For many bands, there’s a message behind the moniker.
Music directly represents the passions of the soul. If one listens to the wrong kind of music, he will become the wrong kind of person. —Aristotle
Remember Ace of Base, the innocuous Swedish pop group with ABBA overtones who sold 30 million albums in the early ’90s? A of B had not crossed my mind since ’93 until yesterday, when I listened to a Cracked podcast titled “How a Pop Band Tricked 9 Million Americans into Being Nazis.”
I’d assumed these synth-driven stars spelled “Base” as Bass, a reference to a heavy low end, but Cracked hypothesizes the group went with “Base” as a reference to the WWII-era Keroman Submarine Base. Known as the Base of Aces, it housed German U-boats during the war. This might seem like pretty thin soup by itself, but consider this: Ace of Base founder Ulf Ekberg cut his teeth in a neo-Nazi punk band called Commit Suicide, whose über-creepy lyrics include “Men in white hoods march down the road, we enjoy ourselves when we’re sawing off … heads/Immigrant, we hate you! Out, out, out, out! Nordic people, wake up now! Shoot, shoot, shoot, shoot!”
That poorly written, hateful shit Ekberg spewed in his early work makes the Nazi allusion more than likely and forces one to rethink the meaning of these lyrics to Ace of Base’s breakthrough hit “Happy Nation”: “Living in a happy nation/Where the people understand and dream of perfect man.”
As disturbing as this butthole is, one does have to admit that his band name did what a band name should: It employed clever wordplay, sounded cool, and hinted at a secret connection between musicians and their audience while looking good on a T-shirt. It’s a subtle nod that says, “Here’s what we are about. We share a connection.” Knowing what I know now, if I saw Ace of Base on a marquee, I would not go in. But if I saw the Doobie Brothers on a marquee, I would know immediately that these are my people and I’d rush to the front row.
Cliché but true: You only get one chance to make a first impression. That’s why band names remain wildly important. If you’re not clever enough to come up with a catchy handle, you’re probably not going to come up with interesting music or a good show. Everybody judges a book by its cover. That’s why every successful publisher hires the best designers to construct a cover that lures in an audience. Similarly, the name on a marquee, flyer, or Facebook post will draw or repel a crowd, so choose your name wisely.
The Beatles knew how to pick a name. Their moniker was a tip of the hat to their musical heroes, the Crickets, but—on a deeper level—the “a” in place of an “e” referenced their infectious beats. Black Flag was clever as well. A white flag means surrender, so a black flag represented anarchy, the perfect emblem for a bunch of malcontents angry at the system. Lemmy knew what he was doing with the name Motörhead. Not only is "motor head" slang for a speed freak—a shout-out to Lemmy’s fellow amphetamine lovers—but the name also gives a clue about their hell-bent, hot-rod-racing-in-the-red sound.
When I read that the band Contagious Orgasm is playing in town, of course I want to experience that. The band Gay for Johnny Depp makes me think, “Who isn’t?” Funny and lowbrow names like Butt Trumpet, Almighty Lumberjacks of Death, Henry Kissinger's Tits, and Free Beer walk that fine line between clever and stupid, which always puts butts in the seats.
But bands that go cerebral draw longer. The Doors is the perfect highbrow name. Jim Morrison was alluding to Aldous Huxley’s The Doors of Perception, which is a drug reference, but on a deeper level points to William Blake’s quote: “When the doors of perception are cleansed, things will appear to man as they truly are ... infinite.”With that name alone, the leather-clad Lizard King spread his agenda: open your mind and break on through to the other side.
Sometimes spreading an agenda trumps breaking your act. Look at Earth Crisis, a band of straight edge vegans known for their work in the animal rights movement. The name suggests that the Earth is in trouble and we need to adjust accordingly. There’s a Scottish band called Dogs Die in Hot Cars. I’ve no idea what they sound like, but their name alone serves as a public service announcement.
My guess is that Aristotle warned about listening to the wrong kind of music because he knew that a message is more easily absorbed when attached to a good melody or rhythm. When people of low character want to spread a destructive message, music can be a Trojan horse. Music can make you fall in love or march into battle, so be careful who you listen to. If you’re a band, find a handle that describes your vibe. While on the subject, check out my new project: the No-Tuning, Over-Playing, Sideways Twangers.
Linkin Park introduce new vocalist Emily Armstrong (of Dead Sara), new drummer Colin Brittain, and share their first brand new music in seven years.
Linkin Park share a new single (HERE) and video (premiering HERE at 4pm PT/7pm ET), for “The Emptiness Machine,” plus a global livestream performance (happening now HERE and available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.
These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
Tomorrow, Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future.
Without expectations, Shinoda, Delson, Farrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.
FROM ZERO
FROM ZERO TRACKLIST
- From Zero (Intro)
- The Emptiness Machine
- Cut The Bridge
- Heavy Is The Crown
- Over Each Other
- Casualty
- Overflow
- Two Faced
- Stained
- IGYEIH
- Good Things Go
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”
FROM ZERO WORLD TOUR 2024
September 11, 2024 | Kia Forum - Los Angeles, CA
September 16, 2024 | Barclays Center - New York, NY
September 22, 2024 | Barclays Arena - Hamburg, Germany
September 24, 2024 | The O2 - London, UK
September 28, 2024 | INSPIRE Arena - Seoul, South Korea
November 11, 2024 | Coliseo Medplus - Bogota, Colombia
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors – Surf Green, Electric Blue, Orange and Caramel – as well as three standard colors: Black, White and Red. There is also a CME exclusive “Chicago Cream” color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The company’s ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL