You can reduce your fears about shipping your instrument by taking the right steps to protect it in transit.
Even if you own only one instrument, if you’re an active guitar player, chances are good that sooner or later you’ll have to pack your guitar for shipment. Although it’s hard for some packers to realize, the dangers of shipping your guitar by UPS or FedEx are essentially the same as putting your guitar on an airline’s luggage conveyor belt when you fly.
Of course, thousands of guitars are safely shipped and flown in airline baggage holds every day with no protection besides a hardshell case. But a significant percentage are damaged, too, so the tips you’ll read here will improve your odds. And even when a guitar is in its case and the case is in a sturdy cardboard box, shipping a guitar is risky business. Is shipping a guitar or flying with it riskier than it used to be? You bet. Is there anything you can do to improve your guitar’s odds of survival that doesn’t cost a fortune? Absolutely.
Although caved-in guitar tops and splintered sides do occur sometimes when an acoustic guitar is shipped, the chances of that type of damage when the instrument is in a sturdy hardshell case, especially when the case is boxed, are actually quite slim. And by far, the most common shipping damage to guitars is shared equally by solidbody electrics, which probably tells you that I’m referring to the dreaded cracks that appear around the base of the headstock. This is so common that it’s sometimes called the “airline break.”
What confuses many people is that, despite the fact that their guitar arrived at its destination with a cracked neck, the shipping box shows no damage whatsoever. Along with the mystery of how the crack could have occurred is the added misery of realizing that filing a damage claim with the carrier is usually fruitless, because there’s no sign of mishandling. And repairing the cracks are only part of the pain, for even with the best possible repair yielding a good-as-new result, the guitar’s value has been diminished.
“No matter what the speed your guitar’s case is traveling, the best insurance you can give your instrument for safe arrival is to limit the distance its headstock can travel when the case comes to an abrupt halt.”
If you think of it as a whiplash injury, the cause of the cracks to your guitar’s headstock is easy to understand. Your guitar’s case, or the shipping box containing the case, was traveling at significant speed, but then its movement was stopped abruptly. Maybe it was dropped, or maybe it was on a conveyor system and a jam halted everything instantaneously. The damage occurred because the headstock had room to move within the case, and so it did—resulting in a crack where the headstock curves down at the nut. This is much the same injury as when your guitar is knocked off its stand and falls face-first on the floor. Even nice carpeting won’t save your guitar from headstock cracks for the same reason.
Especially when fitted with cast, enclosed tuners with metal buttons, a guitar’s headstock is a heavy object, and its momentum is simply more than a typical narrow mahogany guitar neck can withstand. A set of metal button Gotoh 510 tuners, for instance, weigh approximately half a pound. That’s about a third of the total weight of a typical mahogany neck on an acoustic flattop. And, of course, the cracks almost always appear around the nut, where the neck is narrowest and where there’s a significant angle. This can also happen when a guitar, in its hardshell case, is left standing vertically on end. If the case is knocked over and the guitar lands face-first, that short drop is sometimes enough to crack a headstock because the barrel of the neck has far less room to move within the case compared to the headstock.
I could natter on for pages about how the dramatic increase in shipping traffic in recent years has resulted in far larger, longer, and faster conveyance systems for both airlines and shipping companies. But no matter what the speed your guitar’s case is traveling, the best insurance you can give your instrument for safe arrival is to limit the distance its headstock can travel when the case comes to an abrupt halt. You can add stiff padding behind the headstock, which functions similar to the headrest in a car, and supplement that with additional padding over the face of the headstock that is slightly compressed when the case is closed. The objective is to make sure that all of your guitar stops moving at the same time when the case is dropped or tossed.
Loosening the string tension is also helpful, but there’s no need to make the strings totally slack. Just tune it down a couple of steps. Packing your guitar in its case in a shipping box doesn’t relieve you of the need to pack the headstock as outlined above, because the same whiplash dangers still apply.
Perhaps the greatest advantage to carefully packing your guitar before flying with it or shipping it is that you’ll sleep easier when it’s in transit.
This convenient, easy-to-use controller can open up an entire world of sonic shape-shifting. Here are some tips to either inspire you to try one or expand how you’re currently using this flexible, creative device.
If you’re not yet using expression pedals, you should consider them. They have the power to expand and control your sonic universe. For the uninitiated, expression pedals are controllers that typically look like volume or wah pedals. Of course, traditional volume and wah pedals are expression pedals, too, but they are dedicated to controlling only those two effects.
Modern expression pedals allow you to assign and control parameters of your stomps or modelers by moving the expression pedal as you would a volume or wah. Dunlop, Boss, Ernie Ball, Yamaha, Behringer, Mission Engineering, and other manufacturers make these handy devices.
Many, but not all, of today’s stompboxes and modelers have expression pedal inputs that allow for manipulation of one or more parameters of those devices. In the past, this required bending over and turning a knob, or trying to turn a small knob with your foot—both of which can hamper your playing. The freedom of an expression pedal is the control you have over more aspects of your sound, especially in a live setting.
Although some of the uses for expression pedals below can also be accomplished by creating multiple presets, that will not allow real-time control over the parameters like an expression pedal will. Here are some notes about expression pedal use that might get you thinking about how one could help you.
Delay Repeats: Controlling the timing of a delay with tap tempo is very common, but how about controlling the number of repeats? With an expression pedal, by setting the expression control on your delay to control the number of repeats, you can easily go from a few for your rhythm sound to more for your lead sound, and then back off again.
Reverb and Delay Mix: The mix control on reverb and delay pedals allows you to balance the amount of wet to dry signal that you hear. There is often a delicate line to having just the right amount of wet signal with these two effects. If you have too much, your sound can be washed out and undefined. Too little and it can be dry and lack space. The part you are playing, and the venue you are in, can also change the amount of mix you need for these effects. By using an expression pedal for the mix control on reverb or delay, you can alter the sound on the fly to compensate for the part and the room, including turning down the mix for busy parts and up for parts with fewer notes.“Some uses for expression pedals can also be accomplished by creating multiple presets, but that will not allow real-time control over the parameters like an expression pedal will.”
Modulation Depth: The depth of a modulation effect, like a phaser, can drastically alter your guitar sound. A light amount can create a feeling of subtle movement, while a heavy amount can give a thick, underwater-type sound. An expression pedal can help you create a constant feeling of change throughout a song, allowing you to build up and break down the depth for different sections as you see fit.
Tremolo Speed: While the speed of tremolo can often be controlled by tap tempo, using an expression pedal for the same parameter offers other creative uses of the effect. With an expression pedal, you can easily speed the tremolo up to make subtle increases to the energy of a part or slow it down to decrease the energy. You can also create drastic changes in the speed that sound like a fan accelerating or slowing down. Or you can abruptly turn the tremolo off. This last option can be an exciting way to end a song or part.
EQ Change: Every guitar player uses EQ to sculpt their sound—whether via the tone controls on your instrument or amp (modelers included), or a dedicated equalizer used as part of your rig. Subtle tweaks can help you do things like balance out different guitars, cut through the mix more, or compensate for a boomy stage. Real-time control of EQ with an expression pedal is more common in the modeler world than the amp and pedal world, but it does exist in both. For example, increasing the midrange can give you more clarity and cut for solos. Decreasing it can create a flatter sound that can help you stay in the mix with the rest of the band. An expression pedal allows you to have one setting and alter it for multiple situations or guitars as opposed to having separate presets.
While this is a very short list of options for expression-pedal use, it should give you a good place to start. The most important thing is to always be creative, have fun, and find your own voice. An expression pedal can help you do all three.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.