With pioneering advancements in pickups and electronics, the AEG-1 is designed to offer exceptional acoustic sound and amplification.
The LR Baggs AEG-1 represents a highly versatile, forward-thinking approach to acoustic guitar luthierie. It sports a streamlined body shape with built-in electronics and pickup/microphone settings, providing a wide range of tones suitable for different playing environments and musical styles.
"The reason for AEG-1’s groundbreaking performance is its patent pending integrated neck support system that frees the guitar’s top and back from the need to support the neck. This allows Baggs unprecedented freedom to voice the top and back of each guitar to maximize the acoustic response, achieving a full-bodied sound from a slim and comfortable design. With greater structural integrity, more string energy is driven into the top, resulting in a wider dynamic range, greater tonal depth, enhanced low-frequency response, and improved tuning stability."
The AEG-1’s electronics feature an all-discrete studio grade preamp with a multi-pole crossover system that seamlessly blends the HiFi Pickups and Silo Mic for an inspiring feel and sound in any position – ranging between direct and natural to open and airy,and everywhere in between. As with all LR Baggs electronics, you can expect wonderful warmth, purity, low noise, and long battery life. The system’s three-knob side-mounted controls offer quick access to master volume, pickup/mic blend, tone shaping, phase inversion, and a battery life indicator.
Features
- Three different gloss-finished options for top wood: Torrefied Sitka Spruce, Natural Engelmann Spruce, or Sunburst Sitka Spruce
- Indian Rosewood back, with composite poplar frame body
- African Mahogany neck wood carved in a slim “C” shape
- Indian Rosewood fretboard with 16” radius, 25-5/8” (651mm) scale length and 20 frets
- Indian Rosewood bridge with composite saddle
- Nut width is 1.7” (43mm)made of composite material, with closed back tuners
- Onboard electronics/pickup system: Custom HiFi Duet with HiFi Pickups and Silo Microphone
- Full-sized body similar to a dreadnought-style guitar with scalloped X bracing, slim profile 2-1/2” body depth, and carved beveled armrest for extra comfort
- Utilizes single 9-volt with approximately 120-hour life
The Baggs AEG-1 Acoustic Electric Guitar is the culmination of a lifetime dedicated to high-performance acoustic amplification, all rooted in the craftsmanship of a luthier. Our founder and master luthier, Lloyd Baggs, began his journey as a guitar maker, creating instruments for artists like Ry Cooder, Jackson Browne, Graham Nash, and Janis Ian. His deep respect for the guitar evolved into a quest to faithfully amplify his own instruments for live performance.
After years of studying the physics of acoustic instruments and pioneering advancements in pickups and electronics, the Baggs AEG-1 is the realization of everything we’ve learned about acoustic sound and amplification. Lloyd’s dual expertise as a luthier and a pickup designer allowed us to craft a guitar and its electronics in harmony, finely tuning the system for this instrument.
Lloyd Baggs, founder of LR Baggs and Baggs Guitars, describes the journey that has led to his newest creation: “My desire to faithfully amplify the acoustic guitars I was building as a luthier led to the creation of our pickup company. It became my life’s work to eliminate every obstacle to playing live acoustic guitar easy, inspiring, and fun. The AEG-1 is the realization of this philosophy and I’m incredibly proud of this instrument. I hope it brings you inspiration and joy for years to come!”
Designed in California and manufactured in South Korea, the Baggs AEG-1 carries a street price of $1599.
For more information, please visit lrbaggs.com.
Trey Hensley | Baggs AEG-1 First Listen - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.LR Baggs AEG-1 Acoustic-electric Guitar - Torrefied Spruce Top
AEG-1 Acou Elect Guitar, TorrefiedIn our annual pedal report, we review 20 new devices from the labs of large and boutique builders.
Overall, they encompass the historic arc of stompbox technology from fuzz and overdrives, to loopers and samplers, to tools that warp the audio end of the space-time continuum. Click on each one to get the full review as well as audio and video demos.
DigiTech JamMan Solo HD Review
Maybe every guitarist’s first pedal should be a looper. There are few more engaging ways to learn than playing along to your own ideas—or programmed rhythms, for that matter, which are a component of the new DigiTech JamMan Solo HD’s makeup. Beyond practicing, though, the Solo HD facilitates creation and fuels the rush that comes from instant composition and arrangement or jamming with a very like-minded partner in a two-man band.
Click here to read the review.
Warm Audio Warm Bender Review
In his excellent videoFuzz Detective, my former Premier Guitar colleague and pedal designer Joe Gore put forth the proposition that theSola Sound Tone Bender MkII marked the birth of metal. TakeWarm Audio’s Warm Bender for a spin and it’s easy to hear what he means. It’s nasty and it’s heavy—electrically awake with the high-mid buzz you associate with mid-’60s psych-punk, but supported with bottom-end ballast that can knock you flat (which may be where the metal bit comes in).
Click here to read the review.
Walrus Monumental Harmonic Stereo Tremolo Review
Among fellow psychedelic music-making chums in the ’90s, few tools were quite as essential as a Boss PN-2 Tremolo Pan. Few of us had two amplifiers with which we could make use of one. But if you could borrow an amp, you could make even the lamest riff sound mind-bending.
Click here to read the review.
MXR Layers Review
It’s unclear whether the unfortunate term “shoegaze” was coined to describe a certain English indie subculture’s proclivity for staring at pedals, or their sometimes embarrassed-at-performing demeanor. The MXR Layers will, no doubt, find favor among players that might make up this sect, as well as other ambience-oriented stylists. But it will probably leave players of all stripes staring floorward, too, at least while they learn the ropes with this addictive mashup of delay, modulation, harmonizer, and sustain effects.
Click here to read the review.
Wampler Mofetta Review
Wampler’s new Mofetta is a riff on Ibanez’s MT10 Mostortion, a long-ago discontinued pedal that’s now an in-demand cult classic. If you look at online listings for the MT10, you’ll see that asking prices have climbed up to $1k in extreme cases.
Click here to read the review.
Catalinbread StarCrash Fuzz Review
Although inspired by the classic Fuzz Face, this stomp brings more to the hair-growth game with wide-ranging bias and low-cut controls.
Red Panda Radius Review
Intrepid knob-tweakers can blend between ring mod and frequency shifting and shoot for the stars.
Electro-Harmonix LPB-3 Linear Power Booster and EQ Review
Descended from the first Electro-Harmonix pedal ever released, the LPB-1 Linear Power Booster, the new LPB-3 has come a long way from the simple, one-knob unit in a folded-metal enclosure that plugged straight into your amplifier. Now living in Electro-Harmonix’s compact Nano chassis, the LPB-3 Linear Power Booster and EQ boasts six control knobs, two switches, and more gain than ever before.
JFX Pedals Deluxe Modulation Ensemble Review
This four-in-one effects box is a one-stop shop for Frusciante fans, but it’s also loaded with classic-rock swagger.
Origin Effects Cali76 FET Review
The latest version of this popular boutique pedal adds improved metering and increased headroom for a more organic sound.
JAM Fuzz Phrase Si Review
Everyone has records and artists they indelibly associate with a specific stompbox. But if the subject is the silicon Fuzz Face, my first thought is always of David Gilmour and the Pink Floyd: Live at Pompeii film. What you hear in Live at Pompeii is probably shaped by a little studio sweetening. Even still, the fuzz you hear in “Echoes” and “Careful With That Axe, Eugene”—well, that is how a fuzz blaring through a wall of WEM cabinets in an ancient amphitheater should sound, like the sky shredded by the wail of banshees.
Fishman EchoBack Mini Delay Review
As someone who was primarily an acoustic guitarist for the first 16 out of 17 years that I’ve been playing, I’m relatively new to the pedal game. That’s not saying I’m new to effects—I’ve employed a squadron of them generously on acoustic tracks in post-production, but rarely in performance. But I’m discovering that a pedalboard, particularly for my acoustic, offers the amenities and comforts of the hobbit hole I dream of architecting for myself one day in the distant future.
RJM Full English Programmable Overdrive Review
Programmability and preset storage aren’t generally concerns for the average overdrive user. But if expansive digital control for true analog drive pedals becomes commonplace, it will be because pedals like the Full English Programmable Overdrive from RJM Music Technology make it fun and musically satisfying.
Strymon BigSky MX Review
Strymon calls the BigSky MX pedal “one reverb to rule them all.” Yep, that’s a riff on something we’ve heard before, but in this case it might be hard to argue. In updating what was already one of the market’s most comprehensive and versatile reverbs, Strymon has created a reverb pedal that will take some players a lifetime to fully explore. That process is likely to be tons of fun, too.
JHS Hard Drive Review
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ’90s hard rock riffs.
Keeley I Get Around Review
A highly controllable, mid-priced rotary speaker simulator inspired by the Beach Boys that nails the essential character of a Leslie—in stereo.
Cusack Project 34 Selenium Rectifier Pre/Drive
The term “selenium rectifier” might be Greek to most guitarists, but if it rings a bell with any vintage-amp enthusiasts that’s likely because you pulled one of these green, sugar-cube-sized components out of your amp’s tube-biasing network to replace it with a silicon diode.
Vox Real McCoy VRM-1 Review
Some pedals are more fun than others. And on the fun spectrum, a new Vox wah is like getting a bike for Christmas. There’s gleaming chrome. It comes in a cool vinyl pouch that’s hipper than a stocking. Put the pedal on the floor and you feel the freedom of a marauding BMX delinquent off the leash, or a funk dandy cool-stepping through the hot New York City summertime. It’s musical motion. It’s one of the most stylish effects ever built. A good one will be among the coolest-sounding, too.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound.
Positive Grid unveils Spark EDGE, a multi-channel smart amp & PA engineered for musicians demanding portability, versatility, and pro-level sound. Designed for everyone from singer-songwriters and buskers to acoustic duos and electric players, Spark EDGE packs 65 watts of studio-quality sound, built-in effects, and a looper into a lightweight, compact design. Capable of serving as an amp, PA, or personal monitor, Spark EDGE offers flexible connectivity for electric and acoustic guitars, bass, vocals, keyboards, and more. With optional battery power (sold separately), Spark EDGE delivers the freedom to perform anytime, anywhere.
Pro-Level Sound with Advanced Audio
Powered by Sonic IQ Computational Audio, Spark EDGE enhances every note with precision. Its tech-driven system features a dedicated computational audio chip that refines dynamic range, boosts vocal clarity, and deepens bass. The result? Precise, immersive sound in any setting. Complemented by an advanced speaker design—featuring a woofer, tweeter, and reflex ports—Spark EDGE delivers rich, full-bodied sound that brings any performance to life.
Seamless Multi-Instrument Connectivity
Featuring four versatile channels, Spark EDGE offers seamless connectivity for multiple instruments:
- Channel 1: Equipped with 36 amp models and 50 effects for electric guitars, acoustic guitars, bass, and vocals.
- Channel 2: Tailored with dedicated amp models and effects for vocals, bass, and acoustic guitars.
- Channels 3/4: Stereo input channels designed for keyboards, drum machines, and other instruments.
All the Gear in One App
The Spark App transforms Spark EDGE into a performance powerhouse:
- 36 Amps: Instant access to guitar, bass, and acoustic amp models
- 50 Effects: A comprehensive selection of built-in effects for any instrument
- Creative Groove Looper: Layer, loop, and experiment with over 100 drum patterns
- Spark AI: Automatically generate the ideal tone with AI-powered suggestions
- Smart Jam: Create dynamic backing tracks that adapt to any playing style
- Auto Chords: Real-time chord display for millions of songs
- 100,000+ Tones: A vast library of downloadable tones, created by musicians worldwide
Ready for the Road
Lightweight yet rugged, Spark EDGE is built to go anywhere. Featuring an ergonomic handle for easy carrying and a durable design that withstands the rigors of travel, Spark EDGE offers two listening angles—upright or tilted. In addition, an optional rechargeable battery (sold separately) offers up to 10 hours of playing time per charge.
Limited Edition Grilles
Limited-edition grilles (sold separately) allow for personalization, with bold designs like Sunburst and On the Edge offering a distinct, eye-catching look before the first note is even played.
Essential Extras
- Bluetooth® Streaming: Stream music directly through the amp and blend tracks with live performances using onboard volume control
- WiFi: Over-the-air firmware updates ensure seamless improvements, with no computer required
- Send stereo outs to the PA and use Spark EDGE as a monitor while maintaining tone control
- Compatible with Spark accessories including Spark Control X, Spark CAB, Spark LINK and more