Jonathan Pearce of the Beths joins us in discussing our most beloved acoustic strummers. Plus, musical obsessions!
Q: What’s your favorite song to play on an acoustic and why?
Jonathan Pearce (The Beths) — Guest Picker
Photo by Erza Simmons
A: I love the Kenyan guitarist Henry Makobi, and I’ve tried hard to learn his song “Likuta Bibi.” I’ll never be able to play it just like him; it’s just too idiosyncratic. But I can kind of get the gist of it and it’s a wickedly clever line.
Likuta Bibi
The trick I learned from this song is to harmonize a melody in sixths, with a top line melody that’s nicely “in the chords,” but a bottom line that can sneak out, and back in, harmonically. It’s a finger twister, too—you have to fully commit to have any hope of landing it. I learned about Makobi from an interview with another musical hero of mine, the Newcastle songwriter Richard Dawson.
Jonathan Pearce's Current Obsession:
Uilleann pipe music from Ireland. This segment is making my listening seem way more diverse than it really is, but truthfully this is my current obsession. Uilleann pipes are so rock ’n’ roll to me. Like a heavily distorted electric guitar, they scream, sustain, and squawk, like they’re on the edge of feedback. The drone element is so relevant to guitar music, too, and I’m trying to get my head around the way pipers adorn melodies with grace notes and turns. The repertoire is just so great, full of dexterous and rousing melodies. I’m trying to learn to play the tin whistle, with the hope of graduating to a set of pipes one day.
Mike Blue — Reader of the Month
Mike Blue
A: “Spain” by Chick Corea.
Spain
I worked on learning that song harder than I worked on any song in 50 years. So, I only play it for me.
Mike Blue's Current Obsession:
My obsession is easy: being able to make music. Not just play notes, but make some sort of musical contribution, whatever that may be.
Ted Drozdowski — Senior Editor
A: Big Mama Thornton’s “Ball and Chain” in open Dm. I came to the song through Big Brother and Cheap Thrills but backtracked to Big Mama—an astounding person.
Big Mama Thornton 1970
She was a great musician, an out gay woman writing hits and leading a band of men around the world in the ’50s, ’60s, and ’70s. Powerful! It’s also a gateway. Down a half-step and I’m in Bentonia tuning.
Ted Drozdowski Current Obsession:
My new stereo Carr amp rig blows my mind. See my most recent Love and Sockets column.
Jason Shadrick — Associate Editor
A: I’ve been getting deeper and deeper into learning fiddle tunes and love to use the classic “Blackberry Blossom” as a good warm-up to center my mind with both hands.
Tony Rice ~ Blackberry Blossom
The fact that these tunes are eighth-note based and use pretty strict alternate picking allows me to go into an almost meditative state while working on them.
Jason Shadrick's Current Obsession:
Hands down, it’s The Rehearsal on HBO. It’s one of the most mind-bending shows I’ve ever seen, and Nathan Fielder is an absolute genius. I hesitate to say much more about it, but I guarantee there are at least a half-dozen times in the first episode where I had to pause and go, “WTF?”
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Join PG contributor Tom Butwin for a review of three exceptional dreadnought-style acoustic guitars from Larrivée, Taylor, and Breedlove, complete with a brief history lesson on the iconic guitar shape. Discover the unique features and hear the incredible tones of these modern classics.
Taylor 517e Grand Pacific Builder's Edition V-Class - Wild Honey Burst
517e Builder's Ed, Wld Hny BrstBreedlove Premier Concerto CE Acoustic-electric Guitar - Burnt Amber Adirondack/East Indian Rosewood
Prem Concerto CE Adi EIR, Brnt AmbA Godzilla-sized bass octave fuzz that is capable of doomy devastation—or more nuanced sounds that fit in mellow, organic musical settings.
Surprising selection of hazy, subtle bass-drive tones that transcend doom and desert rock.
Interactive controls can make some tones elusive when fine-tuning on the fly.
$129
Electro-Harmonix Lizard King Bass Octave Fuzz
ehx.com
Bass octave-fuzz effects aren’t typically for the timid. And as its name suggests, theEHX Lizard King largely trades in Godzilla-huge, cityscape-leveling sounds that lift bassists above Bonham-aping drummers and desert-rock guitar players that don’t have to answer to the neighbors. But there are shades of low end beyond simply menacing in the Lizard King.
Electro-Harmonix Lizard King Review by premierguitar
A big part of that flexibility starts with the sun/shadow switch. Sun mode features a mid-boosted fuzz bookended by enhanced treble and bass in the clean side of the blend. The shadow mode features flat bass and treble response and a much tighter fuzz. Each mode can be radically reshaped by the octave, blend, and tone controls, which, in various configurations, span warm overdrive with a little fuzz and fizz, glowing at the edges and thuggish realms. Many of the tones in the latter range are predictably chaotic, belching strange, colliding overtones that can sound quite tattered at more aggressive blend, tone, and octave settings—especially when you play down low on the neck. The same tones can be tightened up by playing in higher positions and especially at the 12th fret and above. The most cohesive of these tones can sound devastating while doubling, say, an SG and a Big Muff. But using subtler, hazier, and more modest octave fuzz textures can provide hip juxtaposition to mellower sounds from acoustic guitar to electric piano and synth string ensembles.
Electro-Harmonix Lizard King Octave Fuzz Pedal
Lizard King Octave Fuzz PedalMade in the U.S. with high-strength steel and a silicone cradle, it safely holds up to 25 pounds.
Strumland, a boutique brand focused on designing and building premium guitar accessories, has launched their debut product, the Studio Collection Guitar Wall Mount.
Designed to work universally with all acoustic, electric, and classical guitars, it’s a modern, rock-solid solution to showcase and protect your guitar. The sleek powder-coated steel body includes a simple yet hidden swiveling function to accommodate all guitar styles and headstock shapes. A custom cradle, molded from pure silicone, strongly supports and protects guitar necks and finishes. High-strength mounting hardware along with a user-friendly installation guide are included. The product can be safely mounted to vertical studs, wooden beams, or to standard drywall surfaces. It features an advertised maximum weight rating of 25 pounds (and can safely hold even more), well in excess of even the heaviest solid-body electric guitars.
The new hanger is precision built with a USA-made steel body and hand-assembled in Asheville, NC.” Ryan Klinger, founder and owner of Strumland, noted that “after significant R&D, we’re confident our guitar wall mount is safe to use with all properly cared for guitar finishes -including vintage instruments and those finished with nitrocellulose lacquer. It’s made to compliment the craftsmanship of your instrument. We take the responsibility of protecting and showcasing your guitar seriously.”
Strumland products are built to last and backed by the brand’s trademark Lifetime Sustain Guarantee. Available in both Pitch Black and Pure White finishes, the Strumland Studio Collection Guitar Wall Mount (MSRP: $39) is sold online only with free shipping fromStrumland.com and Amazon.com.
For more information, please visit strumland.com.
Hot lipstick pickups, a hotter red finish, and f-hole distinguish a Longhorn fit for the Sunset Strip.
Danelectro Red Hot Longhorn Semi-hollowbody Bass Guitar - Red
First introduced in 1958, Danelectro’s classic Longhorn body shape and short-scale neck is revered for its distinctive sound, heard on countless recordings. The newest Longhorn carries on this proud tradition but adds some modern touches.
Red Hot Longhorn features include:
- Red Hot top and black back & sides
- F hole and top body binding.
- Two Danelectro 50’s pickups, CRL pickup selector
- 29.75″ short-scale neck with Rosewood fretboard and 24 frets
- Traditional bridge with single adjustable rosewood saddle
- Black die-cast master volume and tone knobs