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Gallery: Summer NAMM 2019 Day 3

The final day of this year's Summer NAMM show was filled with new gear from Korora, 3rd Power, Gillett Guitars, Ciari, and more!

Electro-Harmonix came to Nashville NAMM with the Dirt Road Special ($399 street), which is something of a reboot of the short-lived ‘70s amp but with a few cool new tricks up its sleeve. Featuring 40 watts of MOSFET power, the 1x12 serves as a great pedal platform but can also dish out a bit of dirt at higher settings. It also has several built-in ambience options hailing from the company’s Holy Grail Reverb pedal.

Some of these are deep cuts—get ready for some instrumental bonus tracks and Van Halen III mentions—and some are among the biggest radio hits of their time. Just because their hits, though, doesn’t mean we don’t have more to add to the conversation.

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A dual-channel tube preamp and overdrive pedal inspired by the Top Boost channel of vintage VOX amps.

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The compact offspring of the Roland SDE-3000 rack unit is simple, flexible, and capable of a few cool new tricks of its own.

Tonalities bridge analog and digital characteristics. Cool polyrhythmic textures and easy-to-access, more-common echo subdivisions. Useful panning and stereo-routing options.

Interactivity among controls can yield some chaos and difficult-to-duplicate sounds.

$219

Boss SDE-3 Dual Digital Delay
boss.info

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Though my affection for analog echo dwarfs my sentiments for digital delay, I don’t get doctrinaire about it. If the sound works, I’ll use it. Boss digital delays have been instructive in this way to me before: I used a Boss DD-5 in a A/B amp rig with an Echoplex for a long time, blending the slur and stretch of the reverse echo with the hazy, wobbly tape delay. It was delicious, deep, and complex. And the DD-5 still lives here just in case I get the urge to revisit that place.

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Reader: T. Moody

Hometown: Myrtle Beach, South Carolina

Guitar: The Green Snake


Reader T. Moody turned this Yamaha Pacifica body into a reptilian rocker.

With a few clicks on Reverb, a reptile-inspired shred machine was born.

With this guitar, I wanted to create a shadowbox-type vibe by adding something you could see inside. I have always loved the Yamaha Pacifica guitars because of the open pickup cavity and the light weight, so I purchased this body off Reverb (I think I am addicted to that website). I also wanted a color that was vivid and bold. The seller had already painted it neon yellow, so when I read in the description, “You can see this body from space,” I immediately clicked the Buy It Now button. I also purchased the neck and pickups off of Reverb.

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