Practicing the art of listening, sharing, and looking around for the sake of learning.
Who is the smartest person in any room? Is it the gregarious, self-absorbed know-it-all, who humble brags about the places he’s been and the semi-famous people he has met? Is it the pedantic, degree collector whose domain is having the last word in any conversation-turned-argument? Or is it the man in black, determined to maintain an edgy and sarcastic take on everything? My job here in the pages of Premier Guitar is to be any one, or more, of these archetypes as the storyline demands. I play these parts for your entertainment and your search for knowledge. But, in the social world, this approach doesn’t work so well. The problem with self-aggrandizement is that it sucks up all the mental oxygen in the room. Folks who are hell bent on impressing are too busy to have a good exchange of ideas, and you can’t learn anything new if it’s you doing the talking.
Look for the diamonds in the rough. Whenever I find myself in a new environment, I look for the golden takeaways. It could be a workshop, a recording studio, or just a casual jam session. When I’m consulting on a project, and the situation appears nearly hopeless, I still measure my mental response.
I once was asked to assess a fellow builder’s workflow and systems for crafting guitars, which I get paid to do. Inside his shop, guitar parts were strewn all over the room. Bodies and necks were piled willy-nilly on the table saw, shelves, and even on a stool. Boards were leaning against a wall and blocking a shelf full of tools. Nothing was labeled and the production path was impossible to follow.
My first thought was that he was so disorganized that I needed to talk him into finding a different occupation. Then, in the midst of the shambles, I saw something beautiful. Standing tall like a pillar of brilliance was a vertical fixture with a completed guitar clamped to it. Occupying less than a square foot of shop space, the jig had a hinged front that closed over the face of the instrument. The front and back had drill bushings for every hole that needed to be drilled: machine heads, holes for the pots, bridge, tailpiece, and all the backplate screw holes. I was dumbstruck.
When I asked him about it, he told me that he’d gotten tired of forgetting where everything was exactly located, and what size drill bit went to what part. My response was that he needed to apply the exact same thinking to every step of his process, and that if he could build a fixture like that one, he certainly didn’t need my help. The lesson here was really for me: Even in the most ass-backwards situation, there can be something to learn.
Everyone has something to share if you let them. I’ve been on the other side of the equation plenty of times, and I love it when people contribute just for the sake of sharing. I recall a visit to my shop from my friend Jim, who brought along a friend that was a bassist. Jim is an accomplished and successful studio guy, and he needed a little tune-up on his guitar. When he and his friend Michael walked in, I was playing my Fender Precision and working on something I had in my mind. “I’m trying to emulate organ pedals,” I told them. “You know, like the way a Hammond player bounces the notes off a root?” I played a little of what I’d been attempting. They nodded and made a few suggestions, and then we got to the business of looking at guitars.
After they left, I picked up the bass and tried to incorporate the ideas they’d offered. Later, I looked up “Michael Rhodes” and felt like an idiot. Here was a font of bass knowledge, who had given a few snippets of wisdom without any fanfare. Perhaps if I’d known his resume beforehand, I wouldn’t have had the nerve to demonstrate my sloppy licks in front of him. Once again, I’d learned more than I’d hoped.
No matter what subject, the way to accumulate real know-how is to shut up and let people share their knowledge. Don’t worry about appearing to be smart. That’s the quick way to get the door slammed in your face. My approach is to listen and ask the dumb questions that disarm and get people talking. You might have to pan through a bunch of streambed to find gold, but the nuggets add up to real riches over time.
EBS introduces the Solder-Free Flat Patch Cable Kit, featuring dual anchor screws for secure fastening and reliable audio signal.
EBS is proud to announce its adjustable flat patch cable kit. It's solder-free and leverages a unique design that solves common problems with connection reliability thanks to its dual anchor screws and its flat cable design. These two anchor screws are specially designed to create a secure fastening in the exterior coating of the rectangular flat cable. This helps prevent slipping and provides a reliable audio signal and a neat pedal board and also provide unparalleled grounding.
The EBS Solder-Free Flat Patch Cable is designed to be easy to assemble. Use the included Allen Key to tighten the screws and the cutter to cut the cable in desired lengths to ensure consistent quality and easy assembling.
The EBS Solder-Free Flat Patch Cable Kit comes in two sizes. Either 10 connector housings with 2,5 m (8.2 ft) cable or 6 connectors housings with 1,5 m (4.92 ft) cable. Tools included.
Use the EBS Solder-free Flat Patch Cable Kit to make cables to wire your entire pedalboard or to create custom-length cables to use in combination with any of the EBS soldered Flat Patch Cables.
Estimated Price:
MAP Solder-free Flat Patch Cable Kit 6 pcs: $ 59,99
MAP Solder-free Flat Patch Cable Kit 10 pcs: $ 79,99
MSRP Solder-free Flat Patch Cable Kit 6 pcs: 44,95 €
MSRP Solder-free Flat Patch Cable Kit 10 pcs: 64,95 €
For more information, please visit ebssweden.com.
Upgrade your Gretsch guitar with Music City Bridge's SPACE BAR for improved intonation and string spacing. Compatible with Bigsby vibrato systems and featuring a compensated lightning bolt design, this top-quality replacement part is a must-have for any Gretsch player.
Music City Bridge has introduced the newest item in the company’s line of top-quality replacement parts for guitars. The SPACE BAR is a direct replacement for the original Gretsch Space-Control Bridge and corrects the problems of this iconic design.
As a fixture on many Gretsch models over the decades, the Space-Control bridge provides each string with a transversing (side to side) adjustment, making it possible to set string spacing manually. However, the original vintage design makes it difficult to achieve proper intonation.
Music City Bridge’s SPACE BAR adds a lightning bolt intonation line to the original Space-Control design while retaining the imperative horizontal single-string adjustment capability.
Space Bar features include:
- Compensated lightning bolt design for improved intonation
- Individually adjustable string spacing
- Compatible with Bigsby vibrato systems
- Traditional vintage styling
- Made for 12-inch radius fretboards
The SPACE BAR will fit on any Gretsch with a Space Control bridge, including USA-made and imported guitars.
Music City Bridge’s SPACE BAR is priced at $78 and can be purchased at musiccitybridge.com.
For more information, please visit musiccitybridge.com.
The Australian-American country music icon has been around the world with his music. What still excites him about the guitar?
Keith Urban has spent decades traveling the world and topping global country-music charts, and on this episode of Wong Notes, the country-guitar hero tells host Cory Wong how he conquered the world—and what keeps him chasing new sounds on his 6-string via a new record, High, which releases on September 20.
Urban came up as guitarist and singer at the same time, and he details how his playing and singing have always worked as a duet in service of the song: “When I stop singing, [my guitar] wants to say something, and he says it in a different way.” Those traits served him well when he made his move into the American music industry, a story that begins in part with a fateful meeting with a 6-string banjo in a Nashville music store in 1995.
It’s a different world for working musicians now, and Urban weighs in on the state of radio, social media, and podcasts for modern guitarists, but he still believes in word-of-mouth over the algorithm when it comes to discovering exciting new players.
And in case you didn’t know, Keith Urban is a total gearhead. He shares his essential budget stomps and admits he’s a pedal hound, chasing new sounds week in and week out, but what role does new gear play in his routine? Urban puts it simply: “I’m not chasing tone, I’m pursuing inspiration.”
Wong Notes is presented by DistroKid.
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PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.