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Observe how the Atlanta-based rockers keep instruments in the family and take a pragmatic approach by hitting the road with everyman gear to morph between their brutal heavy riffs and beautiful, cinematic soundscapes.

Shortly after the sessions for A Black Mile to the Surface, Robert McDowell traded Andy Hull a Fender Modern Player Coronado II (more on that later) for this Fender Troy Van Leeuwen Jazzmaster. This one sees action when McDowell is covering the band’s newest material.

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