The tone, playability, and flawless build of the Vigier Excalibur Special 7 elevates the guitar to a level of all-around performance that few companies can touch.
In an industry that so often looks backward, Vigier Guitars seems to thrive on pushing forward. They were among the first electric-guitar builders to experiment with carbon fiber-reinforced wood to improve durability and tuning stability. They’ve used onboard microprocessors and helped pave the way for the fretless guitar with their Surfreter in the early ’80s.
Vigier has also catered to 7-string players for more than 30 years. And though the new Excalibur Special 7 reviewed here doesn’t find Vigier reinventing the wheel, the tweaks and refinements that set this guitar apart make it one of the biggest-sounding and slinkiest-playing 7-strings you’ll ever encounter.
Seventh Heaven
The ingredients in the Special 7’s sonic
brew begin with the two-piece alder body,
which is capped with a beautiful book-matched,
flamed maple top. The woods
have been subjected to Vigier’s drying process,
where the wood is dried for three years
before the body sections are cut and the
pieces joined. Once the body is completed,
Vigier applies a thin varnish that’s given a
five-week minimum curing time.
Crafted from wood that goes through the same drying process as the body, the hard maple neck is bolted to the body and reinforced with carbon fiber, which improves tuning stability, helps counter the pull of a seventh string, and makes the neck particularly resistant to changes in humidity. With this design, the neck should require little adjustment over the life of the guitar. The neck’s 24-fret maple fretboard sports stainless steel fretwire, as well as a specially hardened and removable Teflon nut. A zero fret ensures proper action across the fretboard.
Vigier also chose top-quality hardware for the Special 7. In place of traditional string trees, a custom string-retention system moves with the strings during play to prevent binding. Heavy-duty Schaller locking tuners not only hold the strings securely in tune, but also add mass to the headstock, which may result in more sustain.
Vigier’s proprietary 2017 model tremolo system might be the most impressive bit of kit on the Special 7. The floating design pivots on needle bearings instead of knife edges, which can wear out over time with heavy usage. Vigier test the bearings by turning them up to 10,000 times a minute—which makes it rather unlikely you’ll ever wear them out during your lifetime.
For pickups, Vigier decided to use the same set of DiMarzio Blaze pickups and 5-way switching that are featured in their Supra 7 model—specifically, a 15.8k DP700 humbucker in the neck, a 13.7k DP701 single-coil in the middle, and a 20.8k DP702 in the bridge. And while those output ratings might seem hot for anything but hard rock and metal, they extend the low-end range and help deliver the detail and clarity that can make the difference between average and great-sounding overdrive tones. Vigier also added the momentary kill switch that’s sported on their Ron Thal DoubleBfoot signature model, and it’s stealthily hidden, yet easily accessible, right above the volume knob.
Specialized Tone
I could tell I was in for a treat when I discovered
that the Special 7’s action, intonation,
and tuning were absolutely perfect
right out of the box. A lot of guitars need a
tweak or two after shipping, but thanks to
Vigier’s precise engineering and meticulous
design, the Special 7 played perfectly—and
this guitar came all the way from France.
The guitar also has great resonance when
you strum it unplugged, and the matte-finished
neck has a silky feel that plays
effortlessly.
If you’ve never played on stainless steel frets, you might feel like your fingers are sliding around on a skating rink. This slinky feel is great once you’re used to it, but these frets have a very slippery feel compared to traditional nickel fretwire, and you’ll probably benefit from playing with a little extra looseness in your fretting hand. In fact, bending notes on this guitar feels so unrestricted that it’s easy to miss the target completely and take them well past the intended pitch.
Ratings
Pros:
Flawless build. Detailed, robust tone with tight lows on
the low B. Effortless playability.
Cons:
Attack and high end might be too strong
for some. Pricey.
Tones:
Playability:
Build/Design:
Value:
Street:
$3,495
Company
vigierguitars.com
Plugged into a Mesa/Boogie Dual Rectifier, the guitar sounds huge and delivers tones that have a sharp, smooth, and distinctive attack. Digging hard into the low-B string with a jumpy single-note riff, the attack grew sharper and more focused, helping the Mesa deliver wallop after vicious wallop of heavy, detuned tones. And even extreme levels of gain failed to adversely affect note definition—even with chords that stretched over all seven strings. Nor did it diminish the punch of the low B’s super-taut bottom end.
The virtually frictionless stainless steel frets make long runs up the fretboard feel effortless, and individual notes ring with great sustain. The kill switch comes in handy for percussive passages in the middle of runs or for dramatic, sputtering finishes when bending the notes to oblivion.
The Special 7’s Blaze pickups have a bright tonality and they match very well with darker-sounding amps like the Mesa I used for this review. In particular, the neck pickup excels in clean environments, but it can also apply a warm sting to the upper midrange in mildly overdriven blues-rock applications.
Through a brighter Fender Twin, the high-end clarity of the Blaze pickups is magnified, and I often dropped the guitar’s tone control to soften the hi-fi edge. Even pulling back the treble, however, leaves a tone that’s detailed, deep, and supremely lush.
The Verdict
Vigier’s exacting standards and performance-car approach to guitar building has
earned accolades from players throughout
the world, and the Special 7 is sure to
enhance the company’s reputation among
7-string devotees. The Special 7’s tone, playability,
and flawless build elevate the guitar
to a level of all-around performance that
few companies can touch. Unfortunately,
this level of quality comes at a boutique
price. But if you haven’t been satisfied with
any of the current crop of 7-strings on the
market today, this is one that may be worth
saving for.
Linkin Park introduce new vocalist Emily Armstrong (of Dead Sara), new drummer Colin Brittain, and share their first brand new music in seven years.
Linkin Park share a new single (HERE) and video (premiering HERE at 4pm PT/7pm ET), for “The Emptiness Machine,” plus a global livestream performance (happening now HERE and available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.
These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
Tomorrow, Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future.
Without expectations, Shinoda, Delson, Farrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.
FROM ZERO
FROM ZERO TRACKLIST
- From Zero (Intro)
- The Emptiness Machine
- Cut The Bridge
- Heavy Is The Crown
- Over Each Other
- Casualty
- Overflow
- Two Faced
- Stained
- IGYEIH
- Good Things Go
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”
FROM ZERO WORLD TOUR 2024
September 11, 2024 | Kia Forum - Los Angeles, CA
September 16, 2024 | Barclays Center - New York, NY
September 22, 2024 | Barclays Arena - Hamburg, Germany
September 24, 2024 | The O2 - London, UK
September 28, 2024 | INSPIRE Arena - Seoul, South Korea
November 11, 2024 | Coliseo Medplus - Bogota, Colombia
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL