The South-African rockers show off their ear-splitting rigs while rehearsing for their upcoming tour.

Morgan uses pedals primarily between songs for ambient musical segues. The signal goes from the wireless to a Dunlop Jerry Cantrell signature Cry Baby wah, Boss BF-3 Flanger, Boss CE-5 Chorus Ensemble, and a pair of Boss delays (DD-3 and DD-7). A Whirlwind Selector is used to move between the Mesa/Boogie amps and a Voodoo Lab Pedal Power 2+ supplies the juice.

Thanks to techs Bryan Jones and Jake Hobbs.

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Intermediate

Beginner

  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
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Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.
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We've reviewed a ton of cool gear over the past 12 months, but these stood above the rest and won our coveted Premier Gear Award.

This year more than 40 guitars, basses, effects, and amps from a diverse group of gear makers earned the coveted Premier Gear Award from our discerning editors. Here is our gear of the year.

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