Tasty stomp stations from top players.

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Third Eye Blind’s Kryz Reid

Dave Phillips at L.A. Sound Design built both Reid’s “A” and “B” effects rigs. Phillips wires everything with Mogami 2524 cable, except for the Divine Noise 50/50 (half curly, half straight) cable that connects Reid’s guitar to the pedalboard. The A rig consists of a RJM Effect Gizmo, a programmable true-bypass loop switcher run by an RJM Mastermind GT MIDI foot controller. The Effect Gizmo sits next to all the effects in a rack unit alongside his amps and cabs. The Mastermind GT lives in Reid’s pedalboard with a custom A/B Box interface for the rack, two custom-made Mission Engineering expression pedals, an Ernie Ball 25k Ohm Volume Pedal, a Boss TU-2 tuner, and a TC Electronics Ditto Looper. Reid’s guitar runs into a custom Phillips A/B box. The A signal goes to the rack and the B signal runs to his redundant pedalboard and amps. The signal then feeds a Jim Dunlop Rack Wah controlled by a custom Mission Engineering expression pedal.

We rummaged through our entire backlog of Rig Rundown footage and photos to compile a guide to some of 2014’s tastiest, most elaborate stomp stations, including boards from the Cult’s Billy Duffy, Keith Urban, the Pixies, the Sword, Carlos Santana, Brent Mason, and more.

Optimized for a balanced sound with plenty of booty on tap, Nordstrand Audio CatPups offer classically inspired tones for any platform into which you can fit them.

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A newly designed koa wonder that packs a punch.

Incredibly easy to play. Well-balanced tone.

Not as visually stunning as other koa models.

$3,499

Taylor 724ce
taylorguitars.com

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Hawaiian koa has been a favorite of boutique acoustic builders for ages. It has a cool tone personality, somewhere between rosewood and mahogany. It can be used for both back and sides and for top wood, and it’s beautiful. It’s also pretty expensive. The good news is that Taylor’s new 724ce is built with a breed of Koa that actually helps players save a few bucks.
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An all-analog polyphonic amplitude synthesizer that alters the attack and decay time of any sound source without sacrificing the fidelity of the original tone.

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