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Riversong Guitars Launches the Glennwood TS6 Acoustic Electric

Built in Canada, the Glennwood TS6 Acoustic Electric is a workhorse guitar with a patented Neck-thru adjustable neck system.

The Glennwood TS6 features solid Wild Cherry back and sides and a top made with torrified (aged) Sitka Spruce. This torrification utilizes their proprietary deep baking process that delivers a balanced and articulate blend of top-end brightness, midrange fullness, low-end warmth, that accommodates an array of playing styles with fantastic harmonics and clarity of tone. Riversong guitars' patented Neck-thru adjustable neck system allows for less bracing and the ability to adjust intonation and string height with an easy twist of an Allen key.

The Riversong exclusive patent pending Double Reaction bridge conducts sound to the top and under bridge plate simultaneously increasing overall volume by 10%. The Double Reaction bridge has a balanced mass, encouraging increased resonant vibration. On this guitar, the Double Reaction bridge is made using a special process with carbon fiber. The Glennwood TS6 Acoustic Electric Guitar includes the Fishman Flex System, a Top of the line preamp and pick up solution that delivers an amazing balanced tone.

The Glennwood TS6 is priced at $1999 USD and can be purchased directly at riversongguitars.com with free worldwide shipping. Through their partner Klarna, Riversong Guitars offers 0% interest on any guitar.

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How to Record in the Field, Pt. 1

Ethnomusicologist Frances Densmore records the song of Mountain Chief, head of the Blackfeet Tribe, on a phonograph for the Bureau of American Ethnology in 1916.

Once used as a way to preserve American indigenous culture, field recording isn’t just for seasoned pros. Here, our columnist breaks down a few methods for you to try it yourself.

The picture associated with this month’s Dojo is one of my all-time favorites. Taken in 1916, it marks the collision of two diverging cultural epochs. Mountain Chief, the head of the Piegan Blackfeet Tribe, sings into a phonograph powered solely by spring-loaded tension outside the Smithsonian. Across from him sits whom I consider the patron saint of American ethnomusicologists—the great Frances Densmore.

When Building Guitars—or Pursuing Anything—Go Down All the Rabbit Holes

Paul Reed Smith shows John Bohlinger how to detect the grain in a guitar-body blank, in a scene from PG’s PRS Factory Tour video.

Paul Reed Smith says being a guitar builder requires code-cracking, historical perspective, and an eclectic knowledge base. Mostly, it asks that we remain perpetual students and remain willing to become teachers.

I love to learn, and I don’t enjoy history kicking my ass. In other words, if my instrument-making predecessors—Ted McCarty, Leo Fender, Christian Martin, John Heiss, Antonio de Torres, G.B. Guadagnini, and Antonio Stradivari, to name a few—made an instrument that took my breath away when I played it, and it sounded better than what I had made, I wanted to know not just what they had done, but what they understood that I didn’t understand yet. And because it was clear to me that these masters understood some things that I didn’t, I would go down rabbit holes.

Riversong Guitars Launches the Glennwood TS6 Acoustic Electric

Once used as a way to preserve American indigenous culture, field recording isn’t just for seasoned pros. Here, our columnist breaks down a few methods for you to try it yourself.

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Need more firepower? Here’s a collection of high-powered stomps that pack plenty of torque.

Paul Reed Smith says being a guitar builder requires code-cracking, historical perspective, and an eclectic knowledge base. Mostly, it asks that we remain perpetual students and remain willing to become teachers.