europe made

This take on the lesser-known but brawny-sounding Tone Bender Mk III inhabits a pretty unique expanse in the fuzz universe.

Rotosound Fuzz

Few names have more renown for fuzz fiends than the Tone Bender. But getting to the essence of what a Tone Bender really is is a labyrinth that can claim the sanity of even seasoned fuzzologists. Different versions abound, rebranded specimens and copies lurk at every turn, and even within specific types, differing components can make individual units sound worlds apart.

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Châteauneuf says that any form of art, be it architecture or African art, can be a source of inspiration for him.

Pierre-Marie Châteauneuf, who handcrafts guitars out of a one-man workshop in the small town of Montferrier-sur- Lez outside Montpelier in Southern France, says it was Slash that “injected the guitar venom” into him when he was 14. That same year, he got his first taste of lutherie when he sought someone to fix his very first guitar that was “just impossible to play.”

Châteauneuf had always been good with his hands—growing up he built toys with his amateur-woodworker grandfather. At age 16, he made his unofficial start as a luthier when his best friend approached him to fix a broken-in-two guitar. Because the result was so successful, several other guitar-playing friends started coming to Châteauneuf with their instruments.

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One creation that sets Hartung apart is his unique “flow-carving” design, which he developed in 2002 and uses on many of his instruments.

Frank Hartung considers his work a calling more than an occupation. He first became attracted to the world of lutherie because of the dissatisfaction he experienced with an expensive guitar made by a large, American company. The issues this guitar had were intriguing, and forced him to deal with materials and construction details and how they relate to each other. Eventually, this led Hartung down the road to building his first guitar.

It was a success for a few reasons: his vocational training as a carpenter, experience with the particularities of woods, and some valuable advice from fellow German luthier Ulrich Teuffel. Hartung quickly drew the attention of experts and musicians who encouraged him to continue building. While the budding luthier appreciated the accolades, it was the satisfaction of building with his own hands that inspired him the most, and he went on to craft instruments on a part-time basis for several years under the name of Forge Guitars. Over time, the awareness of his guitars increased and the orders piled up—so much that he quit his day job to become a full-time luthier under his own name.

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