Buena Park, CA (May 1st, 2012) – Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician and audio/video professional, is pleased to announce the introduction of the CBT-500 Cable Tester. Designed to quickly and easily check a variety of cable types, the new CBT-500 Cable Tester enables one to verify the integrity of a cable before interconnecting equipment. The CBT-500 makes an invaluable addition to one’s ‘tools of the trade’ and is ideal for use when preparing for a concert, a studio recording session, or an installation as well as checking cables afterwards in order to ensure working operation the next time.
The new CBT-500 Cable Tester makes testing a wide range of cables commonly encountered in the music / pro audio environment a snap. The compact, handheld unit is capable of testing the following cable terminations:
• XLR (3-pin and 5-pin)
• Balanced and unbalanced phone (standard guitar-type cable)
• Phono (RCA)
• speakON (with support for 2-pole, 4-pole, and 8-pole connectors)
• DIN (multi-pin, including 5-pin DIN commonly used for MIDI equipment)
• Ethernet (RJ-45)
• USB Type A to Type B (standard USB to the square USB connector found on most audio interfaces)
In addition to providing the necessary connectors to test the various cable types, the Hosa CBT-500 Cable Tester is also easy to use, consisting of a front panel rotary knob and two rows of 8 LEDs—one row amber colored, the other row green. These LED’s facilitate easy checking of the individual pins found in any of the supported cable types. The rotary knob enables one to switch from one pin to the next. As an example, by connecting both ends of an XLR cable to the unit, one can systematically check pin 1 to pin 1, pin 2 to pin 2, and pin 3 to pin 3. If both LEDs illuminate, the connection is passing signal. If not, the connection is broken.
The new CBT-500 is also equipped with removable leads—commonly referred to as test probes—to verify the continuity of additional connectors and jacks. This capability is particularly convenient when making cable repairs, as it enables one to check the actual replacement connector.
The Hosa CBT-500 Cable Tester is constructed of metal to withstand field abuse and operates with a standard 9-volt battery (included). The device also provides a battery check function to ensure proper working condition prior to use.
The new Hosa CBT-500 Cable Tester carries an MSRP of $69.95. The unit is expected to be available May 2012.
For more information:
www.hosatech.com
Reverend Vernon Reid Totem Series Electric Guitar - Shaman
Silos features six presets, tap tempo, one full second of delay time, and three voices—two of which are styled after bucket-brigade and tape-delay sounds. In the $150 price category, it’s not unusual for a digital delay to leave some number of those functions out. And spending the same money on a true-analog alternative usually means warm, enveloping sounds but limited functionality and delay time. Silos, improbably perhaps, offers a very elegant solution to this can’t-have-it-all dilemma in a U.S.-made effect.
A More Complete Cobbling Together
Silos’ utility is bolstered by a very unintimidating control set, which is streamlined and approachable. Three of those controls are dedicated to the same mix, time, and repeats controls you see on any delay. But saving a preset to one of the six spots on the rotary preset dial is as easy as holding the green/red illuminated button just below the mix and preset knobs. And you certainly won’t get lost in the weeds if you move to the 3-position toggle, which switches between a clear “digital” voice, darker “analog” voice, and a “tape” voice which is darker still.
“The three voices offer discernibly different response to gain devices.”
One might suspect that a tone control for the repeats offers similar functionality as the voice toggle switch. But while it’s true that the most obvious audible differences between digital, BBD, and tape delays are apparent in the relative fidelity and darkness of their echoes, the Silos’ three voices behave differently in ways that are more complex than lighter or duskier tonality. For instance, the digital voice will never exhibit runaway oscillation, even at maximum mix and repeat settings. Instead, repeats fade out after about six seconds (at the fastest time settings) or create sleepy layers of slow-decaying repeats that enhance detail in complex, sprawling, loop-like melodic phrases. The analog voice and tape voice, on the other hand, will happily feed back to psychotic extremes. Both also offer satisfying sensitivity to real-time, on-the-fly adjustments. For example, I was tickled with how I could generate Apocalypse Now helicopter-chop effects and fade them in and out of prominence as if they were approaching or receding in proximity—an effect made easier still if you assign an expression pedal to the mix control. This kind of interactivity is what makes analog machines like the Echoplex, Space Echo, and Memory Man transcend mere delay status, and the sensitivity and just-right resistance make the process of manipulating repeats endlessly engaging.
Doesn't Flinch at Filth
EarthQuaker makes a point of highlighting the Silos’ affinity for dirty and distorted sounds. I did not notice that it behaved light-years better than other delays in this regard. But the three voices most definitely offer discernibly different responses to gain devices. The super-clear first repeat in the digital mode lends clarity and melodic focus, even to hectic, unpredictable, fractured fuzzes. The analog voice, which EQD says is inspired by the tone makeup of a 1980s-vintage, Japan-made KMD bucket brigade echo, handles fuzz forgivingly inasmuch as its repeats fade warmly and evenly, but the strong midrange also keeps many overtones present as the echoes fade. The tape voice, which uses aMaestro Echoplex as its sonic inspiration, is distinctly dirtier and creates more nebulous undercurrents in the repeats. If you want to retain clarity in more melodic settings, it will create a warm glow around repeats at conservative levels. Push it, and it will summon thick, sometimes droning haze that makes a great backdrop for slower, simpler, and hooky psychedelic riffs.
In clean applications, this decay and tone profile lend the tape setting a spooky, foggy aura that suggests the cold vastness of outer space. The analog voice often displays an authentic BBD clickiness in clean repeats that’s sweet for underscoring rhythmic patterns, while the digital voice’s pronounced regularity adds a clockwork quality that supports more up-tempo, driving, electronic rhythms.
The Verdict
Silos’ combination of features seems like a very obvious and appealing one. But bringing it all together at just less than 150 bucks represents a smart, adept threading of the cost/feature needle.
EarthQuaker Devices Silos Multi-generational Time Reflection Delay Pedal
