Instead of two stages, this switch offers four completely independent stages with six terminals each, yielding a total of 24 terminals!
Last month, we took a crash
course in guitar switches—an essential step for anyone
serious about hot-rodding
guitars [“The ABCs of Guitar Switches," August 2011]. If
you missed this column, or just
want a quick review, take a moment to check it out.
Additionally, you might find it
useful to revisit my three-part
series on Fender 5-way switches [“The Anatomy of the Stratocaster 5-Way Switch, Parts 1-3," February, March, and April 2009].
Okay, ready for some more
switching lore? Before we venture
into new realms, let's review
what we know: A normal 5-way
pickup selector has two stages (or
rows), each of which is equipped
with four soldering lugs.
Stage 1 is also called the
“input stage," while stage 2 is
the “output stage." In a nutshell,
you have hot wires from
the pickups that are going into
the switch (stage 1, lugs 1+2+3),
and a hot wire that goes out of
the switch (stage 2, lug A) and
to the volume pot. From there,
the signal goes to the tone pots
and then on to the output jack.
So, each stage of the switch has
three inputs (lugs 1+2+3) and
one output (lug A). Check out
the following diagram of standard
Stratocaster wiring.
The standard 5-way switch
offers lots of options. But when
your wiring gets complex and
you start integrating out-of-phase
wiring, series/parallel
switching, coil-splitting, and
the like, you soon discover
you need additional switching
devices, such as mini toggles or
push/pull pots to make these
schemes work.
That's exactly why the
“5-way super switch" was
invented. Instead of two stages,
this switch offers four completely
independent stages with six
terminals each, yielding a total
of 24 terminals! This makes
additional switching devices
more or less obsolete, because
all you need is already there in
the switch itself. This switch
is also often called a “4-pole
switch," “double-wafer switch,"
or “double-throw switch." But
all these terms mean the same
thing: Technically, you have a
24-lug, 4-pole/5-throw switch
(aka 4P5T).
Fender sells an open-frame
version of this 4P5T switch,
which, as you can see below, has
a construction that's similar to a
standard 5-way switch.
The German company EYB
also makes a PCB-based version
of the switch called the
double-wafer M4 Megaswitch.
(Incidentally, if you know who
first invented this 4P5T switch,
please drop me an email. I'd like
to give credit where it's due.)
If you think this is a monster
of a switch (which it really is),
be prepared for even more: EYB
also offers a stacked version
of their M4 Megaswitch with
eight (!) instead of four stages
(aka 8P5T). If you have a lot of
time on your hands and want to
explore the world of unlimited
switching possibilities, this one
will keep you busy for several
weeks. Or years.
Because you can use a super
switch as a standard 5-way
switch and still have so many
options for future mods, installing
one seems like a no-brainer.
But there are also two downsides
to this slick bit of technology
that I need to mention.
First, a super switch is
physically much larger than
a standard switch. Installing
one in certain guitars—like a
Telecaster—poses massive problems.
Sometimes the only way
to make them fit is by routing
out your electronic compartment.
To avoid any unpleasant
surprises, always double-check
the dimensions of both the
switch and cavity before you
make your purchase.
To accommodate the open
Fender switch, you need at least
21 mm of space surrounding
it. Allowing 25 mm helps avoid
any problems with the soldering
terminals. At this point, I've only
used the stacked 8-pole version
from EYB in one guitar. I can
tell you it was really a challenge
to make it fit, even in a Strat.
Second, super switches aren't
very well documented, and you'll
only find a few wiring diagrams
on the internet. This is because
they've only become available in
recent years, and they're much
more complicated to work with
than the standard 5-way switch.
So if you're looking for a lot of
“paint-by-numbers" diagrams,
you will be disappointed. It's
crucial to understand the basics
of this switch so you can develop
your own mods and switching
schemes. You simply can't depend
on anyone else's diagrams.
Stay tuned for the second
installment of our 5-way super
switch series, in which we discuss
the technical side of this beast and
how to wire it up. I'll show you
an easy-to-understand switching
matrix you can use as a template
to develop your own super-switch
mods. See you then!
Dirk Wacker lives in
Germany and is fascinated
by anything related to old
Fender guitars and amps.
He plays country, rockabilly,
and surf music in two
bands, works regularly as a
session musician for a local studio, and writes
for several guitar mags. He's also a hardcore
guitar and amp DIY-er who runs an extensive
website—singlecoil.com—on the subject.
Linkin Park introduce new vocalist Emily Armstrong (of Dead Sara), new drummer Colin Brittain, and share their first brand new music in seven years.
Linkin Park share a new single (HERE) and video (premiering HERE at 4pm PT/7pm ET), for “The Emptiness Machine,” plus a global livestream performance (happening now HERE and available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.
These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
Tomorrow, Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future.
Without expectations, Shinoda, Delson, Farrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.
FROM ZERO
FROM ZERO TRACKLIST
- From Zero (Intro)
- The Emptiness Machine
- Cut The Bridge
- Heavy Is The Crown
- Over Each Other
- Casualty
- Overflow
- Two Faced
- Stained
- IGYEIH
- Good Things Go
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”
FROM ZERO WORLD TOUR 2024
September 11, 2024 | Kia Forum - Los Angeles, CA
September 16, 2024 | Barclays Center - New York, NY
September 22, 2024 | Barclays Arena - Hamburg, Germany
September 24, 2024 | The O2 - London, UK
September 28, 2024 | INSPIRE Arena - Seoul, South Korea
November 11, 2024 | Coliseo Medplus - Bogota, Colombia
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”