The Nashville psych-rockers demo the bastardized, oddball vintage gear that fuels their sonic mayhem.

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Parks’ board starts with a Korg DT-10 tuner that he got cheaper than a case of beer at a used bookstore. The next one up is an Xotic SP Compressor that he uses to help the bass cut through a little more. Then he has a Tomkat Bender Fuzz and a ZVEX Sonar—this will be its first time it sees the stage as it’s been a pedal that he just bought and has only fooled around with it at home. His favorite gizmo right now is the Red Panda Raster Delay because he loves its reverse delay setting. The MXR Phase 100 is a bass-only pedal and it gets used on “Death of Coyote Woman.” The T-Rex ToneBug Reverb, an Electro-Harmonix Bass MicroSynth—used on “Blood and Sand”— a Nobel AB-1 Active A/B Selector, and Voodoo Lab Pedal Power 2 Plus close out his pedalboard.

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A highly versatile sonic tool, the pedal can deliver a broad range of tones – everything from mild, wonderfully organic overdrive to medium-gain crunch with a richly satisfying midrange kick.

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