced amplifier.
The lead channels are the only channels where the Contour control has any affect in the circuit. When pushed in, the frequencies between 300 and 500 Hz are boosted, providing a nice cutting edge for the toneto make its way through the mix, with plenty of harmonics for fast, easy runs. The Lead channels can also be further tweaked with the Presence and separate Lead Volume controls, which help add a sparkling top and balance the levels between the two channels. When reaching the higher gain settings, the amp handles modern metal and thrash tones with ease.
The Final Mojo
The Blackmore is a high gain player’s amp. That being said, players should definitely take warning: the impressive amount of gain coupled with the intense clarity will not cover up any lack of detail in the player’s style. Considering the price of the amplifier, the number of tones available and the simplicity of the features, some could easily consider it a bargain. There are other amplifiers that have similar tones but cost a lot more than this particular model. Without a doubt, it will make you feel, as Ritchie Blackmore himself put it years ago, “like you own the stage.”
Buy if...
you want a loud, reliable, efficient high-gain amp with a high fidelity feel for a great price.
Skip if...
you consider the hi-fi tones too anemic, need less power or separate EQ control for each channel.
Rating...
Street $1699 - Engl - engl-amps.com |
Four-time Grammy Award-winning guitarist Gary Clark Jr. announces his 2025 North American tour.
Kicking off at Grand Sierra Resort and Casino in Reno, NV on February 19, the tour will continue with shows in Houston, Atlanta, Nashville, Charlotte, and more before concluding on March 15 in Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.
Artist presale will begin tomorrow, October 2 at 10am local time, with public on-sale to follow on Friday, October 4 at 10am local time. Sign up now at https://www.garyclarkjr.com/ for a first chance at tickets.
JPEG RAW is Clark's first album since 2019’s critically lauded This Land, which became his third consecutive top 10 on the Billboard 200 chart and garnered three Grammy Awards, including Best Rock Song and Best Rock Performance ("This Land") and Best Contemporary Blues Album (This Land). Clark’s first Grammy win was awarded in 2014 for Best Traditional R&B Performance ("Please Come Home").
Since its release, the singer-songwriter has toured extensively and stretched his wings as an actor, playing American blues legend Arthur "Big Boy" Crudup in Baz Luhrmann’s Elvis, which received eight Academy Award nominations. Clark also served as the official Music Director for Jon Stewart's acceptance of the 23rd Annual Mark Twain Prize for American Humor in the Kennedy Center Concert Hall. In addition to programming the event, he delivered a powerful tribute on stage, which aired on PBS nationwide.
Now, as Clark prepares to hit the road once more in support of JPEG RAW, this new era continues for the acclaimed performer—one with ever-expanding horizons, and music that needs to be heard live and in person.
Tour Dates
Bold indicates newly announced dates
*With Eric Clapton
^With St. Vincent
2024
Sep 26 — Rio De Janeiro, Brazil — Farmasi Arena*
Sep 28 — São Paulo, Brazil — Vibra São Paulo*
Sep 29 — São Paulo, Brazil — Allianz Parque*
Oct 15 — London, UK — O2 Forum Kentish Town
Oct 16 — Manchester, UK — New Century Hall
Oct 17 — Bristol, UK — SWX
Oct 19 — Birmingham, UK — O2 Institute Birmingham
Oct 21 — Utrecht, Netherlands — TivoliVredenburg
Oct 23 — Luxembourg, Luxembourg — Den Atelier
Oct 24 — Basel, Switzerland — Baloise Session^
2025
Feb 19 — Reno, NV — Grand Sierra Resort and Casino
Feb 20 — Las Vegas, NV — Brooklyn Bowl Las Vegas
Feb 24 — El Paso, TX — Abraham Chavez Theatre
Feb 28 — San Antonio, TX — Aztec Theatre
Mar 1 — Houston, TX — 713 Music Hall
Mar 4 — Atlanta, GA — The Eastern
Mar 7 — Nashville, TN — Ryman Auditorium
Mar 9 — Knoxville, TN — Tennessee Theatre
Mar 10 — Charlotte, NC — Ovens Auditorium
Mar 11 — North Charleston, SC — North Charleston Performing Arts Center
Mar 13 — Tampa, FL — Seminole Hard Rock Tampa Event Center
Mar 14 — Orlando, FL — Hard Rock Live Orlando
Mar 15 — Hollywood, FL — Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
Revv Amplification's limited-edition G-Series V2 pedals offer three fresh flavors of boutique Canadian tone, with V2 circuit revisions.
Celebrating 10 years of Revv & 5 years since the release of the G2, Revv is debuting V2 circuit revisions of the G2, G3, & G4, implementing new designs for more tone in 3 little pedals, in a limited edition colorway.
The Revv Amplification 5th Anniversary G-Series V2 Lineup features:
- 3 Fresh Flavors of Boutique Canadian Tone - G-Series pedals are sonic recreations of 3 of Revv’s boutique amp channels used by Nashville session stars & metal touring artists alike.
- The Standard, Redefined - V2 circuit revisions are based on the Generator 120 MK3 Rev. B & incorporate new design elements for the most tube-like response & tone ever.
- Limited Edition - Exclusive new colorway featuring a black enclosure w/ custom graphics, embossed Revv badge, & color-coded knobs.
- Find Your Sound - The G2 is a powerful & versatile overdrive capable of everything from touch-sensitive boost to organic vintage stack tones, taken from Revv’s Green Channel.
- High Gain Clarity - The G3 utilizes Revv’s legendary Purple Channel, a tight & responsive high gain tone perfect for drop tuning & cutting through any mix.
- Fat Solo Tones - The G4 is based on Revv’s thick & saturated Red Channel, the ideal sound for chewy crunch, modern rock wall of sound, & liquid sustaining solos.
- Made in Canada - 100% analog circuit w/ top jacks, true bypass, & 2 year warranty.
Revv’s G-Series pedals have a street price of $229 & can be ordered immediately through many fine dealers worldwide.
For more information, please visit revvamplification.com.
Revv G3 Purple Channel Preamp/Overdrive/Distortion Pedal - Anniversary Edition
G3 Purple Ch Preamp/Hi-Gain Pedal - AnniversaryThe Texan rocker tells us how the Lonestar State shaped his guitar sounds and how he managed to hit it big in Music City.
Huge shocker incoming: Zach Broyles made a Tube Screamer. The Mythos Envy Pro Overdrive is Zach’s take on the green apple of his eye, with some special tweaks including increased output, more drive sounds, and a low-end boost option. Does this mean he can clear out his collection of TS-9s? Of course not.
This time on Dipped in Tone, Rhett and Zach welcome Tyler Bryant, the Texas-bred and Nashville-based rocker who has made waves with his band the Shakedown, who Rhett credits as one of his favorite groups. Bryant, it turns out, is a TS-head himself, having learned to love the pedal thanks to its being found everywhere in Texas guitar circles.Bryant shares how he scraped together a band after dropping out of high school and moving to Nashville, including the rigors of 15-hour drives for 30-minute sets in a trusty Ford Expedition. He’s lived the dream (or nightmare, depending on the day) and has the wisdom to show it.
Throughout the chat, the gang covers modeling amps and why modern rock bands still need amps on stage; the ins and outs of recording-gear rabbit holes and getting great sounds; and the differences between American and European audiences. Tune in to hear it all.
Get 10% off your order at stewmac.com/dippedintone
Oasis Live '25 world tour announces North American dates with Cage The Elephant as special guest. Oasis commented, “America. Oasis is coming. You have one last chance to prove that you loved us all along.”
The North American leg, produced by Live Nation and SJM, will see Oasis play stadiums in Toronto, Chicago, East Rutherford, Los Angeles and Mexico City next summer with Cage The Elephant as the special guest across all dates.
The news comes 16 years since their last performance in North America. Oasis commented,
“America.
Oasis is coming.
You have one last chance to prove that you loved us all along.”
The previously announced dates on the Oasis Live ‘25 tour sold out immediately, with over 10 million fans from 158 countries queuing to buy tickets. Days after their return, the band claimed their 8th UK No. 1 album with the 30th anniversary of their electrifying debut album Definitely Maybe, while at the same time occupying two other spots in the top 5 UK albums chart.
Oasis remain a huge draw in the streaming era, with over 32 million monthly listeners on Spotify alone – an increase of almost 50% since the announcement of their return – and nearly 12.5 billion streams to date across platforms.
Registration for the presale is currently open at oasisinet.com until Tuesday, October 1st at 8 am EST. General ticket sale will begin Friday, October 4th at 12pm local time and will be available from Ticketmaster.
Plans are underway for Oasis Live ’25 to go to other continents outside of Europe and North America later next year.
JULY 2025
4th - Cardiff, UK - Principality Stadium (SOLD OUT)
5th - Cardiff, UK - Principality Stadium (SOLD OUT)
11th - Manchester, UK - Heaton Park (SOLD OUT)
12th - Manchester, UK - Heaton Park (SOLD OUT)
16th - Manchester, UK - Heaton Park (SOLD OUT)
19th - Manchester, UK - Heaton Park (SOLD OUT)
20th - Manchester, UK - Heaton Park (SOLD OUT)
25th - London, UK - Wembley Stadium (SOLD OUT)
26th - London, UK - Wembley Stadium (SOLD OUT)
30th - London, UK - Wembley Stadium (SOLD OUT)
AUGUST 2025
2nd - London, UK - Wembley Stadium (SOLD OUT)
3rd - London, UK - Wembley Stadium (SOLD OUT)
8th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
9th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
12th - Edinburgh, UK - Scottish Gas Murrayfield Stadium (SOLD OUT)
16th - Dublin, IE - Croke Park (SOLD OUT)
17th - Dublin, IE - Croke Park (SOLD OUT)
24th - Toronto, ON - Rogers Stadium (JUST ADDED)
28th - Chicago, IL - Soldier Field (JUST ADDED)
31st - East Rutherford, NJ - MetLife Stadium (JUST ADDED)
SEPTEMBER 2025
6th - Los Angeles, CA - Rose Bowl Stadium (JUST ADDED)
12th - Mexico City, MX - Estadio GNP Seguros (JUST ADDED)
27th - London, UK - Wembley Stadium (SOLD OUT)
28th - London, UK - Wembley Stadium (SOLD OUT)