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Peavey Introduces VYPYR Pro, Headliner 1000, MiniMega, MiniMax, and More

The Headliner 1000 packs 1000 watts in a 10 lb. package.

Peavey Headliner 1000

Meridian, MS (January 23, 2014) -- From the company that brought you the revolutionary VYPYR and VYPYR VIP series comes the evolution of the most advanced modeling amplifier on the planet. The VYPYR Pro continues the tradition of appropriate technology using 4 stages of patented TransTube analog gain to create the most realistic tube sounding distortion in any modeling amplifier. By using analog distortion, the VYPYR Pro’s digital processor has the amazing ability to offer almost limitless combinations of additional stompboxes, ā€œrackā€ effects, amplifiers and now even instrument models.

Because of the advanced dual processor design, the VYPYR Pro can run up to four amplifier models in parallel. Using the VYPYR Pro’s unique architecture, the VYPYR is capable of designing a variety of signal path combinations. Four module bays each with their own distinct LCD can be assigned to an amplifier, effect, stompbox, or in the first position an instrument model. The modules can be assigned in any order, allowing the user the ability to create the exact rig they desire, even if they desire to run two or up to four amplifiers in parallel.


World-renowned musical instrument and audio equipment manufacturer Peavey Electronics is proud to unveil the Headliner 1000, a new 1000 Watt rack-mountable bass amplifier head. With matching enclosures, the Headliner 1000 packs huge power and innovative tone features in a lightweight 10 lb. package.

The Peavey Headliner 1000 features a seven-band graphic EQ spaced at optimized frequencies, with each slider providing 15 dB of cut and boost to provide comprehensive tone shaping frequencies optimized for bass guitar. Players can use the graphic EQ in conjunction with the low and high shelving-type tone controls or bypass the graphic EQ entirely.

A built-in optical Compressor with level control and bypass allows players to add just the right amount of compression to the mix. The Crunch feature adds a vintage tube effect that distorts only the high frequencies, preserving the all-important fat low end. The amp also features Bright and Contour switches, an effects loop, master volume and headphone out. The Compressor and Crunch features are footswitch selectable.

The Headliner features a built-in XLR direct interface that routes the signal to the house sound system or recording device, and an active/passive pickup switch that compensates for active instrument inputs. Peavey’s exclusive DDT speaker protection circuitry senses the onset of clipping and responds with slight limiting that allows the amp to retain the tone, headroom and dynamics (bypass included).


Award-winning musical instrument and audio equipment manufacturer Peavey Electronics is proud to release the new MiniMax bass amplifier head. Offering cutting-edge technology in a compact, lightweight package, the MiniMax delivers 400 Watts of powerful, rich low end. With DDT speaker protection and Peavey’s exclusive psychoacoustic low end enhancement that adds bass without overburdening speakers, the MiniMax contains an impressive set of features and is available at a price accessible to today’s working bassist.

The MiniMax is capable of a huge array of tones and is adaptable to any live or studio setting. A 3-band EQ with Punch, Mid-shift and Bright controls provides a multitude of tone-shaping options, while the built-in chromatic tuner allows for easy tuning on the fly. In addition, the MiniMax pre-gain control with TransTube gain boost adds a tube-like crunch to the sound.


Peavey Electronics, one of the industry’s most progressive musical instrument and audio equipment manufacturers, is proud to introduce the groundbreaking ReValver 4 amplifier modeling software. Redesigned from the ground up, this latest version of the award-winning ReValver software contains revolutionary amp modeling capabilities that capture true characteristics of real tube amplifiers.

ReValver is renowned for its industry-leading amp modeling accuracy, which is achieved by modeling an amplifier down to the component level. Now Peavey has updated and improved the modeling engine in ReValver 4, taking amp modeling to a whole new level of realistic toneshaping possibilities. The new ReValver 4 also incorporates a GUI and UX redesign and the ability to run on a Windows tablet, plus other high-level features including GIG mode, ACT (Audio Cloning Technology) and RIR 2 cabinet modeling.


Peavey Electronics, one of the industry’s most technologydriven musical instrument and audio equipment manufacturers, is proud to unveil the new MiniMega 1000 Watt bass amplifier head.

Delivering the classic tone for which Peavey is known, the MiniMega features 1,000 Watts of power and produces incredibly full and rich sound in a compact package. Weighing in at only 8 lbs., the MiniMega is the new go-to amplifier for bassists of any style.

Using technology not found on other bass amps, the MiniMega represents a new level of compact bass amplifier performance. Peavey’s proprietary KOSMOS bass enhancement provides increased bass impact, while the exclusive psychoacoustic low-end enhancement adds bass without overburdening speakers – a testament to Peavey’s technology-driven reliability. The MiniMega also contains other modern features such as built in compression and a 4-band EQ with semi-parametric mids.

Complete with an effects loop, gain control with crunch button, tuner output and more, the MiniMega contains everything necessary for today’s professional bass player. Ideal for use in any live or studio setting, the back panel of the MiniMega has all the connectivity necessary to patch in effects, powered speakers or connect to a sound reinforcement system.

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Peavey

Slayer announces a one-night-only show just added to the band’s handful of headline concerts set for this summer. Marking the band’s only U.S. East Coast performance in 2025, Slayer will headline Hershey, PA’s 30,000-seat Hersheypark Stadium on Saturday, September 20, 2025.

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Over the decades with Hüsker Dü, Sugar, and solo, Bob Mould has earned a reputation for visceral performances.

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The 15th studio album from the legendary alt-rocker and former Hüsker Dü singer and 6-stringer is a rhythm-guitar record, and a play in three acts, inspired by sweaty, spilled-beer community connection.

Bob Mould wrote his last album, Blue Heart, as a protest record, ahead of the 2020 American election. As a basic rule, protest music works best when it's shared and experienced communally, where it can percolate and manifest in new, exciting disruptions. But 2020 wasn’t exactly a great year for gathering together.

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Reader: Federico Novelli
Hometown: Genoa, Italy
Guitar: The Italian Hybrid

Reader Federico Novelli constructed this hybrid guitar from three layers of pine, courtesy of some old shelves he had laying around.

Through a momentary flash, an amateur Italian luthier envisioned a hybrid design that borrowed elements from his favorite models.

A few years ago, at the beginning of Covid, an idea for a new guitar flashed through my mind. It was a semi-acoustic model with both magnetic and piezo pickups that were mounted on a soundboard that could resonate. It was a nice idea, but I also had to think about how to make it in my tiny cellar without many power tools and using old solid-wood shelves I had available.

I have been playing guitar for 50 years, and I also dabble in luthiery for fun. I have owned a classical guitar, an acoustic guitar, and a Stratocaster, but a jazz guitar was missing from the list. I wanted something that would have more versatility, so the idea of a hybrid semi-acoustic guitar was born.

I started to sketch something on computer-aided design (CAD) software, thinking of a hollowbody design without a center block or sides that needed to be hot-worked with a bending machine. I thought of a construction made of three layers of solid pine wood, individually worked and then glued together in layers, with a single-cutaway body and a glued-in neck.

For the soundboard and back, I used a piece of ash and hand-cut it with a Japanese saw to the proper thickness, so I had two sheets to fit together. Next, I sanded the soundboard and bottom using two striker profiles as sleds and an aluminum box covered in sandpaper to achieve a uniform 3 mm thickness. A huge amount of work, but it didn't cost anything.

ā€œIt was a nice idea, but I also had to think about how to make it in my tiny cellar without many electric tools and out of old solid-wood shelves I had available.ā€

The soundboard has simplified X-bracing, a soundhole with a rosewood edge profile, and an acoustic-style rosewood bridge. For the neck, I used a piece of old furniture with straight grain, shaped it to a Les Paul profile, and added a single-action truss rod. The only new purchase: a cheap Chinese rosewood fretboard.

Then, there was lots of sanding. I worked up to 400-grit, added filler, primer, and transparent nitro varnish, worked the sandpaper up to 1,500-grit, and finally polished.

Our reader and his ā€œItalian job.ā€

For electronics, I used a Tonerider alnico 2 humbucker pickup and a piezo undersaddle pickup, combined with a modified Shadow preamp that also includes a magnetic pickup input, so you can mix the two sources on a single output. I also installed a bypass switch for power on/off and a direct passive output.

I have to say that I am proud and moderately satisfied both aesthetically and with the sounds it produces, which range from jazz to acoustic and even gypsy jazz. However, I think I will replace the electronics and piezo with Fishman hardware in the future.

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