Gibson unveils the new Gibson Original Collection Faded Series of electrics and acoustics.
Gibson Les Paul Standard 50s Faded
The new Les Paul Standard 50s Faded returns to the classic design that made it relevant, played, and loved -- shaping sound across generations and genres of music. It pays tribute to Gibson's Golden Era of innovation and brings authenticity back to life. The Les Paul Standard 50s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. It has a solid mahogany body with an AA figured maple top and a rounded 50s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. It's equipped with an ABR-1 Tune-O-Matic bridge, an aluminum Stop Bar tailpiece, Vintage Deluxe tuners with Keystone buttons, and gold Top Hat knobs with dial pointers. The open-coil Burstbucker 1 (neck) and Burstbucker 2 (bridge) pickups are hand-wired to audio taper potentiometers and Orange Drop capacitors.
Gibson Les Paul Standard 60s Faded
The new Les Paul Standard returns to the classic design that made it relevant, played, and loved --shaping sound across generations and genres of music. It pays tribute to Gibson's Golden Era of innovation and brings authenticity back to life. The Les Paul Standard 60s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. It has a solid mahogany body with an AA figured maple top and a SlimTaper 60s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. It's equipped with an ABR-1 Tune-O-Matic bridge, aluminum Stop Bar tailpiece, Grover® Rotomatic "Kidney" tuners, and gold Top Hat knobs with Silver Reflectors and Dial Pointers. The open-coil 60s Burstbucker pickups are loaded with Alnico 5 magnets and hand-wired to audio taper potentiometers and Orange Drop capacitors.
Gibson SG Standard '61 Maestro Vibrola Faded
The SG Standard ‘61 Faded Maestro Vibrola returns to the classic design that made it relevant, played, and loved -- shaping sound across generations and genres of music. It features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. As the name implies, the Gibson SG Standard '61 Faded Maestro Vibrola also adds vibrato capability. The Maestro Vibrola offers smooth vibrato effects and the classic styling of the Lyre engraving on the tailpiece cover. Standard features include a SlimTaper mahogany neck and a bound rosewood fingerboard. The mahogany body features a deeply sculpted body scarfing, a 5-ply teardrop pickguard, and a 22nd-fret neck joint. The nickel-plated hardware includes an ABR-1 Tune-O-Matic bridge and Keystone tuners in addition to the Maestro Vibrola Tailpiece. The pickups are open-coil 60s Burstbucker humbuckers™ for a classic voice with added power and top end. Controls feature audio taper potentiometers and Orange Drop capacitors.
Gibson J-45 Faded
The J-45 is Gibson's best-selling acoustic of all time. Nicknamed "The Workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. World-renowned for its full, balanced expression, warm bass, and excellent projection, the J-45 has been refined to carry this legacy to new heights. The Gibson J-45 50s Faded delivers full-spectrum sound with incredible dynamic range, warm mids, and tight, punchy bass. Now available with a faded satin nitrocellulose lacquer finish that accentuates the guitar's vintage vibe and equipped with a modern LR Baggs pickup and electronics package for studio and stage use. A hardshell case is also included.
Gibson J-35 30s Faded
The J-35 evolved from the Jumbo in 1936, a time when the Great Depression was still wreaking havoc on Americans. Gibson developed the J-35 to be a pared-down model that still offered musicians a warm and balanced instrument. The J-35 30s Faded delivers every bit of the seasoned, vintage look, feel, and sound of our iconic J-35, with a satin nitrocellulose finish that only adds to its rich legacy and undeniable vintage vibe. Discerning flattop players will love the rich, full-bodied tone from this vintage-inspired, round-shoulder beauty, along with its superb playability and simple aesthetic charm. Includes a hardshell case.
Gibson Hummingbird Faded
The unmistakable Gibson Hummingbird is followed by the masses as one of the most remarkable acoustic guitars ever built. The new Hummingbird Faded blends vintage appointments and today's modern, high-quality build construction. The Hummingbird Faded is outfitted with gold Gotoh Keystone tuners, a traditional Hummingbird truss rod cover, and a bone nut and saddle. The built-in LR Baggs VTC electronics make this guitar stage and studio-ready, right out of the included hardshell case.
Faded Series | Gibson Original Collection
For more information, please visit gibson.com.
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Enter Stompboxtober Day 18 for your chance to win today’s pedal from Xotic Effects! More pedals to win tomorrow!
Xotic XW-1 Wah Pedal
BIAS, WAH-Q, HI AND LOW EQ
exciting and innovative!
Self-lubricating nylon bushing pivot for quiet and smooth operation with fully-adjustable rocker pedal tension.
Gold contact relay true bypassing, which allows for transparent true bypass tone, while incorporating ultra reliable switching with minimum one million life cycle.
20% smaller footprint than conventional wah pedals.
Fully adjustable Wah-Q and Bias controls and a two-band EQ with +/-15 dB center-detent potentiometers optimize the voicing for different playing styles and gear.
Fuzz friendly buffering circuit assures a great sounding wah tone with your favorite fuzz pedals.
Watch the livestream of "Concert for Carolina" featuring Luke Combs, Eric Church, Billy Strings, and James Taylor on October 26. Free access for Hurricane Helene-impacted areas, $24.99 for others. All proceeds go to hurricane relief efforts.
Due to overwhelming demand, Luke Combs, Eric Church, Billy Strings and James Taylor have partnered with Veeps to livestream “Concert for Carolina” on Saturday, October 26. The livestream was added to ensure that all fans would be able to see the show after tickets immediately sold-out this past Thursday. The stream will provide an additional opportunity to raise as much money as possible for Hurricane Helene relief efforts. Link to livestream HERE.
The livestream will be available worldwide with free access for those impacted by Hurricane Helene, as “Concert for Carolina” and Veeps have used geotargeting to ensure that those in the affected areas will not be charged. For those not directly impacted, the livestream will cost $24.99 with an option for additional donations available. All proceeds from the stream will go to the same organizations that Combs and Church selected for ticket sales to benefit: Samaritan’s Purse, Manna Food Bank, Second Harvest Food Bank of Northwest NC, Eblen Charities and the organizations supported by Chief Cares.
As noted above, North Carolina natives The Avett Brothers, Scotty McCreery, Chase Rice and Parmalee have all now joined the line-up.
Presented by Explore Asheville and the Buncombe County Tourism Development Authority, “Concert for Carolina” will take place at Charlotte’s Bank of America Stadium and also feature performances from Sheryl Crow, Keith Urban and Bailey Zimmerman. The event will be hosted by ESPN’s Marty Smith and Barstool Sports’ Caleb Pressley. Full details can be found at concertforcarolina.com.
“Concert for Carolina” is made possible due to the support and generosity of David and Nicole Tepper and Tepper Sports & Entertainment, Explore Asheville, Biltmore Estate, T-Mobile, Jack Daniel’s, Whataburger, Miller Lite, Blue Cross and Blue Shield of North Carolina, Belk, Lowe’s, Atrium Health, Tractor Supply Company, Bank of America, American Airlines, Food Lion, Duke’s Mayo, GE Aerospace, Harris Teeter, Pinnacle Financial Partners, United Healthcare, Bud Light, Preferred Parking and Gildan.
Born outside of Charlotte and raised in Asheville, Combs is a proud North Carolinian. Growing up singing at school, it wasn’t until he attended Boone’s Appalachian State University that Combs first performed his own songs at a beloved local bar, leading him to his now historic country music career. Since moving to Nashville in 2014, Combs continually returns to North Carolina for landmark moments including his first-ever headline stadium show at Appalachian State’s Kidd Brewer Stadium in 2021 as well as sold-out, back-to-back nights at Charlotte’s Bank of America Stadium last summer.
Church, a native of Granite Falls, also began his musical journey in Western North Carolina, playing gigs locally throughout high school and into his time at Appalachian State University before chasing his dream to Nashville. He continues to split time between Tennessee and North Carolina with his family, even returning to the Appalachian Mountains to record his most recent project, the three-part Heart & Soul, in Banner Elk. In 2016, he was inducted into the North Carolina Music Hall of Fame and in 2022, he was awarded the North Carolina Award, the state’s highest civilian honor. Most recently, he released the song “Darkest Hour” in response to the recent devastation, with all publishing royalties being donated.
Although he is a Michigan native, Strings’ life and career has been deeply impacted by the state of North Carolina both personally and professionally, as it is home to some of his most passionate and supportive fans. Over the past few years, Strings has performed at major venues across the state including an upcoming six-night run at Asheville’s ExploreAsheville.com Arena this winter.
Singer-songwriter Taylor moved to Chapel Hill, North Carolina with his family when he was just three years old. Taylor’s father served as the Dean of the University of North Carolina at Chapel Hill Medical School from 1964 to 1971. Taylor’s childhood home was on Morgan Creek Road in Chapel Hill-Carrboro. In April 2003, a bridge over Morgan Creek was dedicated to the musician and renamed the James Taylor Bridge. Taylor’s childhood experiences in North Carolina influenced many of his most popular songs including “Copperline” as well as the beloved “Carolina in My Mind.” As a recording and touring artist, Taylor has touched people with his warm baritone voice and distinctive style of guitar-playing for more than 50 years. Over the course of his celebrated career, he has sold more than 100 million albums, has won multiple Grammy Awards and has been inducted into the Rock and Roll Hall of Fame, the Songwriters Hall of Fame, as well as the North Carolina Music Hall of Fame in 2009.
For more information, please visit concertforcarolina.com.
D'Addario celebrates the Beatles' 60th Anniversary with exclusive gear commemorating their iconic 1964 US Tour. Limited-edition picks and straps feature designs inspired by their legendary Ed Sullivan show performance and U.S. tour ticket stubs.
On the night of February 9th, 1964, 73 million people tuned in to the Ed Sullivan show and met four lads from Liverpool. D’Addario is commemorating this incredible time in music history with an exclusive Beatles 60th Anniversary collection. These limited-edition picks and straps come in two designs: the “Arrows” design features the TV backdrop from their performance on the EdSullivan show; the “1964 Ticket” design showcases a collage of ticket stubs from the U.S. tour which followed the iconic performance.
D'Addario is also releasing its first-ever John Lennon picks and straps in two collections: “Live” and “Mind Games.” The Live collection celebrates the legend’s solo performances with two meticulous replicas of straps he wore on stage, as well as Rooftop picks, featuring the pattern seen on John’s strap during the Beatles final live performance. “Mind Games” highlights the artwork from the album and single of the same name, on a strap and pick, respectively.
For more information, please visit daddario.com.
We get the full scoop on how she got the gig with Beck and her experience recording and touring as musical director for 1999’s Who Else! and 2001’s You Had It Coming.
There has never been a list of greatest guitar players without the mighty Jeff Beck. From his work with the Yardbirds in the ’60s to his solo work starting with 1968’s Truth, Beck changed the game, constantly redefining the vocabulary and sound of guitar music.
On this episode, we’ve brought in Jennifer Batten, who grew up as a massive Beck fan, met him while on Michael Jackson’s Dangerous tour, and ended up in his band! Batten, not only as master of the guitar but an insightful educator, delivers loads of insight straight from the studio and stage. We get the full scoop on how she got the gig with Beck and her experience recording and touring as musical director for 1999’s Who Else! and 2001’s You Had It Coming. “He was just like a 6-year-old in a sandbox and just wanted to play,” says Batten. Plus, what are her favorite Jeff Beck jams?
Join us as we get all the inside stories on one of the highest-level masters of our instrument.