Learn how to play everything from Britpop to blues and beyond.
When it comes to Eric Clapton's guitar style, there is no shortage of masterful guitar techniques to dive into and study. In this article we'll focus specifically on his guitar style during the mid- to late-'60s around the formation of the band Cream.
Let's talk about momentum. It's an essential part of any great solo, and when you're ripping over a 12-bar blues, the first spot to really demonstrate your mastery of the harmony is when the IV chord pops up. In this lesson, I'll demonstrate how to create some … fourward momentum … in your next solo.
When considering the many bands that fall under the term “Britpop”–Oasis, Blur, Suede, Elastica, Radiohead’s early work, and more–it’s clear that the genre is more an attitude than a specific musical style. Still, there are a few guitar techniques and approaches that abound in the genre, many of which have been “borrowed” (the British music press’ friendly way of saying “appropriated”) from earlier British bands of the 1960s, ’70s, and ’80s.
This lesson is all about shred guitar—specifically Extreme axeman Nuno Bettencourt's inventive approach to tapping arpeggios. Let's jump right in.
It's great to have polished songs memorized note-for-note and stored neatly in your gigging repertoire, but there's probably just as much value to being able to fly by the seat of your pants and pull an arrangement out of thin air. Knowing the building blocks of fingerstyle guitar is a great way to accomplish this.
In this lesson, we are going to cover a super important and very common technique. Double-stops are one of the pillars for defining a country guitar sound. I'll break down ways to approach this technique from an intervallic standpoint. If you feel it will require too much theory, don't worry… we won't go down that rabbit hole very far.
Mainstream country music in the '90s was a guitar-lover's dream. Nearly every tune on the radio was full of tasty fills and ripping—but short—solos. The most prominent session player during this time was Brent Mason, whose car primer gray Tele became as iconic as the parts he crafted.
We're going to look at a simple jazz progression and talk about the struggle to make sense of some of these moves in the context of music theory. I want you to leave this lesson with new ways to think about chord progressions, and perhaps a different way to think about music theory.
Do you feel confined within the same scale shapes or set of frets every time you go to rip a solo? If so, this lesson is for you. Or, if you're confident in your ability to move both horizontally and vertically around the fretboard, this lesson might help you to see the fretboard even better.
Bending strings is one of the main pillars of rock, country, and blues playing. Imagine if B.B. King, Brent Mason, Brad Paisley, or Jimi Hendrix played without using any bends. It would be strange, right? The main bending techniques used by those four (and nearly every other person to pick up an electric guitar) will take you pretty much anywhere you need to go as a guitarist, but there are a few approaches to bending that will take you down roads less travelled.
- Nuno Bettencourt's Hyper-Speed Arpeggios - Premier Guitar ›
- Pluck 'Em! A Crash Course in Country Guitar - Premier Guitar ›
- Top 10 Lessons of 2020 - Premier Guitar ›